Mathis Nitschke
@mathisnitschke.bsky.social
Mathis Nitschke is a renowned music composer and sound designer with extensive experience in film, games, and interactive environments.
https://linktr.ee/mathisnitschke
https://linktr.ee/mathisnitschke
Monday, 27 Oct 2025 · Schwere Reiter, Munich · Free Entry
crps.ai/live
You’re welcome to come from 6:00 pm. The installation will be running; we can talk, have a drink, some food — and you can experience this sonic space.
At 7:30 pm, the official part begins.
crps.ai/live
You’re welcome to come from 6:00 pm. The installation will be running; we can talk, have a drink, some food — and you can experience this sonic space.
At 7:30 pm, the official part begins.
CORPUS LIVE
27 Oct 2025 · Schwere Reiter, Munich · Launch of our platform powered by the pioneering CORPUS royalty protocol — enabling musicians to contribute to a licensed music library for AI training and build...
crps.ai
October 21, 2025 at 4:40 AM
Monday, 27 Oct 2025 · Schwere Reiter, Munich · Free Entry
crps.ai/live
You’re welcome to come from 6:00 pm. The installation will be running; we can talk, have a drink, some food — and you can experience this sonic space.
At 7:30 pm, the official part begins.
crps.ai/live
You’re welcome to come from 6:00 pm. The installation will be running; we can talk, have a drink, some food — and you can experience this sonic space.
At 7:30 pm, the official part begins.
If you’re a musician, researcher, or work in music for games, film, or tech — this is for you.
Join us. Let’s shape the future of music — together.
🔗 crps.ai
@crpsai.bsky.social (10/10)
Join us. Let’s shape the future of music — together.
🔗 crps.ai
@crpsai.bsky.social (10/10)
CORPUS
a new licensing system for music – where artists lead, and AI follows
crps.ai
June 18, 2025 at 7:06 AM
If you’re a musician, researcher, or work in music for games, film, or tech — this is for you.
Join us. Let’s shape the future of music — together.
🔗 crps.ai
@crpsai.bsky.social (10/10)
Join us. Let’s shape the future of music — together.
🔗 crps.ai
@crpsai.bsky.social (10/10)
CORPUS is a project by @sofilab_io, backed by the EU and private investment.
Next: we launch Reef, our generative AI tool built on CORPUS. (9/10)
Next: we launch Reef, our generative AI tool built on CORPUS. (9/10)
June 18, 2025 at 7:06 AM
CORPUS is a project by @sofilab_io, backed by the EU and private investment.
Next: we launch Reef, our generative AI tool built on CORPUS. (9/10)
Next: we launch Reef, our generative AI tool built on CORPUS. (9/10)
AI can’t replace creativity. But it can unlock new forms of expression — if the foundation is solid. That’s what we’re building. (8/10)
June 18, 2025 at 7:06 AM
AI can’t replace creativity. But it can unlock new forms of expression — if the foundation is solid. That’s what we’re building. (8/10)
CORPUS isn’t just a dataset.
It’s a new standard.
A movement to put artists at the center of innovation — where they belong. (7/10)
It’s a new standard.
A movement to put artists at the center of innovation — where they belong. (7/10)
June 18, 2025 at 7:06 AM
CORPUS isn’t just a dataset.
It’s a new standard.
A movement to put artists at the center of innovation — where they belong. (7/10)
It’s a new standard.
A movement to put artists at the center of innovation — where they belong. (7/10)
Most music AIs today are built on unlicensed data. They sound impressive — but the foundation is broken. (6/10)
June 18, 2025 at 7:06 AM
Most music AIs today are built on unlicensed data. They sound impressive — but the foundation is broken. (6/10)
It’s created by real musicians.
No scraping. No gray areas.
Every contribution is opted-in and fairly rewarded through a dynamic royalty system. (5/10)
No scraping. No gray areas.
Every contribution is opted-in and fairly rewarded through a dynamic royalty system. (5/10)
June 18, 2025 at 7:06 AM
It’s created by real musicians.
No scraping. No gray areas.
Every contribution is opted-in and fairly rewarded through a dynamic royalty system. (5/10)
No scraping. No gray areas.
Every contribution is opted-in and fairly rewarded through a dynamic royalty system. (5/10)
CORPUS is our answer.
We’re building the first high-quality, ethical, and legally compliant music training corpus for AI. (4/10)
We’re building the first high-quality, ethical, and legally compliant music training corpus for AI. (4/10)
June 18, 2025 at 7:06 AM
CORPUS is our answer.
