Realized I totally forget to mention Adam Lidbetter in that caption! Anyway, really hope you’ll enjoy this article 👾
#gameaudio

Also shoutout to @reasonstudios.com for making me feel that childlike excitement of creating the wildest inter-device-modulation patches again ☺️

Have you checked out Sergio Ronchetti’s FMOD Deep Dive interviews?

Absolutely likewise!! You gave so much life to Atsu with your performance and I couldn’t have imagined a more exciting project as my first AAA credit 😻💛⚔️

Can’t wait to check this out! 😍

Sweet! Congrats on the launch! The trailer alone already sounds super crisp 👏👏

Thanks so much for the love! Hoping we’ll get to hang out again next year and all the best for you & your team! 👾

Fair, the nice thing about Soundly though is that you can cancel it at any time and you can keep using any assets you downloaded prior to canceling in your projects so it can definitely help cut down on costs. All their library assets are also created in-house with recordists from around the world.

Another option would be a sound library subscription. For $14.99/month you get access to a HUGE library something like 300k+ recordings) with Soundly Pro which also contains a bunch of good source material for weapons.
getsoundly.com

The best starting point with realistic weapons will always be high quality source material from the real thing, and there’s no better place to get it than at Aftertouch Audio IMO.
Sure, they’re not necessarily cheap but recording the real thing costs a lot more
aftertouchaudio.com/sound-effect...

Please tell me you got a photo with that giant chocobo in costume