Phil & Cons
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enriqueam.bsky.social
Phil & Cons
@enriqueam.bsky.social
independent.academia.edu/ENRIQUEARAMENDIAMUNETA
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And here is the door—the metaphor—that Nora is about to close.
December 7, 2025 at 8:09 PM
Here, the metaphor.
December 7, 2025 at 7:56 PM
... to bring closure to both the metaphor and the process of subrogation at once.
December 6, 2025 at 6:31 PM
Nora’s father has an original idea: how can someone who lives through surrogate feelings begin to feel her own self? His answer is to make her act in his own film. In her own film.
December 6, 2025 at 6:29 PM
At the end of the film, when the door of the house is closed (no spoiler here), the metaphor introduced at the beginning comes to a close. It is a return to reality.
December 6, 2025 at 6:27 PM
But every metaphor has a departure and a return. The departing movement carries us toward another meaning; the returning movement brings us back to the initial world.
December 6, 2025 at 6:25 PM
The film begins with the big house as a metaphor—one that reflects Nora’s (Renate Reinsve’s) surrogate feelings. Nora experiences emotions through others, both in the theatre and in life.
December 6, 2025 at 6:22 PM
In a nutshell, this song stresses is the ideal of sublimated love—inescapable as it has no purpose. We can only contemplate it, revere it, and ultimately, surrender to it
May 13, 2025 at 5:28 AM
It is the same as the monk standing before the sea in Friedrich’s painting
May 13, 2025 at 5:23 AM
This song of Stevie Wonder evokes the idea of beauty. But it also evokes the Kantian idea of sublimity, particularly, of physical sublimity. The sun that ceases to shine, the sea that threatens to consume everything, the day when all will vanish. In the face of this, all we can do is surrender.
May 13, 2025 at 5:20 AM
The judgment of beauty—of the beauty of loving—has no purpose; it is purely contemplative. It may also involve the contemplation of the sublimity, of the abyss. Such a judgment is typically reflective.
May 13, 2025 at 5:12 AM
The reflective judgement is the judgement "als ob"/"as if". Stevie Wonder presents the love (for his beloved) as something universally valid: comparable to God's love, love in nature, the laws of Physics and gravity, and even the idea of eternity.
May 13, 2025 at 5:08 AM
The reflective judgment appears in the "Critique of Judgement" and it is oposed to the determining judgement. While both judgements seek to unify the particular and the universal, the reflective judgement steams for the particular and elevates to the universal.
May 13, 2025 at 5:01 AM
Just like Herzog's Grizzly man or Aguirre der Zorn Gottes
May 11, 2025 at 6:00 PM
In psychoanalysis too, uttering the source of the hidden trauma, putting it into words, may partially deactivate its effect.
April 11, 2025 at 5:37 AM
What is it like to have an experience of being in/between reality??
March 10, 2025 at 6:37 PM
journalspress.com
March 10, 2025 at 6:37 PM
Remember, all I'm offering is the truth. Nothing more.

Neo: And how will I know that you are not fooling me?
March 10, 2025 at 6:37 PM
It is also in Tarkovsky's highway scene.
youtube.com/watch?v=rswY...
Solaris Full Highway Scene
YouTube video by cyanide98765
youtube.com
March 7, 2025 at 12:30 PM
It is part of this substantialism that permeates popular culture, religion, psychology, and sociology.
March 7, 2025 at 12:25 PM