Patric A. Lehmann
@patriclehmann.bsky.social
art dealer by profession, art collector-drawings, paintings, sculpture, I love architecture, minimalism, interior design, furniture, furniture design, love to travel, books, cooking, food, adventure-curious about a variety of things
Reposted by Patric A. Lehmann
In @nytopinion.nytimes.com
“There’s a future where manual driving becomes uncommon, perhaps even quaint, like riding horses is today,” Jonathan Slotkin writes. “It’s a future where we no longer accept thousands of deaths and tens of thousands of broken spines as the price of mobility.”
“There’s a future where manual driving becomes uncommon, perhaps even quaint, like riding horses is today,” Jonathan Slotkin writes. “It’s a future where we no longer accept thousands of deaths and tens of thousands of broken spines as the price of mobility.”
Opinion | The Medical Case for Self-Driving Cars
Compared to human drivers, Waymo cars were involved in 91 percent fewer crashes that resulted in serious injuries.
nyti.ms
December 2, 2025 at 9:50 PM
In @nytopinion.nytimes.com
“There’s a future where manual driving becomes uncommon, perhaps even quaint, like riding horses is today,” Jonathan Slotkin writes. “It’s a future where we no longer accept thousands of deaths and tens of thousands of broken spines as the price of mobility.”
“There’s a future where manual driving becomes uncommon, perhaps even quaint, like riding horses is today,” Jonathan Slotkin writes. “It’s a future where we no longer accept thousands of deaths and tens of thousands of broken spines as the price of mobility.”
“My pictures are full of climates - abstract climates and not nature per se, but a feeling - of an order that is associated more with nature… Nature in order - order out of chaos. Nature is always fighting that battle.”
-Helen Frankenthaler
-Helen Frankenthaler
November 29, 2025 at 9:51 PM
“My pictures are full of climates - abstract climates and not nature per se, but a feeling - of an order that is associated more with nature… Nature in order - order out of chaos. Nature is always fighting that battle.”
-Helen Frankenthaler
-Helen Frankenthaler
HELEN FRANKENTHALER
Yellow Canyon
1968
acrylic on canvas
66 7/8 x 78 inches (170 x 198.1 cm)
Yellow Canyon
1968
acrylic on canvas
66 7/8 x 78 inches (170 x 198.1 cm)
November 29, 2025 at 9:48 PM
HELEN FRANKENTHALER
Yellow Canyon
1968
acrylic on canvas
66 7/8 x 78 inches (170 x 198.1 cm)
Yellow Canyon
1968
acrylic on canvas
66 7/8 x 78 inches (170 x 198.1 cm)
CYPRIOT
Limestone temple boy
late 5th century BCE
Limestone
13 7/8 × 17 1/2 × 7 3/8 inches (35.2 × 44.5 × 18.7 cm)
The Metropolitan Museum of Art, New York, New York
www.metmuseum.org
Limestone temple boy
late 5th century BCE
Limestone
13 7/8 × 17 1/2 × 7 3/8 inches (35.2 × 44.5 × 18.7 cm)
The Metropolitan Museum of Art, New York, New York
www.metmuseum.org
November 29, 2025 at 9:14 PM
CYPRIOT
Limestone temple boy
late 5th century BCE
Limestone
13 7/8 × 17 1/2 × 7 3/8 inches (35.2 × 44.5 × 18.7 cm)
The Metropolitan Museum of Art, New York, New York
www.metmuseum.org
Limestone temple boy
late 5th century BCE
Limestone
13 7/8 × 17 1/2 × 7 3/8 inches (35.2 × 44.5 × 18.7 cm)
The Metropolitan Museum of Art, New York, New York
www.metmuseum.org
BAMANA
Boli Figure, for the Kono Society
late 19th–early 20th century
clay and organic materials
15 x 7 x 21 1/2 inches (38.1 x 17.8 x 54.6 cm)
Brooklyn Museum, Brooklyn, New York
www.brooklynmuseum.org
Boli Figure, for the Kono Society
late 19th–early 20th century
clay and organic materials
15 x 7 x 21 1/2 inches (38.1 x 17.8 x 54.6 cm)
Brooklyn Museum, Brooklyn, New York
www.brooklynmuseum.org
November 29, 2025 at 9:04 PM
BAMANA
Boli Figure, for the Kono Society
late 19th–early 20th century
clay and organic materials
15 x 7 x 21 1/2 inches (38.1 x 17.8 x 54.6 cm)
Brooklyn Museum, Brooklyn, New York
www.brooklynmuseum.org
Boli Figure, for the Kono Society
late 19th–early 20th century
clay and organic materials
15 x 7 x 21 1/2 inches (38.1 x 17.8 x 54.6 cm)
Brooklyn Museum, Brooklyn, New York
www.brooklynmuseum.org