🚵🏻 Substack: https://open.substack.com/pub/jonnykeyworth
I’ve got a really exciting digital project coming up this year - hope to share some of the journey on here 🙌🏻
I’ve got a really exciting digital project coming up this year - hope to share some of the journey on here 🙌🏻
AM: In These Times - Makaya McCraven
PM: Fennesz - Mosaic
AM: In These Times - Makaya McCraven
PM: Fennesz - Mosaic
Bring on 2025.
Bring on 2025.
Love that Bill Orcutt has called How to Rescue Things “Derek Bailey's jungle record but with Perry Como instead of drum n bass”
Love that Bill Orcutt has called How to Rescue Things “Derek Bailey's jungle record but with Perry Como instead of drum n bass”
Late hazy, woozy, addictive additions over the last week or so: YATTA’s Palm Wine and Astrid Sonne’s Great Doubt.
Late hazy, woozy, addictive additions over the last week or so: YATTA’s Palm Wine and Astrid Sonne’s Great Doubt.
A slow burner, beautiful folk songs that have burrowed their way into my brain feeling eternally familiar whilst refreshingly new.
A slow burner, beautiful folk songs that have burrowed their way into my brain feeling eternally familiar whilst refreshingly new.
Effortless and confident, beautifully crafted pop songs wrapped in shoegazey tones.
Effortless and confident, beautifully crafted pop songs wrapped in shoegazey tones.
I read somewhere that Feinberg wanted this record to sound like a dream that could go on forever, and he just about nails that with this set of songs. An understated, quiet moment yet one that is elegant and propulsive in just the right measures.
I read somewhere that Feinberg wanted this record to sound like a dream that could go on forever, and he just about nails that with this set of songs. An understated, quiet moment yet one that is elegant and propulsive in just the right measures.
Sort of a baggy Stereolab set of psych-pop, with some My Bloody Valentine harshness thrown in for good measure.
Sort of a baggy Stereolab set of psych-pop, with some My Bloody Valentine harshness thrown in for good measure.
An album that very carefully unfurls, at times feeling like the tape is going to unspool and disintegrate, but Patrick Shiroishi’s saxophone teases out the yearning voice of the record. Listened to this on many walks and rambles.
An album that very carefully unfurls, at times feeling like the tape is going to unspool and disintegrate, but Patrick Shiroishi’s saxophone teases out the yearning voice of the record. Listened to this on many walks and rambles.
This is spiritual jazz, it’s the sound of infinity. But this isn’t an album to drift off to, it propels then calms and propels then calms in an enrapturing journey.
This is spiritual jazz, it’s the sound of infinity. But this isn’t an album to drift off to, it propels then calms and propels then calms in an enrapturing journey.
Mondays at The Enfield Tennis Academy was an incredible building and flowing exploration of a vibe, and this picks up where that left off. The members of the IVtet have all made great albums of their own this year, and here they all are, in one place.
Mondays at The Enfield Tennis Academy was an incredible building and flowing exploration of a vibe, and this picks up where that left off. The members of the IVtet have all made great albums of their own this year, and here they all are, in one place.
Probably my album of the year. A fearless exploration of what a three piece “rock”/“art rock” band can be. US Maple channeled through pirate radio and UK Garage. Unlike anything I’ve ever heard.
Probably my album of the year. A fearless exploration of what a three piece “rock”/“art rock” band can be. US Maple channeled through pirate radio and UK Garage. Unlike anything I’ve ever heard.