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motherfen.bsky.social
Fen
@motherfen.bsky.social
7 followers 25 following 9 posts
Fen / He/Him 🏳️‍🌈 / 29 / Art Trades Open
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jimmusilpainter.bsky.social
My painting SAGUARO
A tall saguaro cactus let up by the setting sun. The sky is beautiful and lit up in yellows oranges and pinks.
May 3, 2025 at 2:31 PM
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cautiousimber.bsky.social
¿ʍɐƆ
Crow looking behind himself with a full vertical 180° head tilt cause he's a talented boy yes he is omg just look at him so good.
October 25, 2024 at 5:18 PM
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thingsbydiana.bsky.social
🌈✨ Spooky pastel skulls
October 25, 2024 at 4:51 PM
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catsofyore.bsky.social
Just a little guy. 🥹 www.nb.no/items/9b5aba...
Black and white studio portrait of a little shorthaired tuxedo tabby kitten, sitting up on a velvet cushion looking up into the air in a quite angelic way.
October 25, 2024 at 5:36 AM
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sammytighe.bsky.social
HAPPY LAUNCH DAY AND 1 MILLION UNITS SOLD SONIC X SHADOW GENERATIONS!!
#art #sonicthehedgehog
Shadow flying alongside Super Sonic and Classic Super Sonic with his Doom Wings
October 25, 2024 at 7:34 PM
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sonicstadium.org
Here are the latest #IDWSonic covers:

#SonicTheHedgehog 77
1. Cover A, Adam Bryce Thomas
2. Cover B, Natalie Haines
3. Cover RI, Nathalie Fourdraine

"Best of Shadow" one-shot
4. Cover by Natalie Haines

#SonicNews
October 26, 2024 at 1:41 AM
motherfen.bsky.social
I love wee meetings of birds discussing their tea of the day x
#birds #art #procreate
October 18, 2024 at 9:30 PM
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possumpunks.com
Cult💎
#art #bskyart #Ocsky #bookart
Cult poster: blue woman with cursed amulet comforted by demonic hands
October 17, 2024 at 4:19 PM
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sonicstadium.org
Not long to go now....!!! Who's HYPED for Sonic X Shadow Generations!?

#SonicTheHedgehog
October 17, 2024 at 9:15 PM
motherfen.bsky.social
Wee coffee x
#cat #sketch #art #furry #fursona #coffee
October 14, 2024 at 11:50 PM
motherfen.bsky.social
Ross Gaia sonic fan character based on his design back in school 😋

Show me your sonas and may draw some 😎

#sonicthehedgehog #sonicsona #fursona #fanart #sketch #fancharacter
October 14, 2024 at 9:43 PM
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possumpunks.com
Don't Get Carried Away Lowlife
12x18 print

