Shakespeare is a great example (well, it's theater not literature, but you get the point).
Shakespeare is a great example (well, it's theater not literature, but you get the point).
Ideally you should read a mix of both, but the optimal ratio varies from person to person.
Ideally you should read a mix of both, but the optimal ratio varies from person to person.
I mainly rationalize it as a defense mechanism. He's forcing himself to be cartoonishly evil and fanatical to try and suppress his conscience.
I mainly rationalize it as a defense mechanism. He's forcing himself to be cartoonishly evil and fanatical to try and suppress his conscience.
It feels like Coogler is saying "Remember this is a horror film? Look at these horror things!" but the rest of the film is solidly a thriller, so it just feels like the film has an identity crisis.
But still, a very enjoyable watch.
It feels like Coogler is saying "Remember this is a horror film? Look at these horror things!" but the rest of the film is solidly a thriller, so it just feels like the film has an identity crisis.
But still, a very enjoyable watch.
So why the snake jumpscare? Why the
So why the snake jumpscare? Why the
The white woman going through the dark hallways calling for her husband who has just been killed is a great setup, but then nothing happens. The vampire and her newly-turned husband are just sitting there chilling and then we cut away and she just dies off screen.
Hell
The white woman going through the dark hallways calling for her husband who has just been killed is a great setup, but then nothing happens. The vampire and her newly-turned husband are just sitting there chilling and then we cut away and she just dies off screen.
Hell
The snake jumpscare towards the start of the film feels forced and out of place because it's the
The snake jumpscare towards the start of the film feels forced and out of place because it's the