Freelance researcher & writer with a PhD from St Andrews.
Author: 'Masculinity in Lesbian “Pulp” Fiction: Disappearing Heteronormativity?'
Mid-20c queer books. Queer spaces and phenomenology.
I know three people named Elizabeth, & to me they are distinct, not conflated.
Sorry, my first impulse is always to go the phenomenological route & reference my own experience.
I know three people named Elizabeth, & to me they are distinct, not conflated.
Sorry, my first impulse is always to go the phenomenological route & reference my own experience.
It's claustrophobic. It uses Hammett's dialogue and only cuts one character from the book (fat man's daughter). Final line - "Huh?" And that scene with the bars of the elevator gate shutting on Mary Astor - Perfect!
www.youtube.com/watch?v=1kk3...
It's claustrophobic. It uses Hammett's dialogue and only cuts one character from the book (fat man's daughter). Final line - "Huh?" And that scene with the bars of the elevator gate shutting on Mary Astor - Perfect!
www.youtube.com/watch?v=1kk3...
www.youtube.com/watch?v=jRjy...
www.youtube.com/watch?v=jRjy...
What am I missing?????
I told you I'm no good at this game!
What am I missing?????
I told you I'm no good at this game!
You tempt black to take the pawn.
If pawn takes pawn, the rooks face each other, no advantage.
if b-bishop takes w-pawn, w-pawn takes b-bishop; b-queen can then take w-pawn but is instantly vulnerable to w-knight.
No idea where it goes from here.
You tempt black to take the pawn.
If pawn takes pawn, the rooks face each other, no advantage.
if b-bishop takes w-pawn, w-pawn takes b-bishop; b-queen can then take w-pawn but is instantly vulnerable to w-knight.
No idea where it goes from here.