#art #bskyart #prints #cats
A three eyed black cat is hissing with its back arched and fur puffed out. Captioned: Don't Get Carried Away Lowlife
October 14, 2024 at 2:24 PM
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renemagritte.bsky.social
The Banquet
This canvas is the last, largest, and most impressive of four oil paintings of this title; the three other paintings are all dated to 1957 (ill. 851–52, and p. 272, no. 857). There are also five versions of this image in gouache, starting in 1956 and extending to 1964 (ill. In ibid., vol. 4, 1994, p. 193, no. 1421, p. 198, no. 1429, p. 273, no. 1563, and pp. 275–76, nos. 1566 and 1568). Magritte first realized the idea and conceived the title for this series in the first of these gouaches completed in 1956 shortly after he announced to Mirabelle Dors and Maurice Rapin, in a letter of November 9, 1956, that "Le Banquet" was one of his latest "finds" (ibid., vol. 3, 1993, p. 267). The little sketch in this letter shows the main motif of the sun visible before a clump of trees set in an unspecified landscape. In the first oil version (as in the earlier related image, The Sixteenth of September, 1956, location unknown; ibid., vol. 3, 1993, p. 254, no. 834, ill., which shows the crescent moon on a large tree), the clump of trees is set in a meadowlike clearing dotted with large stones. In the second oil version of The Banquet, as in the Bergman canvas, the woodland glade is replaced with a stone parapet or balustrade, whose top is lit by the sun's rays. This feature suggests a parklike setting, a domesticated concept of nature suited to Magritte's deadpan, realist style. The proportions of the objects in relation to one another also differ from canvas to canvas; in the picture under dis­cussion, the sun looms larger in relation to the trees than in other versions and appears therefore closer to the viewer. It is interesting that, although the motif in essential respects is identical, significant variations mark each version as a distinct image. The Banquet series is a development of another se­ries on which Magritte had started working in February 1956 and which he called The Place in the Sun. In these pictures, Magritte focused on the Surrealist idea of displacement, but with a particular twist. One object was superimposed on another larger one to which it was unrelated. The original series included an image of a seated scribe superimposed on an apple (ibid., vol. 3, 1993, pp. 252–53, no. 833, ill.) and Sandro Botticell’s Primavera silhouetted against a figure in a bowler hat seen from behind (ibid., vol. 3, 1998, p. 258, no. 837, ill.). Magritte's approach in these pictures resembled what he referred to as "Objective stimulus,'' a term he applied to those instances in which he replaced an object familiar to a particular context with one related to it but out of place, as he did in his 1933 painting Elective Affinities of a huge egg in a birdcage (Paris, E. Perier; Sarah Whitfield, Magritte, London, The Hayward Gallery, 1992, exh. cat., no. 60, ill., n. pag.). As he explained to Rapin, The Place in the Sun is if you like an 'Objective stimulus' with the difference that the image which comes 'on' another has a still greater charge of strangeness (ibid., vol. 3, 1993, p. 253). In a subsequent letter to Dors and Rapin, Magritte wrote of The Sixteenth of September, "I have continued with my 'Places in the Sun' but by now the title is no longer suitable for a big tree in the evening with a crescent moon above it!" (ibid., vol. 3, 1993, p. 254). The object that would have been hidden (crescent moon, sun) is now visible, hiding part of the object that would have hidden it. These works are striking examples of Magritte's interest in the categories of the visible and the invisible. In a letter to André Bosmans of September 25, 1964, Magritte explained: With regard to "the invisible," I understand that which is not visible, for example; heat, weight, pleasure, etc. There is the visible that is seen: the apple on the face in The Great War, and the visible that is hidden: the face hidden by the visible apple. In The Banquet the sun hidden by the curtain of trees is, itself, visible (René Magritte, Lettres à André Bosmans, 1958-1967, ed. by Francine Perceval, Brussels, 1990, p. 383). According to the above criteria, the sun hidden by trees is an example of the "visible that is hidden." In the Banquet series, Magritte carried the implications of these reflections one step further: he actually rendered the sun visible by creating a visual conundrum, in which the sun is not displaced from its customary context, but rendered strange. At this time Magritte seems to have been interested, moreover, in the varying quality of light at different times of day. Of the second version of The Sixteenth of September (1956, Antwerp, Koninklijk Museum voor Schone Kunsten; ibid., vol. 3, 1993, p. 257, no. 836, ill.), he wrote to Dors and Rapin on August 6, 1956: "I have just painted the moon on a tree in the gray-blue colors of evening" (ibid.). In the Bergman version of The Banquet, the strong red glow of the setting sun is framed by the darkening landscape, a naturalistic effect that further dramatizes the "charge of strangeness" (Magritte, quoted in ibid., vol. 3, 1993, p. 253). The Bergman painting also has a strong formal quality, with the sun as a pure circle in the center, balanced by the strong architectural horizontal of the balustrade. In this respect, the picture recalls Max Ernst's Forest series of the late 1920s (Ernst Katalog, vol. 3, pp. 180-209, nos. 1140-96, ills.), where the circular forms of sun or moon work pictorially in both an abstract and figurative sense. –Entry, Dawn Ades, Surrealist Art: The Lindy and Edwin Bergman Collection at the Art Institute of Chicago (Chicago: Art Institute of Chicago, 1997), pp. 172–74, cat. 86. Lindy and Edwin Bergman Collection
October 14, 2024 at 3:22 PM
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mimiipyon.bsky.social
✨HOLD ON TO WHAT IF✨

my sonic expo art gallery submission this year ✨👏‼️
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#sonicthehedgehog #shadowthehedgehog
October 14, 2024 at 3:12 PM
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firepowur.bsky.social
Amy Rose Gesture
#SonicArtist #Sonic #SonicTheHedgehog #Amy #AmyRose #Fanart #Art #Digitalart #Artist
April 30, 2024 at 8:09 PM
motherfen.bsky.social
Babies first post! Its the year of Shadow so felt like doodling my son <3

Art Trades Open :3

#Sonic #Shadow #SonicTheHedgehog #ShadowTheHedgehog #Fanart #Sketch #Art #procreate
October 13, 2024 at 9:59 PM