Sentimental Value, Joachim Trier’s latest film, explains what a metaphor is. It is a metaphor within a metaphor—a metaphor brought to closure.

The great song "As", by Stevie Wonder, is the ultimate song about the Kantian reflective judgement.

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Reality prevails in every aspect of life: everyone waits for the white smoke as a gull regurgitates a rat to feed its young.

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“La Dispute” (by Yann Tiersen) is a profound reflection on art and its healing power. By repetition, suffering, initially painful, progressively becomes the theme of joyful variations, and transforms into nothing more than an aesthetic leitmotif.

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Morpheus: This is your last chance. After this there is no turning back. You take the blue pill, the story ends. You wake up in your bed and believe whatever you want to. You take the red pill, you stay in Wonderland, and I show you how deep the rabbit hole goes.

The somehow confusing idea of all of us possesing a substantial ego, an hypokeimenon, lying beneath conscious experience, is beautifully protrayed by the image of the passenger in the car.
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Archspreading

The Kantian categorical imperative is just behavioral scalability.

In the horror movie Heretic, Hugh Grant, portraying the psychopathic character, introduces the notion of "iteration" to explain why religions are all similar.

This notion deserves a commentary.

youtu.be/aGKWBwKzDic

Today, talking to chat gpt, it had an hallucination. A mathematical hallucinations.