Kenichi Mori
@mori-kenchi.bsky.social
Artist who based in Sapporo Japan/Graduated from the Versailles School of Fine Arts in France/Drawing &Oil,Tempera,Acrylic painting /I want to portray the reality of the world we live in today.
shop : https://morikenichi.base.shop/
shop : https://morikenichi.base.shop/
Making work feels less like providing answers,
and more like an act of sustaining questions.
and more like an act of sustaining questions.
January 10, 2026 at 5:58 AM
Making work feels less like providing answers,
and more like an act of sustaining questions.
and more like an act of sustaining questions.
The human condition—
having a body while living within a world of meanings and institutions—
remains a peculiar and unresolved state.
How such a condition can be addressed through painting
is still not entirely clear to me.
having a body while living within a world of meanings and institutions—
remains a peculiar and unresolved state.
How such a condition can be addressed through painting
is still not entirely clear to me.
January 10, 2026 at 5:58 AM
The human condition—
having a body while living within a world of meanings and institutions—
remains a peculiar and unresolved state.
How such a condition can be addressed through painting
is still not entirely clear to me.
having a body while living within a world of meanings and institutions—
remains a peculiar and unresolved state.
How such a condition can be addressed through painting
is still not entirely clear to me.
My current concern is how to connect stylized facial forms with realism.
This is not only a technical issue, but also reflects the ambivalent way humans exist within shared fictions and narratives
Faces that do not exist, yet still point to reality.
This exploration will continue through my works
This is not only a technical issue, but also reflects the ambivalent way humans exist within shared fictions and narratives
Faces that do not exist, yet still point to reality.
This exploration will continue through my works
January 7, 2026 at 1:07 PM
My current concern is how to connect stylized facial forms with realism.
This is not only a technical issue, but also reflects the ambivalent way humans exist within shared fictions and narratives
Faces that do not exist, yet still point to reality.
This exploration will continue through my works
This is not only a technical issue, but also reflects the ambivalent way humans exist within shared fictions and narratives
Faces that do not exist, yet still point to reality.
This exploration will continue through my works
My current concern is how to connect stylized facial forms with realism
This is not only a technical issue, but also reflects the ambivalent way humans exist within shared fictions and narratives
Faces that do not exist, yet still point to reality
This exploration will continue through small works
This is not only a technical issue, but also reflects the ambivalent way humans exist within shared fictions and narratives
Faces that do not exist, yet still point to reality
This exploration will continue through small works
January 7, 2026 at 1:00 PM
My current concern is how to connect stylized facial forms with realism
This is not only a technical issue, but also reflects the ambivalent way humans exist within shared fictions and narratives
Faces that do not exist, yet still point to reality
This exploration will continue through small works
This is not only a technical issue, but also reflects the ambivalent way humans exist within shared fictions and narratives
Faces that do not exist, yet still point to reality
This exploration will continue through small works