It was a very involved , but fun, process finding an efficient pipeline for creating and animating our 2D characters. I have a more detailed post on subject in my LinkedIn : www.linkedin.com/posts/pedro-...

Really liked how these mushrooms in particular turned out. Since lighting is one of the most inportant aspects of environment design in games, and our game has a lot of indoor scenes without a lot of natural light, i got to experiment a lot with alternative sources through VFX and emissive shaders

Because we want our environments to look like little dioramas with puzzles, i also implemented triplanar blending, so it looks like resin art water when the player sees it from the sides

For the game's first levele, the greenhouse, a big part of the environment design and level design relied on large bodies of water. So i made this custom water shader, using texture distortion, depth sampling, and normal displacement

4 SFX i produced with Surface shaders in Built in Render Pipeline

Shader made for drawing AOE's in our RPG project. It utilizes a single pass for both texture and AOE ,and no alpha blending

Exported the new model and created materials for it in unity, and i think that the mixing of normal editing for the face and use of painted normal map for the body fitted very well with the intended aesthetic

Simple procedural texture work i did in built in pipeline as an assignment

Já da pra fazer careta

Textura procedural de mar com sol que eu fiz, em glsl, enquanto procrastinava pra não ter que produzir um artigo 👍