“You say, come, let’s get together. We’ll look at swatches.”
I felt compelled to do a second Reiner post for this winter holidays-related classic. He’s the ideal funny friend as Jay, telling Tom Hanks about tiramisu and how cute his butt is.
It’s a simple task: hold your own opposite Ian McKellen as he gives perhaps the performance of the 1990s. McKellen was rightly celebrated, but there were too few shouts for Fraser as essentially the insecure, stoic POV of this great film.
It’s a simple task: hold your own opposite Ian McKellen as he gives perhaps the performance of the 1990s. McKellen was rightly celebrated, but there were too few shouts for Fraser as essentially the insecure, stoic POV of this great film.
Banderas’ rendition of Armand is vital for leaning more into the intended homoeroticism of Anne Rice’s books than anyone else in the cast. There’s not enough of him, but his seductive camp take playing with the candle really pops.
Banderas’ rendition of Armand is vital for leaning more into the intended homoeroticism of Anne Rice’s books than anyone else in the cast. There’s not enough of him, but his seductive camp take playing with the candle really pops.
Raimi’s neo-noir thriller is probably his most grounded film, and it’s one of his best. After they find a bunch of money, Briscoe shines as the sad and desperate Lou while his two cohorts spiral into violence. He gets to do some divine drunk acting.
Raimi’s neo-noir thriller is probably his most grounded film, and it’s one of his best. After they find a bunch of money, Briscoe shines as the sad and desperate Lou while his two cohorts spiral into violence. He gets to do some divine drunk acting.
“In a cinema, where the lights go down and eventually you share the pulse with other people, that is magic. Cinema should be seen in cinemas”
#StellanSkarsgård #SentimentalValue #GoldenGlobes2026
“In a cinema, where the lights go down and eventually you share the pulse with other people, that is magic. Cinema should be seen in cinemas”
#StellanSkarsgård #SentimentalValue #GoldenGlobes2026
She’s a housewife and mother who is a sex worker by day. The whole film rests on her likability and processing faces, and thanks to her talents it’s a great film. Her musings about the Vietnam War work surprisingly well.
She’s a housewife and mother who is a sex worker by day. The whole film rests on her likability and processing faces, and thanks to her talents it’s a great film. Her musings about the Vietnam War work surprisingly well.
The future two-time Oscar-winner shone early with mountains of complicated dialogue and poetic turns of phrase opposite fine turns by Jeff Daniels and Kieran Culkin. Even in a cursed flirtation, she remains charming throughout.
The future two-time Oscar-winner shone early with mountains of complicated dialogue and poetic turns of phrase opposite fine turns by Jeff Daniels and Kieran Culkin. Even in a cursed flirtation, she remains charming throughout.
“Can we just talk about the bonus situation?”
Engineers Parker (Kotto) and Brett (a comparably terrific Harry Dean Stanton) provide working-class gigging humanity to Scott’s masterpiece. Kotto’s intriguing physicality and energy enhances the late action.
“Can we just talk about the bonus situation?”
Engineers Parker (Kotto) and Brett (a comparably terrific Harry Dean Stanton) provide working-class gigging humanity to Scott’s masterpiece. Kotto’s intriguing physicality and energy enhances the late action.
Monroe’s acting is usually underrated in general. But Niagara is one of her most memorable showcases, a somewhat brief role that hangs over the movie like a storm cloud. While Joseph Cotten goes a little hammy, she makes their sombre marriage real.
Monroe’s acting is usually underrated in general. But Niagara is one of her most memorable showcases, a somewhat brief role that hangs over the movie like a storm cloud. While Joseph Cotten goes a little hammy, she makes their sombre marriage real.
Everyone is good in this cult erotic thriller with a dozen-plus twists, a much cleverer movie than it may seem. But Richards as Kelly may be her best and defining role, a great poker face amid mind games with Matt Dillon and Neve Campbell.
Everyone is good in this cult erotic thriller with a dozen-plus twists, a much cleverer movie than it may seem. But Richards as Kelly may be her best and defining role, a great poker face amid mind games with Matt Dillon and Neve Campbell.
“I think we should buy him a moped.”
Kelly’s good luck charm regular Osborne shone as the jaded, baffled, George H.W. Bush-loving father to Donnie (Jake Gyllenhaal). In a quaint neighbourhood, he feels like a grunting cartoon that came to life.
“I think we should buy him a moped.”
Kelly’s good luck charm regular Osborne shone as the jaded, baffled, George H.W. Bush-loving father to Donnie (Jake Gyllenhaal). In a quaint neighbourhood, he feels like a grunting cartoon that came to life.
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T.K. Carter Dies: ‘The Thing’ & ‘Punky Brewster’ Actor Was 69
deadline.com/2026/01/tk-c...
…
T.K. Carter Dies: ‘The Thing’ & ‘Punky Brewster’ Actor Was 69
deadline.com/2026/01/tk-c...
The twisted high scool murder drama gets some heart from the romance between Clarissa (Skye) and Matt (Keanu Reeves). She’s spunky but warm; flirtatiously optimistic, but gradually finds the adults in the story less trustworthy. Skye crushes the tone.
The twisted high scool murder drama gets some heart from the romance between Clarissa (Skye) and Matt (Keanu Reeves). She’s spunky but warm; flirtatiously optimistic, but gradually finds the adults in the story less trustworthy. Skye crushes the tone.
“We’ve always been devil slayers.”
