- Little Amélie
- Lesbian Space Princess
- Hola Frida
- Arco
- The Last Blossom
- I Am Frankelda
- The Square
- In Your Dreams
- Little Amélie
- Lesbian Space Princess
- Hola Frida
- Arco
- The Last Blossom
- I Am Frankelda
- The Square
- In Your Dreams
One last afternoon in animation paradise. Some films I had seen before were significantly enhanced by a rewatch and/or the big screen. A lot of gay and horny stuff in these programmes! You should try going to an animation festival, it is so invigorating. Meanwhile, Mum loved Little Amélie!
One last afternoon in animation paradise. Some films I had seen before were significantly enhanced by a rewatch and/or the big screen. A lot of gay and horny stuff in these programmes! You should try going to an animation festival, it is so invigorating. Meanwhile, Mum loved Little Amélie!
I’m just surprised the programmers have yet to consider the overlaps in the programme that evening
I’m just surprised the programmers have yet to consider the overlaps in the programme that evening
I did do things other than seeing a boatload of short animations on my first whole day in Manchester (visited the Science Museum), but this felt like my ideal holiday, even with the rain and caffeine withdrawal. The BlackFrame and UK shows in particular showed that our artists are cooking.
I did do things other than seeing a boatload of short animations on my first whole day in Manchester (visited the Science Museum), but this felt like my ideal holiday, even with the rain and caffeine withdrawal. The BlackFrame and UK shows in particular showed that our artists are cooking.
I Am Frankelda builds on Book of Spooks’ craft and playful gothic world while maintaining its practical charm, conveying an angry metaphor for selling your soul to a cannibalistic industry. It is also frustratingly overconfident; it takes itself too seriously and feels rushed at its length.
I Am Frankelda builds on Book of Spooks’ craft and playful gothic world while maintaining its practical charm, conveying an angry metaphor for selling your soul to a cannibalistic industry. It is also frustratingly overconfident; it takes itself too seriously and feels rushed at its length.
Arco may be bigger in ideas than it is in story and spirit, yet despite being less expansive or fulfilled than Mars Express, it is so meticulously built and animated that it becomes very easy to get locked in and swept away, and its cross-future love story poses a moving rumination on time.
Arco may be bigger in ideas than it is in story and spirit, yet despite being less expansive or fulfilled than Mars Express, it is so meticulously built and animated that it becomes very easy to get locked in and swept away, and its cross-future love story poses a moving rumination on time.
Those who travelled all the way up here to see Smiling Friends (they played the mole man and Halloween eps!) in a cinema got a surprise out of Haha, You Clowns, as well as Tokay’s kinetic stopmo thriller Double or Nothing. Hated to hear “content” uttered so often but a good time regardless!
Those who travelled all the way up here to see Smiling Friends (they played the mole man and Halloween eps!) in a cinema got a surprise out of Haha, You Clowns, as well as Tokay’s kinetic stopmo thriller Double or Nothing. Hated to hear “content” uttered so often but a good time regardless!
This panel tapped into building a safe work environment for neurotypical artists, hyperfixation in creativity and whether Wallace (the inventor) is autistic, but most of all left me pondering what my life would have been like had my parents afforded to buy me that Spielberg Lego Studio kit.
This panel tapped into building a safe work environment for neurotypical artists, hyperfixation in creativity and whether Wallace (the inventor) is autistic, but most of all left me pondering what my life would have been like had my parents afforded to buy me that Spielberg Lego Studio kit.
Kenji Iwaisawa’s 100 Meters maintains but also reframes his drastic shifts from stillness and mundanity to heightened, visceral rotoscoped energy. Another fiery entry into the latest sports anime canon and a celebration of being alive; the Look Back analogies ain’t exactly wrong.
Kenji Iwaisawa’s 100 Meters maintains but also reframes his drastic shifts from stillness and mundanity to heightened, visceral rotoscoped energy. Another fiery entry into the latest sports anime canon and a celebration of being alive; the Look Back analogies ain’t exactly wrong.
Edge of Tomorrow supremacy, yet ALL YOU NEED IS KILL does have a neat grasp on strength in repetition and the horror of the time loop —before it gets very cute with the romance. Should have been hand drawn, even gorier; but in exploring 3DCG’s greater potential, 4°C succeeds.
Edge of Tomorrow supremacy, yet ALL YOU NEED IS KILL does have a neat grasp on strength in repetition and the horror of the time loop —before it gets very cute with the romance. Should have been hand drawn, even gorier; but in exploring 3DCG’s greater potential, 4°C succeeds.
The Last Blossom - Baku Kinoshita’s endearing style and to a lesser extent a wisecracking balsam bring an eccentric flavour to a small and reserved yet emotionally mighty heartwarmer, that steadily observes sacrifice and the uncertain passage of time, reaching a profound payoff.
The Last Blossom - Baku Kinoshita’s endearing style and to a lesser extent a wisecracking balsam bring an eccentric flavour to a small and reserved yet emotionally mighty heartwarmer, that steadily observes sacrifice and the uncertain passage of time, reaching a profound payoff.