Ariel Authier
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arielauthier.bsky.social
Ariel Authier
@arielauthier.bsky.social
Conspirador @ Schevach & Authier
Director @ Galería Nora Fisch
Fotógrafo, Fetichista y Fotofóbico @ everywhere
Fantasy, 1926.
Paul Outerbridge
July 12, 2025 at 11:46 AM
In Dreams Begin Responsabilities
June 30, 2025 at 3:22 PM
Reposted by Ariel Authier
April 21, 2025 at 10:27 PM
Reposted by Ariel Authier
Dirk Bogarde 🎂🌟
"Mort à Venise", Luchino Visconti, 1971
La trilogie allemande
March 28, 2025 at 12:49 PM
Reposted by Ariel Authier
"Dios mío, ayudame".

Inscripción realizada por un detenido en uno de los calabozos del Centro Clandestino de Detención Pozo de Quilmes.

Autor: Enrique Shore (1984). CONADEP-ANM

NUNCA MAS
March 24, 2025 at 2:32 PM
De la naturaleza y origen de los afectos

#ÉticaDemostradaSegúnElOrdenGeométrico
#Spinoza
March 16, 2025 at 3:48 PM
El Prado es un invento de Dario Argento
March 3, 2025 at 4:03 PM
Reposted by Ariel Authier
I like movies that are basically just ninety minutes or so of nothing but a couple of ladies raising a whole bunch of hell
December 3, 2024 at 4:42 AM
February 21, 2025 at 9:52 PM
Teorema, 1968
#PierPaoloPasolini
February 19, 2025 at 10:32 PM
Reposted by Ariel Authier
The flower disappears
Paul Klee
1939
February 16, 2025 at 3:17 PM
Reposted by Ariel Authier
Mel Bochner (1940–2025).

We will continue to misunderstand photography.
February 15, 2025 at 2:45 PM
Reposted by Ariel Authier
Mesmerically heartbreaking chamber piece AL OTRO LADO DEL ESPEJO (1973) is Jess Franco's most beautifully restrained meditation on female neurosis, a tragic heroine both bride & groom to the violent trauma unsuccessfully dislocated in a reflective nether realm of erotic self-destruct. #FrancoFriday
February 7, 2025 at 6:47 PM
Pier Paolo Pasolini no Trastevere, Roma, 1953
#HerbertList
#PierPaoloPasolini
January 22, 2025 at 2:48 PM
Reposted by Ariel Authier
January 18, 2025 at 1:49 PM
NO HAY BANDA
Pero nos quedan muchas, muchas imágenes tatuadas en la retina..
#DavidLynchForever
January 16, 2025 at 9:02 PM
Reposted by Ariel Authier
Lee Friedlander. Washington DC, 1962
January 14, 2025 at 10:23 PM
Dana Gillespie, 1973
January 13, 2025 at 7:20 PM
Reposted by Ariel Authier
"NO PUEDO TRAGAR TANTO COMO QUISIERA VOMITAR." En abril de 2014, Enrique Jezik produjo una instalación en el Centro Conti en la ESMA en Buenos Aires, con el comentario del pintor Max Liebermann ante el ascenso nazi de 1933. Me horroriza su actualidad

conti.derhuman.jus.gov.ar/2014/04/mult...
January 9, 2025 at 6:29 PM
January 4, 2025 at 11:56 PM