Nyengo Sambo
@impermanenttt.bsky.social
Creative Lead. Overthinker @ UNDRDOG Creative. Here for the vibes, the weird links, and the occasional epiphany disguised as a screenshot.
Reposted by Nyengo Sambo
Truth! The collective noun for frogs is army. Someone should tell ill-tempered Jesse Watters, who described today’s protest as Dems “trying to do their little Tea Party thing,” that the overseas No Kings protests alone could far outnumber his vaunted series of Tea Party protests. In one day.
October 18, 2025 at 4:52 PM
Truth! The collective noun for frogs is army. Someone should tell ill-tempered Jesse Watters, who described today’s protest as Dems “trying to do their little Tea Party thing,” that the overseas No Kings protests alone could far outnumber his vaunted series of Tea Party protests. In one day.
Reposted by Nyengo Sambo
Build our communities.
'Europe is not my centre. Europe is an outskirt of Africa.'
The towering Ousmane Sembène, film maker/writer, leading the way for us.
His novel Les bouts de bois de Dieu/God's Bits of Wood (1960 tr. 1962) focuses on colonial repression most remarkably.
'Europe is not my centre. Europe is an outskirt of Africa.'
The towering Ousmane Sembène, film maker/writer, leading the way for us.
His novel Les bouts de bois de Dieu/God's Bits of Wood (1960 tr. 1962) focuses on colonial repression most remarkably.
January 2, 2025 at 2:29 PM
Build our communities.
'Europe is not my centre. Europe is an outskirt of Africa.'
The towering Ousmane Sembène, film maker/writer, leading the way for us.
His novel Les bouts de bois de Dieu/God's Bits of Wood (1960 tr. 1962) focuses on colonial repression most remarkably.
'Europe is not my centre. Europe is an outskirt of Africa.'
The towering Ousmane Sembène, film maker/writer, leading the way for us.
His novel Les bouts de bois de Dieu/God's Bits of Wood (1960 tr. 1962) focuses on colonial repression most remarkably.
Reposted by Nyengo Sambo
#NowWatching Xala (D/W: Ousmane Sembène, 1975)
"In Xala, the powers that be in Senegal have lost sight of the revolutionary fervor felt in Emitaï , and through Sembène's acerbic lens, that once glittering promise becomes little more than a bitter joke."
"In Xala, the powers that be in Senegal have lost sight of the revolutionary fervor felt in Emitaï , and through Sembène's acerbic lens, that once glittering promise becomes little more than a bitter joke."
September 20, 2025 at 1:24 PM
#NowWatching Xala (D/W: Ousmane Sembène, 1975)
"In Xala, the powers that be in Senegal have lost sight of the revolutionary fervor felt in Emitaï , and through Sembène's acerbic lens, that once glittering promise becomes little more than a bitter joke."
"In Xala, the powers that be in Senegal have lost sight of the revolutionary fervor felt in Emitaï , and through Sembène's acerbic lens, that once glittering promise becomes little more than a bitter joke."
Reposted by Nyengo Sambo
The Dingoes That Park Their Brains with their Gum, 1988 #artbots #basquiat
https://botfrens.com/collections/27/contents/5312
https://botfrens.com/collections/27/contents/5312
August 31, 2025 at 8:18 AM
The Dingoes That Park Their Brains with their Gum, 1988 #artbots #basquiat
https://botfrens.com/collections/27/contents/5312
https://botfrens.com/collections/27/contents/5312