Freehand Profit
@freehandprofit.bsky.social
Artist & Mask Maker
FreehandProfit.com & FreehandProfit.store
FreehandProfit.com & FreehandProfit.store
No.223 is still under wraps. There's been a few leaks to the press. No tellin' if it'll become what it was originally intended to be. 🤐👀 (Made from upcycled, team worn gear, 2024.)
April 2, 2025 at 2:00 AM
No.223 is still under wraps. There's been a few leaks to the press. No tellin' if it'll become what it was originally intended to be. 🤐👀 (Made from upcycled, team worn gear, 2024.)
No.005 was my first Jordan mask, modeled by a friend on the fire escape of my Ktown apartment (LA, 2011).
This piece was the one the caught the attention of blogs and the sneaker community, the exposure really helped kick off my career.
This piece was the one the caught the attention of blogs and the sneaker community, the exposure really helped kick off my career.
April 2, 2025 at 1:55 AM
No.005 was my first Jordan mask, modeled by a friend on the fire escape of my Ktown apartment (LA, 2011).
This piece was the one the caught the attention of blogs and the sneaker community, the exposure really helped kick off my career.
This piece was the one the caught the attention of blogs and the sneaker community, the exposure really helped kick off my career.
No.004, made from "Savage Beast" Nike Air Force Ones (2011).
What became clear to me is how important photography was to the work. I often credit Sandy Skoglund's work as a major inspiration. Her ability to create surrealist environments spurred my own desire to bend reality.
What became clear to me is how important photography was to the work. I often credit Sandy Skoglund's work as a major inspiration. Her ability to create surrealist environments spurred my own desire to bend reality.
March 31, 2025 at 4:23 PM
No.004, made from "Savage Beast" Nike Air Force Ones (2011).
What became clear to me is how important photography was to the work. I often credit Sandy Skoglund's work as a major inspiration. Her ability to create surrealist environments spurred my own desire to bend reality.
What became clear to me is how important photography was to the work. I often credit Sandy Skoglund's work as a major inspiration. Her ability to create surrealist environments spurred my own desire to bend reality.
No.003, made from Puma Post Up Highs (2010).
The early work was rough and raw but part of what kept me coming back to make more masks was the challenge and all the ways I could improve on the process.
The early work was rough and raw but part of what kept me coming back to make more masks was the challenge and all the ways I could improve on the process.
February 5, 2025 at 1:49 AM
No.003, made from Puma Post Up Highs (2010).
The early work was rough and raw but part of what kept me coming back to make more masks was the challenge and all the ways I could improve on the process.
The early work was rough and raw but part of what kept me coming back to make more masks was the challenge and all the ways I could improve on the process.
No.002, made from all black Converse Chuck Taylors. Modeled by Sebastian Bleak in La Cienega (LA).
These masks originated from a yearlong daily project called MASK365 where I made or designed a new mask every day from a variety of materials.
These masks originated from a yearlong daily project called MASK365 where I made or designed a new mask every day from a variety of materials.
February 3, 2025 at 12:55 PM
No.002, made from all black Converse Chuck Taylors. Modeled by Sebastian Bleak in La Cienega (LA).
These masks originated from a yearlong daily project called MASK365 where I made or designed a new mask every day from a variety of materials.
These masks originated from a yearlong daily project called MASK365 where I made or designed a new mask every day from a variety of materials.