My hottest Who take is that a series with Chibnall as a dedicated Producer and Moffat as dedicated Head Writer would’ve been a match made in heaven and used each one’s skillset perfectly.

I don’t know if I’m being naive here but surely the idea of “seasons” is that they are “seasonal” i.e. annual?

Classic bit

Love that Red Ray

It’s nice to see a steady upwards trajectory in quality for a series that started off as a fairly paint by numbers affair and has now gotten to grips with the charm of its source material to produce some solid family films.

Very. The amount of work you had to do in terms of inserting 10 links in a 600 word piece, while also making your own images for a pittance was absolutely criminal.

I often wondered what editors were being paid for exactly but who’s to say they weren’t in the same boat?

I also learned the only way to have any kind of voice in that sector was to write about fan art because there was practically nothing to say about it, allowing me to sneak in my own observations and opinions on the topic to pad out the thing while also keeping from going brain dead.

I used to be a Film/TV News writer for them back when I was desperate to have anything other to do than my day job.

It was amazing going through training how articles are deliberately structured to bury the thing that it’s meant to be about 3/4 paragraphs in after 5 links to other site content.

Yeah that’s a little awkward, would’ve preferred it being anywhere else in the trailer

That same ethos behind the lack of a title very much comes from a good place btw 🦇

I thought this account was supposed to be incognito?