• American Cinema Editors • TV Academy • ADE •
Currently editing “New Here” I post about #editing A LOT. 🎞 #postchat #postsky
https://linktr.ee/coreyfrost
If you have advice on creating great resumes for Hollywood, comment below so I can add it to the blog to help others in the future :) #postchat coreyscottfrost.com/blog/2025/8/...
If you have advice on creating great resumes for Hollywood, comment below so I can add it to the blog to help others in the future :) #postchat coreyscottfrost.com/blog/2025/8/...
If you have advice on creating great resumes for Hollywood, comment below so I can add it to the blog to help others in the future :) #postchat coreyscottfrost.com/blog/2025/8/...
I see you FLAWLESSLY matching lips to replace that bad sound up with another take. I see you rate stretch/frame holding those few frames so there’s no blinking before a dissolve.
(1/2)
#postchat #postsky
READ: bit.ly/AOTC-JWR-blog
LISTEN: bit.ly/AOTC-JWR-pod
@boris_fx
@Facilis
@jurassicworldd.bsky.social
READ: bit.ly/AOTC-JWR-blog
LISTEN: bit.ly/AOTC-JWR-pod
@boris_fx
@Facilis
@jurassicworldd.bsky.social
metrograph.com/film/?vista_... #
metrograph.com/film/?vista_... #
#PostSky
youtu.be/bIx6HZlNQoU?...
#PostSky
youtu.be/bIx6HZlNQoU?...
From a film editor interview (H. J. McCord) back in a 1934 newspaper may be the best reaction to getting studio notes. Still very much applies and makes me feel connected to cinema's roots 😂 #postchat #postsky
“The narrative is ragged and nonlinear but rendered as stream-of-consciousness poetry in Olivia Neergaard-Holm’s nervy and yet somehow liquid edit.”
#postsky
“The narrative is ragged and nonlinear but rendered as stream-of-consciousness poetry in Olivia Neergaard-Holm’s nervy and yet somehow liquid edit.”
#postsky