Asli Ozgen 🟥
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asliozgenh.bsky.social
Asli Ozgen 🟥
@asliozgenh.bsky.social
🎓 first-gen, migrant academic
🎞️ film historian & film critic
🔎 absences, gaps, silences in the archives
🖋️ assistant professor of media and culture, University of Amsterdam
🔗https://www.uva.nl/en/profile/o/z/a.ozgen-havekotte/a.ozgen-havekotte.html
Reposted by Asli Ozgen 🟥
The second allegation threatens his mayoralty immediately.

The interior minister has the power to unseat any mayor who is accused of terror charges, even if they have not yet been convicted.

Dozens of pro-Kurdish party mayors in southeast Turkey have been replaced in this way.
March 19, 2025 at 3:12 PM
I’m sorry for your loss Jaap. Sterkte 💔❤️‍🩹
February 5, 2025 at 9:08 PM
Originally conceived as an installation (which unfortunately never made its way to the NL!) by ‘private ear’ and forensic audio analyst Lawrence Abu Hamdan, this is a fascinating register of ‘atmospheric violence’ created by high noise levels and constant humming of Israeli planes polluting the sky.
December 31, 2024 at 3:46 PM
the famous phrase ‘archives teach us about our present’ can be evoked for this film, which depicts the continuum of various forms of violence inflicted on Palestinians using a wide variety of archival footage.
December 31, 2024 at 3:31 PM
the film enacts a screen where spectres materialise in our haunted present: filming is forensics, watching is witnessing. From the sky to the soil and stones, everything is a witness; from Dargecit to court halls, everywhere is a crime scene. Tip: also watch The Soil and the Sea (2023)
December 31, 2024 at 3:22 PM
#4 Dargeçit / Hold Still. This incisive doc follows the kafkaesque legal process concerning the forced disappearances in 1995 in the eponymous district. Like the likenesses of victims appearing on the surfaces of stones in an art installation depicted in the opening sequence +
December 31, 2024 at 3:16 PM
#3 The Flowers Stand Silently, Witnessing. Based on 16mm footage of wildflowers filmed by Scottish missionaries in Palestine in the 1940s, this short doc probes into the unsettling absence of Palestinians in these images, ruminating on the continuum of erasure and violence to this day.
December 31, 2024 at 3:12 PM
#2 Dahomey. Feeling kinda double about this one but still has strong moments and a great addition to the growing attention to return/restitution/repatriation of cultural heritage.
Tip: also watch Statues Also Die (1953), You Hide Me (1970), The Story of Ne Kuko (2023), The Cemetery of Cinema (2023)
December 31, 2024 at 3:09 PM
Followers around Amsterdam: On 26 January, @EYE_film has a screening with live music!!! www.eyefilm.nl/whats-on/nos...
Nosferatu, eine Symphonie des Grauens | Eye Filmmuseum
Bij de première van Robbert Eggers remake van F.W. Murnau’s verfilming van Bram Stokers gothic griezelverhaal mag de film van Murnau zelf niet ontbreken. Expressionistische horror uit de tijd van de W...
www.eyefilm.nl
December 30, 2024 at 4:00 PM