Colin Tucker
@colintuckerstudio.bsky.social
Artist & writer. Experimental music & contemporary art. Critical excavation of whiteness and coloniality/-ism in concert music and territorial politics.
Website: colintucker.studio
Settler in Tkaronto/Toronto - Dish with One Spoon Treaty Territory
Website: colintucker.studio
Settler in Tkaronto/Toronto - Dish with One Spoon Treaty Territory
I don't think PB's casual and widespread appropriation (among other aspects of his work) is particularly separable from AS's outright plunder.
April 7, 2025 at 5:19 PM
I don't think PB's casual and widespread appropriation (among other aspects of his work) is particularly separable from AS's outright plunder.
AS participated in this expedition which looted 3500 "objects": fr.wikipedia.org/wiki/Mission...
April 7, 2025 at 5:18 PM
AS participated in this expedition which looted 3500 "objects": fr.wikipedia.org/wiki/Mission...
3rd image is a visual realization of "before Taste," featuring a montage of 1) a word from Wilhelm Wackenroder's (still) influential allegory that defines transcendent art music over-against the figure of a mechanized, Orientalized saint, and 2) Eugene Lami's image of concert music spectators.
March 13, 2025 at 12:47 AM
3rd image is a visual realization of "before Taste," featuring a montage of 1) a word from Wilhelm Wackenroder's (still) influential allegory that defines transcendent art music over-against the figure of a mechanized, Orientalized saint, and 2) Eugene Lami's image of concert music spectators.
Reposted by Colin Tucker
Also relevant (from Autry's essay in
Mallory, Seidenstein, Burke, Jackson, Kéla, eds. _Art Museums and the Legacies of the Dutch
Atlantic Slave Trade : Curating Histories, Envisioning Futures._ (Boston: BRILL, 2025)). (And @arunadsouza.bsky.social you came up in the Q&A, natch.)
Mallory, Seidenstein, Burke, Jackson, Kéla, eds. _Art Museums and the Legacies of the Dutch
Atlantic Slave Trade : Curating Histories, Envisioning Futures._ (Boston: BRILL, 2025)). (And @arunadsouza.bsky.social you came up in the Q&A, natch.)
March 10, 2025 at 8:48 PM
Also relevant (from Autry's essay in
Mallory, Seidenstein, Burke, Jackson, Kéla, eds. _Art Museums and the Legacies of the Dutch
Atlantic Slave Trade : Curating Histories, Envisioning Futures._ (Boston: BRILL, 2025)). (And @arunadsouza.bsky.social you came up in the Q&A, natch.)
Mallory, Seidenstein, Burke, Jackson, Kéla, eds. _Art Museums and the Legacies of the Dutch
Atlantic Slave Trade : Curating Histories, Envisioning Futures._ (Boston: BRILL, 2025)). (And @arunadsouza.bsky.social you came up in the Q&A, natch.)
Photo on the right features my installation piece "before the spectator's capacity," a site-specific intervention in gallery and performing arts spaces around similar issues.
February 5, 2025 at 6:35 PM
Photo on the right features my installation piece "before the spectator's capacity," a site-specific intervention in gallery and performing arts spaces around similar issues.
