Media theory ~ archival studies ~ videographic criticism
Author of Towards a Film Theory from Below
https://qmul.academia.edu/JiriAnger
CFP for FMH: Feminist Archaeologies of Desktop media is here 🔥
Looking for written articles as well as video essays
Send us your abstracts by October 28, 2025!
🫶 Don’t miss this once-in-a-lifetime opportunity 🫡
A special issue on Feminist Archaeologies of Desktop media, guest edited by Jiří Anger & Veronika Hanáková.
The deadline for proposals is October 28, 2025.
Read the full CFP below:
online.ucpress.edu/fmh/pages/cfp
CFP for FMH: Feminist Archaeologies of Desktop media is here 🔥
Looking for written articles as well as video essays
Send us your abstracts by October 28, 2025!
🫶 Don’t miss this once-in-a-lifetime opportunity 🫡
Special thanks to @tomasjirsa.bsky.social @carobirdsall.bsky.social @veronikahanakova.bsky.social.
Special thanks to @tomasjirsa.bsky.social @carobirdsall.bsky.social @veronikahanakova.bsky.social.
The first block explores media gestures.
The first block explores media gestures.
The newest issue of MOVIE has just been published, and I’m excited to share that it features our audiovisual essay, A Tale of Two Desktops: The First Czech Films in Parallel Worlds, co-authored with @jirianger.bsky.social and Jiří Žák.
warwick.ac.uk/fac/arts/sca...
The newest issue of MOVIE has just been published, and I’m excited to share that it features our audiovisual essay, A Tale of Two Desktops: The First Czech Films in Parallel Worlds, co-authored with @jirianger.bsky.social and Jiří Žák.
warwick.ac.uk/fac/arts/sca...
✨ Cycles of Labour won Best Videographic Criticism @veronikahanakova.bsky.social @m-tremcinsky.bsky.social
🔥 Towards a Film Theory from Below is Runner-Up, Best Monograph
Endless thanks for the support!
✨ Cycles of Labour won Best Videographic Criticism @veronikahanakova.bsky.social @m-tremcinsky.bsky.social
🔥 Towards a Film Theory from Below is Runner-Up, Best Monograph
Endless thanks for the support!
👉 Towards a Film Theory from Below: Best Monograph
👉 Cycles of Labour: Best Videographic Criticism
@veronikahanakova.bsky.social
Congratulations to all the nominees, especially
@filmstudiesff.bsky.social
👉 www.baftss.org/awards-2025....
👉 Towards a Film Theory from Below: Best Monograph
👉 Cycles of Labour: Best Videographic Criticism
@veronikahanakova.bsky.social
Congratulations to all the nominees, especially
@filmstudiesff.bsky.social
👉 www.baftss.org/awards-2025....
Date: November 29, 2024
Time: 14:30-17:00 hrs (CET)
Location: University of Amsterdam, Turfdraagsterpad 9 (BG1), room 0.16 (eLab)
Online: Teams (Meeting ID: 326 613 010 851, Passcode: pN7X4R)
Date: November 29, 2024
Time: 14:30-17:00 hrs (CET)
Location: University of Amsterdam, Turfdraagsterpad 9 (BG1), room 0.16 (eLab)
Online: Teams (Meeting ID: 326 613 010 851, Passcode: pN7X4R)
ILUMINACE 2/2024 - OPEN ACCESS - TEXTS & AV ESSAYS
What if we stopped asking how computers shape moving images and asked: how is computer iconography represented in audiovisual media?
Dive into the complex portraits of computer labor in film & TV.
See: bit.ly/3YMMG5m
ILUMINACE 2/2024 - OPEN ACCESS - TEXTS & AV ESSAYS
What if we stopped asking how computers shape moving images and asked: how is computer iconography represented in audiovisual media?
Dive into the complex portraits of computer labor in film & TV.
See: bit.ly/3YMMG5m