(formerly @restlesspix on Twitter)
My bet is that info becomes relevant to the plot eventually.
My bet is that info becomes relevant to the plot eventually.
Having to actually cut them is worse.
Having to actually cut them is worse.
A 32” reference display in center.
Plus scopes on a cheap 13” positioned lower left.
So yeah, I vote for at least 2.
A 32” reference display in center.
Plus scopes on a cheap 13” positioned lower left.
So yeah, I vote for at least 2.
Sounds good as my preferred mode of travel is train + bike. While not the only reason I enjoy Japan, the fact that it’s easy to do in many areas is a big one.
And the addendum, ha!
I see it.
Sounds good as my preferred mode of travel is train + bike. While not the only reason I enjoy Japan, the fact that it’s easy to do in many areas is a big one.
And the addendum, ha!
I see it.
We’re being screwed in US.
We’re being screwed in US.
It’s just newly added to Resolve, has no documentation by BMD yet, and Apple own documentation of it is not as detailed as it could/should be.
It’s just newly added to Resolve, has no documentation by BMD yet, and Apple own documentation of it is not as detailed as it could/should be.
I wish it was possible to honestly reply that computer displays just work for grading.
Colorists don’t spend money on reference displays and I/O cards+ boxes for fun 🤑
It’s unfortunately the only way to consistently trust we are viewing a faithful representation.
I wish it was possible to honestly reply that computer displays just work for grading.
Colorists don’t spend money on reference displays and I/O cards+ boxes for fun 🤑
It’s unfortunately the only way to consistently trust we are viewing a faithful representation.
On XDR MacBook Pro, when set to the preset HDTV BT.1886 reference mode, setting Rec.709-A as output color space (with “use Mac Profiles engaged”) is the only way to get the Resolve GUI + Cleanfeed to display 2.4 gamma
But that’s *not* the case for Studio Display.
On XDR MacBook Pro, when set to the preset HDTV BT.1886 reference mode, setting Rec.709-A as output color space (with “use Mac Profiles engaged”) is the only way to get the Resolve GUI + Cleanfeed to display 2.4 gamma
But that’s *not* the case for Studio Display.
That isn’t reference, there isn’t a standard way to adapt that for cinema, and it won’t look the same on any device that isn’t Apple’s.
That isn’t reference, there isn’t a standard way to adapt that for cinema, and it won’t look the same on any device that isn’t Apple’s.
The backlight bleed and black that is actually gray will still be bad. Settings can’t fix the hardware limitations
The backlight bleed and black that is actually gray will still be bad. Settings can’t fix the hardware limitations