CFP for FMH: Feminist Archaeologies of Desktop media is here 🔥
Looking for written articles as well as video essays
Send us your abstracts by October 28, 2025!
🫶 Don’t miss this once-in-a-lifetime opportunity 🫡
A special issue on Feminist Archaeologies of Desktop media, guest edited by Jiří Anger & Veronika Hanáková.
The deadline for proposals is October 28, 2025.
Read the full CFP below:
online.ucpress.edu/fmh/pages/cfp
CFP for FMH: Feminist Archaeologies of Desktop media is here 🔥
Looking for written articles as well as video essays
Send us your abstracts by October 28, 2025!
🫶 Don’t miss this once-in-a-lifetime opportunity 🫡
There's a new GifCities search engine from @archive.org!
New on ESC, I retrace the story of GeoCities, the 1999 Burn All GIFs Day protest plus so many GIFs!!
www.esckey.co/gifcities-in...
There's a new GifCities search engine from @archive.org!
New on ESC, I retrace the story of GeoCities, the 1999 Burn All GIFs Day protest plus so many GIFs!!
www.esckey.co/gifcities-in...
The first block explores media gestures.
The first block explores media gestures.
The newest issue of MOVIE has just been published, and I’m excited to share that it features our audiovisual essay, A Tale of Two Desktops: The First Czech Films in Parallel Worlds, co-authored with @jirianger.bsky.social and Jiří Žák.
warwick.ac.uk/fac/arts/sca...
The newest issue of MOVIE has just been published, and I’m excited to share that it features our audiovisual essay, A Tale of Two Desktops: The First Czech Films in Parallel Worlds, co-authored with @jirianger.bsky.social and Jiří Žák.
warwick.ac.uk/fac/arts/sca...
✨ Cycles of Labour won Best Videographic Criticism @veronikahanakova.bsky.social @m-tremcinsky.bsky.social
🔥 Towards a Film Theory from Below is Runner-Up, Best Monograph
Endless thanks for the support!
👉 Towards a Film Theory from Below: Best Monograph
👉 Cycles of Labour: Best Videographic Criticism
@veronikahanakova.bsky.social
Congratulations to all the nominees, especially
@filmstudiesff.bsky.social
👉 www.baftss.org/awards-2025....
👉 Towards a Film Theory from Below: Best Monograph
👉 Cycles of Labour: Best Videographic Criticism
@veronikahanakova.bsky.social
Congratulations to all the nominees, especially
@filmstudiesff.bsky.social
👉 www.baftss.org/awards-2025....
Date: November 29, 2024
Time: 14:30-17:00 hrs (CET)
Location: University of Amsterdam, Turfdraagsterpad 9 (BG1), room 0.16 (eLab)
Online: Teams (Meeting ID: 326 613 010 851, Passcode: pN7X4R)
Date: November 29, 2024
Time: 14:30-17:00 hrs (CET)
Location: University of Amsterdam, Turfdraagsterpad 9 (BG1), room 0.16 (eLab)
Online: Teams (Meeting ID: 326 613 010 851, Passcode: pN7X4R)
Object #4: Impossible Mission and Tapes
"Another Visitor. Stay a while, stay forever!"
What are your memories of C64 games and tapes?
Full story at shorturl.at/6XycJ
Coming November 29th: Object #5 – Zzap!64 and other magazines.
#c64
Object #4: Impossible Mission and Tapes
"Another Visitor. Stay a while, stay forever!"
What are your memories of C64 games and tapes?
Full story at shorturl.at/6XycJ
Coming November 29th: Object #5 – Zzap!64 and other magazines.
#c64
@sfanders.bsky.social - Envisioning the Interface
Here: criticalcommons.org/view?m=it2cP...
@drdanobrien.bsky.social - The Allure and Threat of the Cine-Computer
Here: youtu.be/LdHXj-09lVw
@sfanders.bsky.social - Envisioning the Interface
Here: criticalcommons.org/view?m=it2cP...
@drdanobrien.bsky.social - The Allure and Threat of the Cine-Computer
Here: youtu.be/LdHXj-09lVw
on the new issue of Iluminace on the topic of Configuring Computer Labor in Film and Audiovisual Media! My contribution Envisioning the Interface is here:
criticalcommons.org/view?m=it2cP...
Full Iluminace issue is here: iluminace.cz/contents/ilu...
on the new issue of Iluminace on the topic of Configuring Computer Labor in Film and Audiovisual Media! My contribution Envisioning the Interface is here:
criticalcommons.org/view?m=it2cP...
Full Iluminace issue is here: iluminace.cz/contents/ilu...
ILUMINACE 2/2024 - OPEN ACCESS - TEXTS & AV ESSAYS
What if we stopped asking how computers shape moving images and asked: how is computer iconography represented in audiovisual media?
Dive into the complex portraits of computer labor in film & TV.
See: bit.ly/3YMMG5m
ILUMINACE 2/2024 - OPEN ACCESS - TEXTS & AV ESSAYS
What if we stopped asking how computers shape moving images and asked: how is computer iconography represented in audiovisual media?
Dive into the complex portraits of computer labor in film & TV.
See: bit.ly/3YMMG5m