Gina Murrell
@ginamurrell1.bsky.social
Librarian. Copy Editor. Writer. Zine and Graphic Novel Enthusiast. View-Master Reel Collector. Burrito Eater. Reader. Bi. Femme. She/her. All Black Lives Matter✊🏾🌈
I also remember one of the bounty hunters (after the alien took over his body) was very hot in a very #80s kind of way. So, I’m especially curious how this movie now looks to my adult eyes. It’s funny—for someone who doesn’t like to be scared at the #movies, I’ve watched a fair bit of #horror lol 😆
November 11, 2025 at 4:34 AM
Someone in the comments asked if there was “a huge critter in the movie,” and my recollection was there was a huge critter (the rest had been small ones) at the very end of the movie, emerging from below the house during a final showdown. But the last time I watched this movie was the #80s. #horror
November 11, 2025 at 4:29 AM
Reposted by Gina Murrell
Eve Arnold, The Metropolitan Museum of Art, New York City, 1961.
November 10, 2025 at 2:14 AM
Eve Arnold, The Metropolitan Museum of Art, New York City, 1961.
My fave work in the exhibit: “Three Figures,” 2014, which incorporates the famous May 4, 1963, news photo of three Black teen schoolchildren holding hands to stay together while being blasted by high-powered fire hoses during an anti-segregation children’s march in Alabama. Powerful. #art #Blackart
November 11, 2025 at 3:15 AM
“Lorna Simpson: Source Notes” has over 30 works, many being a blend of painting and collage that made me think of Romare Bearden-meets-Andy Warhol, though Simpson’s aesthetic is uniquely her own. The “source notes” are “found images” from vintage Ebony and Jet magazines that were her grandmother’s.
November 11, 2025 at 2:58 AM
“Lorna Simpson: Source Notes” has over 30 works, many being a blend of painting and collage that made me think of Romare Bearden-meets-Andy Warhol, though Simpson’s aesthetic is uniquely her own. The “source notes” are “found images” from vintage Ebony and Jet magazines that were her grandmother’s.