The manuscript leaves, incunable leaves and Braun & Hogenberg city view maps are part of our personal collection of 32 years.
Paris.
Paris.
www.getty.edu/news/medieva...
www.getty.edu/news/medieva...
This leaf has a "sister" page, from the same bible, housed in the Blackburn Collection of the Cleveland Museum of Art.
This leaf has a "sister" page, from the same bible, housed in the Blackburn Collection of the Cleveland Museum of Art.
A very unadorned leaf from a Flemish Book of Hours, which contains the text of the poem/hymn Stabat Mater. This poem has its origins in the 13th century. It portrays the sufferings of Mary, as she watched her son crucified. The poem has 20 stanzas.
A very unadorned leaf from a Flemish Book of Hours, which contains the text of the poem/hymn Stabat Mater. This poem has its origins in the 13th century. It portrays the sufferings of Mary, as she watched her son crucified. The poem has 20 stanzas.
Executed on animal vellum, six staves of 4 lines each, with square musical notation. The decorated "D" was executed in red tempera and is inhabited with the face of an angel.
Executed on animal vellum, six staves of 4 lines each, with square musical notation. The decorated "D" was executed in red tempera and is inhabited with the face of an angel.
Recto side has a Kyrie Eleyson/ Christe Eleyson. This leads into a Litany of Saints on the verso side. This is where it gets interesting. Most litanies name the three primary Archangels: Saints Michael, Gabriel and Raphael. This leaf adds a fourth: Saint Raguel.
Recto side has a Kyrie Eleyson/ Christe Eleyson. This leads into a Litany of Saints on the verso side. This is where it gets interesting. Most litanies name the three primary Archangels: Saints Michael, Gabriel and Raphael. This leaf adds a fourth: Saint Raguel.
A leaf from an Italian antiphonal. Hand-scribed on animal vellum, with a large illuminated initial "I". Featuring burnished gold corners and blue, red, pink, yellow and green temperas. Square musical notation and 4-line staves.
A leaf from an Italian antiphonal. Hand-scribed on animal vellum, with a large illuminated initial "I". Featuring burnished gold corners and blue, red, pink, yellow and green temperas. Square musical notation and 4-line staves.
Green, black and red inks.
Green, black and red inks.
Executed on animal vellum with a full rinceaux border. Burnished gold is used on the five line chapter initial “D”, and in both the internal and external borders. Red, blue, green and pink flowers and leaves.
Text is from Psalm 6 (Latin Vulgate/Douay Rheims)
Executed on animal vellum with a full rinceaux border. Burnished gold is used on the five line chapter initial “D”, and in both the internal and external borders. Red, blue, green and pink flowers and leaves.
Text is from Psalm 6 (Latin Vulgate/Douay Rheims)
KJV). M&M candy for scale. 🤣
KJV). M&M candy for scale. 🤣
border in blue and pink. Burnished gold lettering. The text includes the entirety of Psalm 96. Three line initial "D" opens Psalm 96, "Dominus regnant . . ."(The Lord reigneth, let the earth rejoice)
border in blue and pink. Burnished gold lettering. The text includes the entirety of Psalm 96. Three line initial "D" opens Psalm 96, "Dominus regnant . . ."(The Lord reigneth, let the earth rejoice)