The gravelly Forsythe is an eerily natural fit for Zombie’s bleak and violent settings. As Texas Sheriff John Quincy Wydell, he’s a villain who makes the twisted Firefly family sympathetic by comparison.
“We’ve always been devil slayers.”
The gravelly Forsythe is an eerily natural fit for Zombie’s bleak and violent settings. As Texas Sheriff John Quincy Wydell, he’s a villain who makes the twisted Firefly family sympathetic by comparison.
Miller’s anthology tells stories of three women seeking liberation and escape. Her stars are Kyra Sedgwick, Parker Posey, and the ever-expressive Balk as the pregnant Paula, who bonds with a comparably lost hitchhiker.
Miller’s anthology tells stories of three women seeking liberation and escape. Her stars are Kyra Sedgwick, Parker Posey, and the ever-expressive Balk as the pregnant Paula, who bonds with a comparably lost hitchhiker.
McQueen’s Chicago thriller flew too under the radar and unheralded. Kaluuya was already clearly a destined Oscar winner when he played Jatemme, the eccentrically terrifying criminal enforcer for his brother (Brian Tyree Henry). He’s learning Spanish.
McQueen’s Chicago thriller flew too under the radar and unheralded. Kaluuya was already clearly a destined Oscar winner when he played Jatemme, the eccentrically terrifying criminal enforcer for his brother (Brian Tyree Henry). He’s learning Spanish.
In one of Canada’s most celebrated films and a modern classic, Watson stands out in a cast of heavyweights like Ian Holm, Sarah Polley, and Bruce Greenwood. In a tragedy-stricken small town, she’s one of the most melancholy and lost souls.
In one of Canada’s most celebrated films and a modern classic, Watson stands out in a cast of heavyweights like Ian Holm, Sarah Polley, and Bruce Greenwood. In a tragedy-stricken small town, she’s one of the most melancholy and lost souls.
This is a gorgeous and riveting Hong Kong crime film with a cast of greats including Tony Leung Ka-fai, Louis Koo, Nick Cheung, and the great Lam Suet. To’s muse Yam anchors the triad gang power struggle as the coolheaded contender losing morals by the day.
This is a gorgeous and riveting Hong Kong crime film with a cast of greats including Tony Leung Ka-fai, Louis Koo, Nick Cheung, and the great Lam Suet. To’s muse Yam anchors the triad gang power struggle as the coolheaded contender losing morals by the day.
The Lee standard is so high that even one of his least acclaimed films may boast the filmography’s most undeniable performance since Malcolm X. This firebrand preacher has monologues for the ages, and an unforgettable standoff with Colman Domingo.
The Lee standard is so high that even one of his least acclaimed films may boast the filmography’s most undeniable performance since Malcolm X. This firebrand preacher has monologues for the ages, and an unforgettable standoff with Colman Domingo.
It’s a little-discussed film and actor today. The flashier roles go to Gena Rowlands, and the film’s Oscar nominees Seymour Cassel and Lynn Carlin. But Marley (also known for The Godfather) anchors it all as the lead, an executive in a failing marriage.
It’s a little-discussed film and actor today. The flashier roles go to Gena Rowlands, and the film’s Oscar nominees Seymour Cassel and Lynn Carlin. But Marley (also known for The Godfather) anchors it all as the lead, an executive in a failing marriage.
Not many people were making complex adult family dramas like García in this era. The actors always flourish; this is one of his best. Washington steals it as the baker and aspiring mother - her scene with S. Epatha Merkerson is a killer.
Not many people were making complex adult family dramas like García in this era. The actors always flourish; this is one of his best. Washington steals it as the baker and aspiring mother - her scene with S. Epatha Merkerson is a killer.
You gotta wish director Richert had been in more films when you see him as Bob Pigeon, a lustfully twisted take on Shakespeare’s Falstaff. He strides with verve and spars in verse delightfully with River Phoenix, Keanu Reeves, and Flea.
You gotta wish director Richert had been in more films when you see him as Bob Pigeon, a lustfully twisted take on Shakespeare’s Falstaff. He strides with verve and spars in verse delightfully with River Phoenix, Keanu Reeves, and Flea.
Admittedly, I always love Malone. But a Refn film where she gets to play in turn warm, sinister, surreal, and conceited really pitches to her strengths. She makes the truly impossible, twisted morgue scene work as well as anyone could.
Admittedly, I always love Malone. But a Refn film where she gets to play in turn warm, sinister, surreal, and conceited really pitches to her strengths. She makes the truly impossible, twisted morgue scene work as well as anyone could.
Every other performance in this now-camp classic is either rightly maligned or reclaimed as kitsch excellence (mostly Uma Thurman). But Glover’s brief part opposite Thurman gives you a sense of the batty cartoon Schumacher was aiming to craft.
Every other performance in this now-camp classic is either rightly maligned or reclaimed as kitsch excellence (mostly Uma Thurman). But Glover’s brief part opposite Thurman gives you a sense of the batty cartoon Schumacher was aiming to craft.
Beach is wonderful against type as a quietly chilling, psychotic villain. His cold and brief remarks to crime partner Billy Bob Thornton in the car set the stage for an unpredictable neo-noir showdown with sheriff Bill Paxton at the climax.
Beach is wonderful against type as a quietly chilling, psychotic villain. His cold and brief remarks to crime partner Billy Bob Thornton in the car set the stage for an unpredictable neo-noir showdown with sheriff Bill Paxton at the climax.