TPUSA’s “media”

it's so insane that she still has a career in journalism and so many talented and decent people have had to leave it. what a trash industry.

I got a lot of help from watching these folks

justice for Dacascos

forum wars took over the government. the 10,000-page thread spilled out into the streets. people are getting their doors blown open and hogtied so that nerds can win an online argument. they tanked the dollar and fucked the economy permanently to own you

The Right has spent years fantasizing about civil war because they simply want to kill liberals and leftists.

They hate democracy because they recognize that their ideas simply aren’t popular.

"you're sitting in a conex full of plastic sheeting and you've got jokes?"

the raids were also shown much more realistically than most movies, transitioning to deep clear the target structure and really going through the whole F3EAD process

it's tough to tell from the photo, especially with the water droplets and lack of reference for scale, but I bet someone with a sharp eye could ID the clip based on the dimples that appear on either side of the middle cartridge

not enough taper at the shoulder to be 7.62x54R and the clip is too short to be a Mosin, looks more like 8x57 or another .30-06

I would use my friend Eric’s tools to dismantle the masters house he’s got everything

I'll avoid further explanation because it would spoil the fun, and I could use another viewing myself with the benefit of knowing now how it ends, but its examination of fascist politics and the manic-depressive work of journalism under dictatorship uncannily captures the dark energy of our times.

"Historia de lo Oculto" is equally stylized in a different way, using the starkness of black & white (and occasional splashes of psychedelic color) to heighten the tensions between a team of TV news journos racing against the clock to expose a police state headed by actual warlocks before midnight.

The surreal, nightmarish black & white images are far more effective at conveying low-budget terror than the genre's typical faux camcorder footage. But we get a hard look at real monsters in the official investigation for a scapegoat and the overwhelming racism from their surviving white neighbors.