“Love on the Line”, acrylic and India ink on Masonite panel. #penbradyart #birds #wildlifeart #doves #painting

“Leave No Black Plume as a Token” is Pen’s tribute to the Raven.

“Lovin’ Spoonful”, 18”x 24” acrylic and India ink on Masonite panel. Roseate Spoonbill. See more of Pen’s work at penbrady.com

“Melancholy Meltdown” brings climate change into the theme of the painting. A polar bear stands on a shrinking ice cap, with a representation of the earth below the cap and the ocean at the very bottom. Look closely and you see a tear in all three.

“Southerly Winds and a High in the Mid 90s” created in 1999. Pen’s work is still exhibiting strong NWC art influences.

“Rather than a stylized background, ‘Glade Runner’ displays an abstract design comprised of traditional NWC design elements.” —Pádraic Brady

The painting,"AeroBison" was Pen's initial departure from traditional NWC style in her earlier work. With a stylistic background, middle ground,
foreground, and a non-native mammal to the NW,This deviation from the norm signaled the beginning evolution of Pen's distinctive style.

The painting, “Moon Embrace”, completed in 1998, features Pen’s interpretation of a bat. The influence from Northwest Coast indigenous art still dominates the image.

We have one of those, too. This is Slickrat.

One of Pen’s early paintings showing the heavy influence from Pacific Northwest Coast Art. Titled “Grandmother Spider” and created with acrylic and India ink on fine art paper.

“Quietus of Ovis”, ram skull.
penbrady.com

“A Wish in the Wind”, Pen’s painting of dandelions.

“A Beginning”, Pen’s painting of a doe tending her new-born fawn.

I am transitioning my social media from FB to Bsky. A bit of a learning curve is on my plate.