We’re building the first high-quality, ethical, and legally compliant music training corpus for AI. (4/10)
We’re building the first high-quality, ethical, and legally compliant music training corpus for AI. (4/10)
Now, with AI rewriting the rules of creativity, the question is urgent:
How do we ensure this shift benefits musicians — not erases them? (3/10)
How do we ensure this shift benefits musicians — not erases them? (3/10)
June 18, 2025 at 7:06 AM
Now, with AI rewriting the rules of creativity, the question is urgent:
How do we ensure this shift benefits musicians — not erases them? (3/10)
How do we ensure this shift benefits musicians — not erases them? (3/10)
I’ve spent my life exploring how technology can expand artistic work — from opera and sound installations to immersive environments. (2/10)
June 18, 2025 at 7:06 AM
I’ve spent my life exploring how technology can expand artistic work — from opera and sound installations to immersive environments. (2/10)
📷: Foto by Helen Karam for Holophonix taken at Opera Comique, Paris
#ArtInProcess #CreativeLabor #MusicTheatre #SoundDesign #NoShortcuts #GenerativeAI #Holophonix #RaphaëlPichon #ClausGuth #groundtruth (9/9)
#ArtInProcess #CreativeLabor #MusicTheatre #SoundDesign #NoShortcuts #GenerativeAI #Holophonix #RaphaëlPichon #ClausGuth #groundtruth (9/9)
April 16, 2025 at 6:05 AM
📷: Foto by Helen Karam for Holophonix taken at Opera Comique, Paris
#ArtInProcess #CreativeLabor #MusicTheatre #SoundDesign #NoShortcuts #GenerativeAI #Holophonix #RaphaëlPichon #ClausGuth #groundtruth (9/9)
#ArtInProcess #CreativeLabor #MusicTheatre #SoundDesign #NoShortcuts #GenerativeAI #Holophonix #RaphaëlPichon #ClausGuth #groundtruth (9/9)
Not because it’s a novel idea.
But because if we don’t, we may soon have nothing left to defend. (8/9)
But because if we don’t, we may soon have nothing left to defend. (8/9)
April 16, 2025 at 6:05 AM
Not because it’s a novel idea.
But because if we don’t, we may soon have nothing left to defend. (8/9)
But because if we don’t, we may soon have nothing left to defend. (8/9)
Maybe it’s time we shift the focus toward the value of process itself.
And invite more people to take part in it – not just as spectators, but as co-thinkers and co-feelers. (7/9)
And invite more people to take part in it – not just as spectators, but as co-thinkers and co-feelers. (7/9)
April 16, 2025 at 6:05 AM
Maybe it’s time we shift the focus toward the value of process itself.
And invite more people to take part in it – not just as spectators, but as co-thinkers and co-feelers. (7/9)
And invite more people to take part in it – not just as spectators, but as co-thinkers and co-feelers. (7/9)
In doing so, we’ve underestimated how easily the value of the outcome itself can be undermined when “results” seem possible without process.
Fast, cheap, and at scale. (6/9)
Fast, cheap, and at scale. (6/9)
April 16, 2025 at 6:05 AM
In doing so, we’ve underestimated how easily the value of the outcome itself can be undermined when “results” seem possible without process.
Fast, cheap, and at scale. (6/9)
Fast, cheap, and at scale. (6/9)
In the age of generative AI, this has become a real problem:
We artists have spent too long showcasing outcomes – not how they came to be. (5/9)
We artists have spent too long showcasing outcomes – not how they came to be. (5/9)
April 16, 2025 at 6:05 AM
In the age of generative AI, this has become a real problem:
We artists have spent too long showcasing outcomes – not how they came to be. (5/9)
We artists have spent too long showcasing outcomes – not how they came to be. (5/9)
The final result, a fusion of baroque music and cinematic sound design, is not something either of us could have created alone.
It’s the product of a shared journey, not just a finished artifact. (4/9)
It’s the product of a shared journey, not just a finished artifact. (4/9)
April 16, 2025 at 6:05 AM
The final result, a fusion of baroque music and cinematic sound design, is not something either of us could have created alone.
It’s the product of a shared journey, not just a finished artifact. (4/9)
It’s the product of a shared journey, not just a finished artifact. (4/9)
For Samson (after Rameau, directed by Claus Guth), I worked with Raphaël Pichon – and rarely has a process felt more intense. (3/9)
April 16, 2025 at 6:05 AM
For Samson (after Rameau, directed by Claus Guth), I worked with Raphaël Pichon – and rarely has a process felt more intense. (3/9)
But it’s precisely that path – the joint struggle over every pitch, every duration, every nuance of sound – that I would call “ground truth” in art. (2/9)
April 16, 2025 at 6:05 AM
But it’s precisely that path – the joint struggle over every pitch, every duration, every nuance of sound – that I would call “ground truth” in art. (2/9)
Why do I feel this intensity each time? I can’t decipher it. And maybe that in itself is already the answer. #OperaComique #Paris #TheaterMagic #Art #Creativity #Performance #GroundTruth #WhyArtMatters #Mystery #AIvsArt (4/4)
March 6, 2025 at 6:40 PM
Why do I feel this intensity each time? I can’t decipher it. And maybe that in itself is already the answer. #OperaComique #Paris #TheaterMagic #Art #Creativity #Performance #GroundTruth #WhyArtMatters #Mystery #AIvsArt (4/4)
Of course, this initial excitement fades as soon as you dive into the nitty-gritty of rehearsals, but—like in any love affair—there is a deep intimacy. This tingling is what I experience as a ground truth. (3/4)
March 6, 2025 at 6:40 PM
Of course, this initial excitement fades as soon as you dive into the nitty-gritty of rehearsals, but—like in any love affair—there is a deep intimacy. This tingling is what I experience as a ground truth. (3/4)