What happens when directors arrive from new media? What does Hollywood want from them? What do they want from it?
WATCH: youtu.be/h5sFC7m4KoE?...
Feel free to drop in, if you want.
www.youtube.com/watch?v=Eu2e...
Feel free to drop in, if you want.
www.youtube.com/watch?v=Eu2e...
www.youtube.com/watch?v=JpIB...
www.youtube.com/watch?v=JpIB...
Better it lasts for years,
so you’re old by the time you reach the island,
wealthy with all you’ve gained,
not expecting Ithaka to make you rich.
“Ithaka gave you the marvelous journey.
Without her you wouldn't have set out.
She has nothing left to give you now.”
Better it lasts for years,
so you’re old by the time you reach the island,
wealthy with all you’ve gained,
not expecting Ithaka to make you rich.
“Ithaka gave you the marvelous journey.
Without her you wouldn't have set out.
She has nothing left to give you now.”
However, from the framing, this really just feels like a polite way of swapping out the star.
deadline.com/2025/11/peac...
However, from the framing, this really just feels like a polite way of swapping out the star.
deadline.com/2025/11/peac...
CHESS MOVIES
Drafted by @williambibbiani.bsky.social & @darrenmooney.bsky.social
Listen everywhere!
podcasts.apple.com/us/podcast/s...
www.theatlantic.com/ideas/2025/1...
www.theatlantic.com/ideas/2025/1...
It really is such a wonderfully strange franchise.
It really is such a wonderfully strange franchise.
A solid execution of a compelling story, albeit one that reaches the limits of Sydney Sweeney as both performer and celebrity. This is no “I, Tonya” and she is no Margot Robbie.
Only really roars to life when Chad Coleman is on screen as Don King.
A solid execution of a compelling story, albeit one that reaches the limits of Sydney Sweeney as both performer and celebrity. This is no “I, Tonya” and she is no Margot Robbie.
Only really roars to life when Chad Coleman is on screen as Don King.
does not stick the landing, literally or figuratively.
A solid if unexceptional first two acts build to a surprisingly compelling third act that collapses at the last minute into the most catastrophic blockbuster ending of the decade.
does not stick the landing, literally or figuratively.
A solid if unexceptional first two acts build to a surprisingly compelling third act that collapses at the last minute into the most catastrophic blockbuster ending of the decade.
Vietnam, colonialism, masculinity, “Ma” and plenty of shirtless Adrien Brody talk.
www.soundcloud.com/the250/437-p...
Vietnam, colonialism, masculinity, “Ma” and plenty of shirtless Adrien Brody talk.
www.soundcloud.com/the250/437-p...
As easy as it would have been to just recycle Alan Silvestri’s iconic score for the original, Sarah Schachner and Benjamin Wallfisch give it its own sound.
As easy as it would have been to just recycle Alan Silvestri’s iconic score for the original, Sarah Schachner and Benjamin Wallfisch give it its own sound.
Really impressed at how well it understands what the essence of a “Predator” movie is, and what it means to put a Predator at the heart of that, letting them be the hero of their own little Vietnam movie.
A really great time.
Really impressed at how well it understands what the essence of a “Predator” movie is, and what it means to put a Predator at the heart of that, letting them be the hero of their own little Vietnam movie.
A really great time.
Because it is always the dumbest shallowest nonsense, and you end up having to play, “Is this take bad faith or just illiterate?”
Because it is always the dumbest shallowest nonsense, and you end up having to play, “Is this take bad faith or just illiterate?”