HITCHCOCK- Jacobean Artist
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HITCHCOCK- Jacobean Artist
@jacobeanvisions.bsky.social
📚 The book - JACOBEAN VISIONS: Webster, #Hitchcock, and Google Culture 👀
#narrative vertigos, #surveillance, identity confusions, artifice, shadows of doubts, spies...dead AND alive.
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🎬 The only real Fall film
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#Hitchcock goes to #Vermont 👁️
October 30, 2025 at 1:43 PM
Bounty hunters just need to grab them in for the quota numbers.

What law there is might come later.
September 29, 2025 at 4:01 AM
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The quartet...
September 15, 2025 at 2:53 PM
🎬 Where a Hollywood person works as a film actor who
- plays a theatre actor in a film
- who must fake a role
- against a star actor
- to get to the truth.

Jacobean wit and design by #Hitchcock
August 4, 2025 at 4:40 PM
🎬 He always had a thing for Surrealism. 📎

- Alfred #Hitchcock photographed by Francois Gragnon in Cannes in 1963
July 31, 2025 at 2:51 PM
ROPE foreshadows their next three films that gradually dismantle the process of knowing.

VERTIGO is an epistemological trap. #Hitchcock
May 21, 2025 at 11:31 PM
April 27, 2025 at 4:52 AM
Really? So that's what he pays you?
- How much does the other gal get?

Jimmy. You really need to read the whole script.
March 11, 2025 at 10:32 AM
It's a very dark and nasty Jacobean intrigue out there.
February 2, 2025 at 11:21 AM
It looks like this.
January 26, 2025 at 10:45 PM
One core element shared between Jacobean drama and Hitchcock is how diabolic often crazed surface story content combines with rigid appealing aesthetic structure. Like the characters we are caught fascinated in the workmanlike net.
January 15, 2025 at 2:53 PM
More fun is had spotting his cameos. Of further interest is his shape shifting across his TV series.
His sly drop of the Devil - the auteur shape-shifter into US suburban households.
January 15, 2025 at 6:43 AM
The #Hitchcock/ Stewart Quartet is about many things. Even about his changing relationship to rooftops.
January 13, 2025 at 7:13 AM
A very Jacobean start.
January 1, 2025 at 1:34 AM
December 8, 2024 at 9:23 AM
🎬'In a digital era made increasingly dependent on insistent ocular proof, making the act of simply viewing profoundly problematic over the course of 52 films is perhaps Hitchcock's most singular achievement.' p. 102 👀
December 8, 2024 at 9:21 AM
Belsey (p. 29.) reflects on the '...superimposition of one (mode) on the other...capable of generating a radical uncertainty...by withholding from the spectator the single position from which a single and unified meaning is produced ...'
THE SUBJECT OF TRAGEDY 1985
December 8, 2024 at 9:15 AM
🎬 for both audience and character the final act 'becomes an elongated twenty-minute expansion of tortured Jacobean dualism' VERTIGO (1958).
p. 117
December 8, 2024 at 9:00 AM
So VERTIGO'S '...own design compels the watching viewer, both female and, more importantly, male into a Jacobean form of dual vision or simultaneity of response of the kind we should be familiar with from THE WHITE DEVIL (1612). p 116
December 8, 2024 at 8:54 AM
December 6, 2024 at 5:01 PM
👁️ Speaking of dual tones...

'Flamineo's beguiling flair with language, his open play with paradox, and his grotesque and subtle daring...is both enchanting but dangerous...' p. 58
December 6, 2024 at 7:12 AM
👁️ 'The bittersweet combination of unseen gore ...with the sound of happy children engenders a dual mixture of comic and serious modes typical of...the Jacobean sensibility.' p. 82/3.
REAR WINDOW.
December 6, 2024 at 6:58 AM
👁️ Law? What Law!
Am mindful of how the revenge drama is now so prevalent. And coming to a White House near you...
December 6, 2024 at 6:43 AM
Brachiano willingly interprets her dreams
...or her interpretation/report of a supposed dream...' p. 62
November 29, 2024 at 6:22 PM
Oxford Museum of Modern Art. 1999. #Hitchcock
November 29, 2024 at 1:05 PM