Literal minutes (if you don't skip) of people giving talks on stage or sitting in dark rooms trying to sound smart to trick you into thinking you need to buy their bullshit useless agent to keep up with them vs. "pay us and we'll pretend to be a brick and mortar address for your home business!"

Lots of people who created incredible art and DIDN'T sexually harass women still had to retire and become grocers. Like, why is there this belief that once you reach a certain level of fame that even if you're cancelled you're entitled to work that will give you a shot at still living in NY or LA?

Oh, thank God, thought I overwrote my save at the prison section without doing the nightmare easter egg, but I still have one just before it. I did thoughtlessly overwrite my save at The End, but, eh.

I have affection for the English Metal Gear voice actors, obvs, but being able to play with JP voices and English subtitles makes me dearly wish I could play the other games like that. It's a very different take on Snake that is just so much easier to buy as an actual person.

It really bothered me that you could see the bones of a story and vision, haphazardly repurposed into the minimum viable product of an open world game, before that became the majority of AAA open world games anyway, even the Ubisoft ones that don't change direction at the 11th hour. But it was fun.

Never touched the PC Engine/TG16 but it seems like it has a lot of games that look awesome in a screenshot and then as soon as you see them in motion, not so much.