Left of centre, pro-European
Listening to a new (to me) album, every day
Interesting electronica created using 25 year old sample CDs. It’s engaging and enveloping and never dull despite the lack of obvious songs.
7 out of 10
Interesting electronica created using 25 year old sample CDs. It’s engaging and enveloping and never dull despite the lack of obvious songs.
7 out of 10
I remain a fan of the Ronson era but have given scant regard to his mid period. It suffers from the lack of melodic input, using Fripp & Alomar’s noisy atonal guitars instead. It’s hard to love.
6 out of 10
I remain a fan of the Ronson era but have given scant regard to his mid period. It suffers from the lack of melodic input, using Fripp & Alomar’s noisy atonal guitars instead. It’s hard to love.
6 out of 10
Like being transported back to a DLT show. Lido has always been a favourite, but listening to hear the proto Toto whole. It comes across as cohesive and slick and to my ears stronger collection than Toto IV.
7 out of 10
Like being transported back to a DLT show. Lido has always been a favourite, but listening to hear the proto Toto whole. It comes across as cohesive and slick and to my ears stronger collection than Toto IV.
7 out of 10
I thought the 2 albums after this were excellent. This, their debut, is a four-person outfit and it’s less distinctive though there are some gorgeous harmonies, particularly the closing song.
7 out of 10
I thought the 2 albums after this were excellent. This, their debut, is a four-person outfit and it’s less distinctive though there are some gorgeous harmonies, particularly the closing song.
7 out of 10
I knew the hits, but listened because Luthaker was on Rockenteurs. Very slick, with surprisingly heavy guitar solos, but it’s difficult to love songs like this, unless you’re called Rosanna, which my flatmate at the time was, and she hated it.
6 out of 10
I knew the hits, but listened because Luthaker was on Rockenteurs. Very slick, with surprisingly heavy guitar solos, but it’s difficult to love songs like this, unless you’re called Rosanna, which my flatmate at the time was, and she hated it.
6 out of 10
I preferred the songs with the sparser backing, where she allows herself a more conventional melodic approach. Sometimes the noisier songs become a battle which is harder on the ears and brain. Utterly distinctive.
5 out of 10
I preferred the songs with the sparser backing, where she allows herself a more conventional melodic approach. Sometimes the noisier songs become a battle which is harder on the ears and brain. Utterly distinctive.
5 out of 10
Gentle Donovanesque vocals and jangly guitars give this a strong 60s vibe. Put me in a very mellow mood in front of an open fire. Will probably take a few more listens before the tunes come through, but I like it so far.
7 out of 10
Gentle Donovanesque vocals and jangly guitars give this a strong 60s vibe. Put me in a very mellow mood in front of an open fire. Will probably take a few more listens before the tunes come through, but I like it so far.
7 out of 10
Funky soul from 1971, recommended by Jimi. Interesting grooves but suffers from a thin production. Perhaps more Blue Mink than James Brown. One that would sound good given the Fake Music AI treatment.
5 out of 10
Funky soul from 1971, recommended by Jimi. Interesting grooves but suffers from a thin production. Perhaps more Blue Mink than James Brown. One that would sound good given the Fake Music AI treatment.
5 out of 10
The follow up to the wonderful Slave to the Rhythm is a set of co-writes with Bruce Woolley. It has nothing of the glossy cool- with incredibly trite lyrics. The production is also lack lustre. A shame.
3 out of 10
The follow up to the wonderful Slave to the Rhythm is a set of co-writes with Bruce Woolley. It has nothing of the glossy cool- with incredibly trite lyrics. The production is also lack lustre. A shame.
3 out of 10
Noisy, messy punk rock.
Meh.
2 out of 10
Noisy, messy punk rock.
Meh.
2 out of 10
I’d not been a fan of his singing style back in the day, but over time, Billy’s become more of a singer. It comes across as melodic country/Americana. Subjects from the humdrum to the profound are presented in stripped-back style.
6 out of 10
I’d not been a fan of his singing style back in the day, but over time, Billy’s become more of a singer. It comes across as melodic country/Americana. Subjects from the humdrum to the profound are presented in stripped-back style.
6 out of 10
I loved the Police, but having not listened to him for a while, hadn’t got to this. It’s an ultra-smooth production, packed with effortless jazziness, but I do miss his more direct songwriting.
7 out of 10
I loved the Police, but having not listened to him for a while, hadn’t got to this. It’s an ultra-smooth production, packed with effortless jazziness, but I do miss his more direct songwriting.
7 out of 10
Returning a few years after his 80s peak of highly polished pop, this draws in hip hop and rock influences. I expected something listless but it’s actually terrific. I don’t even mind the rap. The production is still fabulous.
