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fustar.bsky.social
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@fustar.bsky.social
That’s the way it crumbles, cookie-wise.
They were so good I’ll even forgive them for doing a Coldplay cover in the second half.
November 15, 2025 at 10:35 PM
One of my very favourite haunted mirror films (well, segment of a portmanteau film). Dead of Night’s classic segment is up there too.
November 8, 2025 at 6:43 PM
Great stuff! Many congrats to you both.
November 8, 2025 at 6:39 PM
Belated congrats, man. 👍👍👍
October 21, 2025 at 1:21 PM
Hey, I’m sure they’re all perfectly cromulent words.
September 2, 2025 at 5:14 PM
Probably my favourite DeNiro performance in possibly my favourite Scorsese movie. It’s excruciating, and sad, and very very funny. The ending is obviously very Taxi-Driver-like in its ambiguity, but the final bits we see of Pupkin the performer? He could cut it at the Catskills. Or on cruise ships.
August 17, 2025 at 9:26 PM
I got to ask Gabriel Byrne a question about the performance at the Galway Film Fleadh years ago, and it was a genuine thrill. As it’s one of my favourite performances of anybody in anything. So restrained & distant & understated but absolutely bubbling under with longing & tenderness & melancholy.
August 5, 2025 at 5:17 PM
And Tom’s motivations for everything he does or doesn’t do in the movie (& it can be hard to keep track) are simultaneously a mystery even to himself (the smartest guy in the room, supposedly) & the logical and inevitable outcome of a VERY complicated love triangle. Where he knows he has to ‘lose’.
August 5, 2025 at 5:09 PM
Also, Gabriel Byrne has never looked more beautiful than in this. 😍
August 5, 2025 at 5:01 PM
Tom: Think about what protecting Bernie gets us. Think about what offending Caspar loses us.

Leo: Come on, Tommy, you know I don't like to think!

Tom (adjusting hat, probably): Yeah. Well, think about whether you should start.

Tom exits. Cut to black. And…credit sequence.

*chef’s kiss*
And.credit
August 5, 2025 at 4:58 PM
One of my fave ever pre-credit sequences too. From the ice cubes clinkin’ in the glass to the incomparable John Polito (RIP) talkin’ about friendship, character & ethics, to Leo & Tom’s sparring, Tom’s exit & then…straight into Carter Burwell’s sublime & soaring adaptation of Lament for Limerick.
August 5, 2025 at 4:52 PM
Thoughts also with all of Seán’s family and friends and the wonderful producers and researchers who worked on Arena down through the years. A fabulous group of people. A joy to work with.
July 31, 2025 at 11:33 AM