Mathis Nitschke
@mathisnitschke.bsky.social
Mathis Nitschke is a renowned music composer and sound designer with extensive experience in film, games, and interactive environments.
https://linktr.ee/mathisnitschke
https://linktr.ee/mathisnitschke
From internal architecture to external reality – a short update on CORPUS and the year ahead.
Last week, our core team met in Munich for a strategic workshop – something we had postponed for too long. As a fully remote team, these moments of shared physical and conceptual space are essential to align direction, priorities, and assumptions. 1/10
January 25, 2026 at 7:56 PM
From internal architecture to external reality – a short update on CORPUS and the year ahead.
As artists, we know absolute originality doesn’t exist. Yet copyright still leans heavily on it. With machine learning, that tension is no longer theoretical.
The text doesn’t propose answers. It clarifies why the question itself is under pressure.
journal.crps.ai/originality-...
The text doesn’t propose answers. It clarifies why the question itself is under pressure.
journal.crps.ai/originality-...
Originality Is a Story We Keep Telling
Originality feels self-evident until examined. It is central to art, value, and legal protection, yet collapses quickly under scrutiny. Anyone who has seriously practiced or studied art knows how frag...
journal.crps.ai
January 9, 2026 at 7:01 AM
As artists, we know absolute originality doesn’t exist. Yet copyright still leans heavily on it. With machine learning, that tension is no longer theoretical.
The text doesn’t propose answers. It clarifies why the question itself is under pressure.
journal.crps.ai/originality-...
The text doesn’t propose answers. It clarifies why the question itself is under pressure.
journal.crps.ai/originality-...
That was fun.
CORPUS LIVE made our digital project tangible for one evening.
Music, conversations, and a full room showed what this is really about: a real community, a serious engagement with music, and an infrastructure that doesn’t hide complexity.
Here’s the aftershow video
Music, conversations, and a full room showed what this is really about: a real community, a serious engagement with music, and an infrastructure that doesn’t hide complexity.
Here’s the aftershow video
November 15, 2025 at 5:53 PM
That was fun.
What if music were no longer time — with a beginning, an end, and a development in between — but a space one can enter, move within, explore?
A space that changes through one’s own activity.
A space that changes through one’s own activity.
October 21, 2025 at 4:35 AM
What if music were no longer time — with a beginning, an end, and a development in between — but a space one can enter, move within, explore?
A space that changes through one’s own activity.
A space that changes through one’s own activity.
CORPUS is here.
A new project for anyone who believes the future of music should be shaped with artists — not against them.
@crpsai.bsky.social (1/10)
A new project for anyone who believes the future of music should be shaped with artists — not against them.
@crpsai.bsky.social (1/10)
June 18, 2025 at 7:06 AM
CORPUS is here.
A new project for anyone who believes the future of music should be shaped with artists — not against them.
@crpsai.bsky.social (1/10)
A new project for anyone who believes the future of music should be shaped with artists — not against them.
@crpsai.bsky.social (1/10)
Reposted by Mathis Nitschke
The narrative that #AI will do all routine and we can just focus on important/strategic/big picture things works because it tell us that we are oh so smart and special. WE DO THE BIG STUFF.
Newsflash: If your big picture decisions are not grounded in real experience they are gonna end up bullshit.
Newsflash: If your big picture decisions are not grounded in real experience they are gonna end up bullshit.
May 26, 2025 at 3:27 PM
The narrative that #AI will do all routine and we can just focus on important/strategic/big picture things works because it tell us that we are oh so smart and special. WE DO THE BIG STUFF.
Newsflash: If your big picture decisions are not grounded in real experience they are gonna end up bullshit.
Newsflash: If your big picture decisions are not grounded in real experience they are gonna end up bullshit.
#groundtruth
These images usually emerge at the beginning and the end of a collaboration. The process in between remains mostly invisible. (1/9)
These images usually emerge at the beginning and the end of a collaboration. The process in between remains mostly invisible. (1/9)
April 16, 2025 at 6:05 AM
#groundtruth
These images usually emerge at the beginning and the end of a collaboration. The process in between remains mostly invisible. (1/9)
These images usually emerge at the beginning and the end of a collaboration. The process in between remains mostly invisible. (1/9)
#groundtruth ??? In times when AI models simulate art at lightning speed and political decision-makers refuse to acknowledge facts, the question of fundamental truth in artistic creation seems more topical than ever. (1/4)
March 6, 2025 at 6:40 PM
#groundtruth ??? In times when AI models simulate art at lightning speed and political decision-makers refuse to acknowledge facts, the question of fundamental truth in artistic creation seems more topical than ever. (1/4)
#groundtruth
Sometimes the truth only hits us when it’s been absent for a while. I vividly remember the feeling after the premiere of “When We Have Sufficiently Tortured Each Other” (Martin Crimp) at Schauspiel Köln, where I provided the musical design. (1/5)
Sometimes the truth only hits us when it’s been absent for a while. I vividly remember the feeling after the premiere of “When We Have Sufficiently Tortured Each Other” (Martin Crimp) at Schauspiel Köln, where I provided the musical design. (1/5)
February 25, 2025 at 3:52 PM
#groundtruth
Sometimes the truth only hits us when it’s been absent for a while. I vividly remember the feeling after the premiere of “When We Have Sufficiently Tortured Each Other” (Martin Crimp) at Schauspiel Köln, where I provided the musical design. (1/5)
Sometimes the truth only hits us when it’s been absent for a while. I vividly remember the feeling after the premiere of “When We Have Sufficiently Tortured Each Other” (Martin Crimp) at Schauspiel Köln, where I provided the musical design. (1/5)
#groundtruth
As an inventor working at the intersection of music, new technologies, and especially AI, I often wonder what “actual truth” in artistic work really is.
As an inventor working at the intersection of music, new technologies, and especially AI, I often wonder what “actual truth” in artistic work really is.
February 21, 2025 at 12:21 PM
#groundtruth
As an inventor working at the intersection of music, new technologies, and especially AI, I often wonder what “actual truth” in artistic work really is.
As an inventor working at the intersection of music, new technologies, and especially AI, I often wonder what “actual truth” in artistic work really is.
What does “ground truth” mean in music and new tech? It’s the reality created when musicians & listeners share the same space. No matter how advanced our tools or AI become, the heart of music remains that human connection. #groundtruth (1/5)
February 19, 2025 at 8:38 AM
What does “ground truth” mean in music and new tech? It’s the reality created when musicians & listeners share the same space. No matter how advanced our tools or AI become, the heart of music remains that human connection. #groundtruth (1/5)
Reposted by Mathis Nitschke
Bei Hitlers brennt noch Licht.
November 18, 2023 at 3:49 PM
Bei Hitlers brennt noch Licht.