19, she/her
experimental filmmaker and photographer here after the collapse of twitter
letterboxd: https://letterboxd.com/bigpenisfart
discord: @cumandshit
when it comes to horror, I'm more into psychological horror stuff like The Shining, Possession, Omori, The Lighthouse, Antichrist, stuff where the horror comes from the deep, complex relationships between characters
when it comes to horror, I'm more into psychological horror stuff like The Shining, Possession, Omori, The Lighthouse, Antichrist, stuff where the horror comes from the deep, complex relationships between characters
like, analog horror, it's meant to be a subgenre of found footage, right? but most analog horror just feels like a sequence of random spooky images slapped together with a vhs filter and the actual story is decided upon after
like, analog horror, it's meant to be a subgenre of found footage, right? but most analog horror just feels like a sequence of random spooky images slapped together with a vhs filter and the actual story is decided upon after
it's weird cause I normally love abstract storytelling, but the kind of abstract storytelling most Internet horror utilises just ends up robbing it of any kind of emotional depth
it's weird cause I normally love abstract storytelling, but the kind of abstract storytelling most Internet horror utilises just ends up robbing it of any kind of emotional depth
it's just too damn cryptic and hard to decipher to the point it robs the actual events of any kind of real emotional impact, stories that should be heavy and serious are robbed of any-
it's just too damn cryptic and hard to decipher to the point it robs the actual events of any kind of real emotional impact, stories that should be heavy and serious are robbed of any-
and I've always kinda hated horror games that were never made to actually be played for fun, but to have content made of them
and I've always kinda hated horror games that were never made to actually be played for fun, but to have content made of them