8 out of 10
Returning a few years after his 80s peak of highly polished pop, this draws in hip hop and rock influences. I expected something listless but it’s actually terrific. I don’t even mind the rap. The production is still fabulous.
8 out of 10
Splendid laid-back mid-80s pop. His voice reminds me of Aztec Camera. The production is lush, but the tunes tend to merge into one. I prefer what Scritti were doing at the time. But enjoyable.
7 out of 10
Splendid laid-back mid-80s pop. His voice reminds me of Aztec Camera. The production is lush, but the tunes tend to merge into one. I prefer what Scritti were doing at the time. But enjoyable.
7 out of 10
I probably wouldn’t have listened to this without Traitors. Cat and her many collaborators have created a set of songs covering a gamut of emotions, all delivered with a defiantly English accent. It has surprising depth and quality.
7 out of 10
I probably wouldn’t have listened to this without Traitors. Cat and her many collaborators have created a set of songs covering a gamut of emotions, all delivered with a defiantly English accent. It has surprising depth and quality.
7 out of 10
Interesting songs with intriguing arrangements and instrumentation. All through it’s her voice which is the star of the show, a beautiful and perfect tone delivering unusual lyrics. Nods to Mann or Joni.
8 out of 10
Interesting songs with intriguing arrangements and instrumentation. All through it’s her voice which is the star of the show, a beautiful and perfect tone delivering unusual lyrics. Nods to Mann or Joni.
8 out of 10
Just stunning. Acoustic, melodic folk of the first order. So delicate that a soft breeze would blow it over. The songs draw you in and wrap you in their arms.
10 out of 10
Just stunning. Acoustic, melodic folk of the first order. So delicate that a soft breeze would blow it over. The songs draw you in and wrap you in their arms.
10 out of 10
Paul Simonesque, acoustic guitar songs, which I mean as a compliment. Could have been written any time in the last 50-odd years. Gloriously comfortable and engaging songs of everyday life.
8 out of 10
Paul Simonesque, acoustic guitar songs, which I mean as a compliment. Could have been written any time in the last 50-odd years. Gloriously comfortable and engaging songs of everyday life.
8 out of 10
Mellow and melodic, laid back folk-rock vaguely akin to Band of Horses. Gentle mid/tempo throughout. Hard not to like, but I would not describe it as memorable. Suited my mood today.
7 out of 10
Mellow and melodic, laid back folk-rock vaguely akin to Band of Horses. Gentle mid/tempo throughout. Hard not to like, but I would not describe it as memorable. Suited my mood today.
7 out of 10
In late 1983 I got down to the final 3 to be lead singer of this band. It took 3 more years for this, their major label debut, to come out. It’s very much of its time and lacks much of the prog charm that I liked. But it’s much better than I expected.
6/10
In late 1983 I got down to the final 3 to be lead singer of this band. It took 3 more years for this, their major label debut, to come out. It’s very much of its time and lacks much of the prog charm that I liked. But it’s much better than I expected.
6/10
I’d not heard of this YouTuber. Fiercely strident rock vocals, but the star of the show is her fabulous swamp slide guitar playing. The songs pack a real punch and make you want to see her in a club.
8 out of 10
I’d not heard of this YouTuber. Fiercely strident rock vocals, but the star of the show is her fabulous swamp slide guitar playing. The songs pack a real punch and make you want to see her in a club.
8 out of 10
New today. An interesting mix of songs, many you can imagine a big crowd joining in with. She’s got a real foghorn of a voice and the band can thump out a tune, but my favourite songs were the gentler ones. Her vulnerability is attractive.
7 o/o 10
New today. An interesting mix of songs, many you can imagine a big crowd joining in with. She’s got a real foghorn of a voice and the band can thump out a tune, but my favourite songs were the gentler ones. Her vulnerability is attractive.
7 o/o 10
A delicate voice, so quiet that I’m amazed it can hold notes. Backings are rich but compressed heavily to sit in the mix. Forms a whole so seamless that individual songs blur into one. You aren’t really aware of verses and choruses.
7 out of 10
A delicate voice, so quiet that I’m amazed it can hold notes. Backings are rich but compressed heavily to sit in the mix. Forms a whole so seamless that individual songs blur into one. You aren’t really aware of verses and choruses.
7 out of 10
Shoe gaze ahoy! Turn the reverb up to 11, set space echoes to stun and pop the drummer some quaaludes. Mesmerising stuff delivered by carrier pigeon from the midst of a pea souper. Stream of unconsciousness lyrics.
6 out of 10
Shoe gaze ahoy! Turn the reverb up to 11, set space echoes to stun and pop the drummer some quaaludes. Mesmerising stuff delivered by carrier pigeon from the midst of a pea souper. Stream of unconsciousness lyrics.
6 out of 10