Kirill Maslinsky
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maslinych.bsky.social
Kirill Maslinsky
@maslinych.bsky.social
Computational literary studies with a modicum of pure linguistics | research design, infrastructure and methods guy | open data enthusiast and curator | doing theory+engineering @ ERC Advanced project “Theory of tone” @ INALCO, Paris
Reposted by Kirill Maslinsky
How to model learning of Mandarin tones with no supervision, from raw sound, with a realistic model of human language learning?
The model learns the four tones (male only near perfectly) and also replicates stages of tone learning in language acquisition. What is more difficult to learn for children
September 23, 2025 at 3:54 PM
Reposted by Kirill Maslinsky
I often show students this figure and ask, how different is the green distribution (p < 0.05) from the blue distribution (p = 0.10)? Just to raise some awareness that the difference between "statistical significant" and "not significant" is not always that significant...
June 3, 2025 at 6:57 AM
Reposted by Kirill Maslinsky
A scholar possessing a singular vision and a frightening working resilience, he was hounded by Stalin repression machine, exiled, denied academic positions, firewood and food; his work was largely forgotten until 2000s.

So we, who were influenced by him at the rise of DH, keep remembering.
March 26, 2025 at 12:43 PM
Reposted by Kirill Maslinsky
Boris Yarkho, a Moscow formalist, was born today in 1889; his work of 1920-1930s fully anticipates computational literary studies: statistical methods used not for stylistics or attribution, but for questions of literary history and theory

Read him, if you haven't www.degruyter.com/document/doi...
Speech Distribution in Five-Act Tragedies (A Question of Classicism and Romanticism)
Article Speech Distribution in Five-Act Tragedies (A Question of Classicism and Romanticism) was published on March 1, 2019 in the journal Journal of Literary Theory (volume 13, issue 1).
www.degruyter.com
March 26, 2025 at 12:43 PM
no context graph: the number of translated books for children printed in Soviet Russia and USSR 1918-1984, split into “cohorts” by the moment a translated author first appears in the data. In red are mostly those “classics” who stay with us: Grimms, Andersen, Jules Verne etc.
March 26, 2025 at 5:48 AM
Reposted by Kirill Maslinsky
Along these lines, I recommend Carys Craig's "The AI-Copyright Trap," which argues (in my view convincingly) that copyright law is not actually academics' friend in a context in which big tech has more money than God:

papers.ssrn.com/sol3/papers....
March 22, 2025 at 2:05 PM
“Newness exists only in the minds of new up and coming researchers who didn’t live through it last time. To be really blunt, newness is just ignorance of the past.”
March 11, 2025 at 8:31 AM
While the world is on fire, and datasets disappear here and there, we continue our modest effort to publish open data on Russian literature. This time, the contents of the Soviet “thick journals” 1955—1990, a dataset by Daria Franklin www.dariafranklin.com. See ↓ for the data
March 3, 2025 at 4:09 PM
thinking how optimality theory in phonology is like the linear modeling in social science. A model you can use when you don't have any specific theory of language, really. Epicycles all way down
February 6, 2025 at 12:34 PM
How many tonal languages are out there in the world? If you need an estimate based on most comprehensive database to date, here it is: 42.7%. Concisely on a poster presented today at the #OCP22 conference in Amsterdam: zenodo.org/records/1481.... The database itself is online and has more ↓
February 5, 2025 at 8:37 PM
Reposted by Kirill Maslinsky
No context graph: a yearly proportion of total print run of all books for children printed in Soviet Russia/USSR split by gender of the author. Note the fluctuations of the share of the female authors. 1931 marks the governmental ban of private publishers, 1941 the nazi invasion. →
December 27, 2024 at 7:51 PM
“...it is important that everyone interested in data about culture is aware of the extent to which commercial interest prevents us from accessing data about the world in which we live, and uses the same data to shape the world for us.”
bsky.app/profile/andr...
This is a post about data, but we should have written it as a post about national and international cultural institutions. They can play a vital role not only in the production and circulation of culture, but also, in making it discoverable, researchable, knowable.
open.substack.com/pub/translat...
Data about translation flows
We don't have much. Where can we get more?
open.substack.com
December 18, 2024 at 7:26 AM
NB: the huge thing -- an open multilingual corpus of poetry
December 2, 2024 at 10:02 PM
Can we see censorship in a historical corpus when it's hidden in plain sight? Our new #CHR2024 paper with Ekaterina Vozhik and @romanlisiukov.bsky.social looks for the footprint of censorship pressure in the trends of topic co-occurrence. 1/n
November 30, 2024 at 4:12 PM