dorian
@dorianmathay.bsky.social
In (William) SHAKESPEARE. Hamlet, prince of Denmark. 4.3.16-29:"(Claudius) Now Hamlet, where's Polonius? (Hamlet) At supper. (C) At supper? Where? (H) Not where he eats, but where he is eaten. A certain convocation of politic worms are e'en at him. Your worm is your only emperor for diet: we fat[..]
November 22, 2025 at 8:25 PM
In (William) SHAKESPEARE. Hamlet, prince of Denmark. 4.3.16-29:"(Claudius) Now Hamlet, where's Polonius? (Hamlet) At supper. (C) At supper? Where? (H) Not where he eats, but where he is eaten. A certain convocation of politic worms are e'en at him. Your worm is your only emperor for diet: we fat[..]
Zersetzung - PhMuseum share.google/2uaWG9anyDwh...
Zersetzung - PhMuseum
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November 22, 2025 at 8:07 PM
Zersetzung - PhMuseum share.google/2uaWG9anyDwh...
In MULTATULI.Max Havelaar of de koffieveilingen der Nederlandse handelsmaatschappy.2019(1860).Prometheus.Amsterdam.Chapt.9.pp165-166:"[..]Er zyn er onder hen, die geen God kennen, onder welken naam ook! Die meenen dat het voldoende is, de wetten te gehoorzamen der burgerlyke maatschappy![..]
November 17, 2025 at 6:08 PM
In MULTATULI.Max Havelaar of de koffieveilingen der Nederlandse handelsmaatschappy.2019(1860).Prometheus.Amsterdam.Chapt.9.pp165-166:"[..]Er zyn er onder hen, die geen God kennen, onder welken naam ook! Die meenen dat het voldoende is, de wetten te gehoorzamen der burgerlyke maatschappy![..]
In (B.d)SPINOZA.Ethica,ordine geometrico demonstrata.lib.5,prop.23,scholium:"[..]At nihilominus sentimus experimurque, nos æternos esse.[..]"
November 12, 2025 at 4:38 PM
In (B.d)SPINOZA.Ethica,ordine geometrico demonstrata.lib.5,prop.23,scholium:"[..]At nihilominus sentimus experimurque, nos æternos esse.[..]"
In (W.)Shakespeare. The merchant of Venice.3.2.262-265:"[...]Here is a letter, lady,| The paper as the body of my friend,| And every word in it a gaping wound| Issuing lifeblood.[...]"
October 21, 2025 at 6:46 PM
In (W.)Shakespeare. The merchant of Venice.3.2.262-265:"[...]Here is a letter, lady,| The paper as the body of my friend,| And every word in it a gaping wound| Issuing lifeblood.[...]"
In G.DELEUZE. Sur Spinoza; Cours Novembre 1980- Mars 1981.éd. De Minuit.pp.297-298:
"Rompre les associations, ça [a] toujours été toutes les raisons de la vie et toutes les raisons de l’art. À cet égard, l’art et la vie c’est strictement pareil. Si on ne rompt pas les associations, on gazouille [..]
"Rompre les associations, ça [a] toujours été toutes les raisons de la vie et toutes les raisons de l’art. À cet égard, l’art et la vie c’est strictement pareil. Si on ne rompt pas les associations, on gazouille [..]
September 13, 2025 at 8:48 AM
In G.DELEUZE. Sur Spinoza; Cours Novembre 1980- Mars 1981.éd. De Minuit.pp.297-298:
"Rompre les associations, ça [a] toujours été toutes les raisons de la vie et toutes les raisons de l’art. À cet égard, l’art et la vie c’est strictement pareil. Si on ne rompt pas les associations, on gazouille [..]
"Rompre les associations, ça [a] toujours été toutes les raisons de la vie et toutes les raisons de l’art. À cet égard, l’art et la vie c’est strictement pareil. Si on ne rompt pas les associations, on gazouille [..]
Marassi prison liberated - WCH | Stories share.google/stxZlj540pmz...
Working Class History
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September 6, 2025 at 2:59 PM
Marassi prison liberated - WCH | Stories share.google/stxZlj540pmz...
Reposted by dorian
Tehran-born ‘artist researcher’ Hannah Darabi has woven together photos, found materials, ephemera & pop culture, to examine how dance functions as a form of resistance and a cultural barometer in Iran and its diaspora www.1854.photography/2025/06/hann...
Hannah Darabi wins the Prix Elysée - 1854 Photography
Hannah Darabi is the winner of the 2025 Prix Elysée with her powerful project ‘Why Don’t You Dance?'
www.1854.photography
June 22, 2025 at 4:06 PM
Tehran-born ‘artist researcher’ Hannah Darabi has woven together photos, found materials, ephemera & pop culture, to examine how dance functions as a form of resistance and a cultural barometer in Iran and its diaspora www.1854.photography/2025/06/hann...
Reposted by dorian
Why Don’t You Dance? — Hannah Darabi on Resistance, Memory and Movement in Iran www.1854.photography/2025/07/why-...
Why Don’t You Dance? — Hannah Darabi on Resistance, Memory and Movement in Iran - 1854 Photography
“This is an ambitious, multilayered project,” says Nathalie Herschdorfer, director of Photo Elysée and Jury President of the Lausanne museum’s biennial prize for a mid-career photographer, commenting ...
www.1854.photography
July 8, 2025 at 9:37 PM
Why Don’t You Dance? — Hannah Darabi on Resistance, Memory and Movement in Iran www.1854.photography/2025/07/why-...
About The Artist - The Malevich Society share.google/NeUrCqz3G07u...
About The Artist - The Malevich Society
Kazimir Severinovich Malevich (26 February 1878 - 15 May 1935). Malevich was an avant-garde artist an important pioneer of geometric abstraction. He developed an objectless style that he called Suprem...
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July 10, 2025 at 3:00 PM
About The Artist - The Malevich Society share.google/NeUrCqz3G07u...
June 21, 2025 at 8:22 AM
June 10, 2025 at 6:12 PM
June 10, 2025 at 2:06 PM
June 10, 2025 at 2:04 PM
en.wikipedia.org/wiki/Norbert...
"[…]la civilisation, c’est quand l’individu assure l’autocontrôle de ses pulsions brutales, et délègue à l’État le monopole de la violence. C’est bien l’inverse qui est à l’œvre aujourd'hui. […]" in Franc-Tireur n°186.
"[…]la civilisation, c’est quand l’individu assure l’autocontrôle de ses pulsions brutales, et délègue à l’État le monopole de la violence. C’est bien l’inverse qui est à l’œvre aujourd'hui. […]" in Franc-Tireur n°186.
Norbert Elias - Wikipedia
en.wikipedia.org
June 8, 2025 at 3:28 PM
en.wikipedia.org/wiki/Norbert...
"[…]la civilisation, c’est quand l’individu assure l’autocontrôle de ses pulsions brutales, et délègue à l’État le monopole de la violence. C’est bien l’inverse qui est à l’œvre aujourd'hui. […]" in Franc-Tireur n°186.
"[…]la civilisation, c’est quand l’individu assure l’autocontrôle de ses pulsions brutales, et délègue à l’État le monopole de la violence. C’est bien l’inverse qui est à l’œvre aujourd'hui. […]" in Franc-Tireur n°186.