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anxovert.bsky.social
Andrew™
@anxovert.bsky.social
1.1K followers 450 following 5.7K posts
57yo Australian genderqueer/feminine-of-centre ASD male. Married with three adult kids. He/him.

Nintendo Switch friend code:
SW-0942-4628-4596
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anxovert.bsky.social
if you see this, quote with the energy you bring to bluesky
A detailed illustration featuring two central characters from Lewis Carroll's Alice's Adventures in Wonderland: Alice and the Cheshire Cat. The scene is set outdoors, dominated by a large, gnarled tree with thick, winding branches that extend across the upper portion of the frame. The Cheshire Cat is positioned prominently on a thick, horizontal branch in the upper-center. It is a large, striped feline, characterized by its wide, unsettlingly broad grin, with visible teeth and a substantial pink tongue. Its body is composed of bands of pink and purple stripes. The cat is looking down towards Alice. A speech bubble, originating near the cat's head, contains the text: "We are all mad here." Alice stands on the grassy ground beneath the tree, slightly to the left of the center. She is depicted wearing a traditional blue dress with a white pinafore over it, a white headband, and dark shoes. She has shoulder-length light hair. Alice is looking up and slightly to the right, directing her attention towards the Cheshire Cat. Her posture suggests curiosity and a slight apprehension. A smaller speech bubble is near her head, containing the text: "At me?". The background is dense with foliage, suggesting a deep forest or woodland setting. Leaves are rendered in multiple shades of green and yellow, giving a sense of depth and slight shadow. The illustration style is rich and textured, suggesting a classic illustration aesthetic, possibly reminiscent of an old woodcut or engraving, though rendered in full color.
November 20, 2025 at 11:19 AM
anxovert.bsky.social
Post a GIF of your favourite childhood game.

The games of my childhood were in arcades. Despite being a classic I can't find Atari's Battlezone in a GIF search.
A screenshot from the vector graphics arcade game Battlezone (1980), rendered primarily in high-contrast neon green lines on a black background, simulating a first-person perspective from the cockpit of a tank. The display shows a sparse, flat, wire-frame landscape with distant geometric mountains on the horizon. In the center foreground, a large wire-frame enemy tank, recognizable by its turret and treads, is visible to the right. To the left of the enemy tank is a small, rectangular wire-frame box, which represents an obstacle or target. A horizontal line representing the ground/horizon runs across the middle of the screen. The player's targeting reticle is a large, glowing green crosshair centered on the screen, framing the central wire-frame objects. Above the action, across the top of the screen, are several informational overlays and indicators, all rendered in wire-frame graphics. In the upper-left corner, there is a red textual warning reading "ENEMY IN RANGE" and beneath it, "ENEMY TO RIGHT". Above this, a red wire-frame compass or radar display shows the relative position of objects, with a line indicating an enemy to the upper-right. In the upper-right quadrant, game statistics are displayed in white and red text: "SCORE" is followed by a value of "0000", and "HIGH SCORE" is followed by "5000". A small red wire-frame icon, possibly representing remaining lives or fuel, is positioned near the score display. The overall aesthetic is characteristic of early 1980s vector-display arcade cabinets, using minimal color to convey depth and movement.
November 20, 2025 at 12:47 AM
anxovert.bsky.social
📚👀 #rombks 💙📚
A meme featuring a book cover photo and an overlay caption. The caption at the top reads: "When relationships haven't been working out for you." The central focus is the cover of a white book titled: "HOW TO DATE BUILDINGS," with the word "BUILDINGS" emphasized in red. Below the main title is the subtitle: "An Easy Reference Guide." Further down, there is a small white square with the social media handle "@BranterUk." The cover features a detailed illustration of a historical European street scene or town square. In the center is a pale stone building in a neoclassical style, featuring columns and a triangular pediment. This building is flanked by several others. The book itself is photographed standing upright on a shelf or surface, resting against a stack of other books whose spines are visible on the right. The spine of a dark blue book labeled "BRITISH" is partially visible along the bottom edge of the frame.
November 20, 2025 at 12:28 AM
anxovert.bsky.social
Share a TV series you've watched from beginning to end more than once (if you feel like it)
An eye-level, medium shot captures five young Muslim women, who make up the punk band Lady Parts, posing for a promotional image against a bright, graffiti-style background dominated by neon green and black text. The central figure, the lead guitarist, is seated slightly forward on a black speaker cabinet, gripping a vibrant red electric guitar with a black pickguard and neck. She has short, dark hair and is looking directly at the viewer with a strong, determined expression. She wears a white t-shirt covered in tattoos visible on her arms, ripped light blue jeans, and a red and black plaid flannel shirt worn open over the t-shirt. The guitar is adorned with small, colorful stickers. Standing to her left (viewer's right) is the drummer, wearing a deep blue hijab and black clothing, holding drumsticks and maintaining a serious gaze. To the far right stands the vocalist, looking intensely at the viewer, dressed in teal-green overalls layered over a patterned blouse, with a blue and black patterned headscarf. On the guitarist's right (viewer's left), two other band members stand. The woman closest to the center is the bassist, with her face mostly obscured by a black niqab and a silvery, textured headscarf, lending her an air of mystery. The woman on the far left, the band manager, wears an orange-brown hijab, a pale, textured top cinched at the waist with drawstrings, and a long, light blue denim skirt. She is looking thoughtfully to the side, with her hand held up to her chin. Dominating the bottom third of the image in large, jagged, neon pink capital letters, outlined in black, are the words: "WE ARE LADY PARTS". The overall aesthetic is bold, rebellious, and energetic, conveying the show's punk rock theme mixed with contemporary Muslim identity. The vibrant colors and bold typography emphasize the show's title and themes.
November 19, 2025 at 9:09 PM
anxovert.bsky.social
A vintage-style black and white photograph captures a chic woman in a domestic setting, likely a kitchen. She is positioned slightly to the right, looking down and to her right with a dismissive or slightly irritated expression. Her hair is styled in an elegant 1950s or 1960s updo. She is wearing a dark, high-necked garment, possibly a sweater or dress, and accessorized with a multi-strand pearl choker necklace and stud earrings. She holds a small, ornate teacup with a handle in her right hand, bringing it close to her chest. Behind her, out of focus, a traditional stovetop kettle or pot is visible on a surface to the left. The lighting is moody and dramatic. Across the bottom of the image, two lines of white text are overlaid in a bold, serif font: "I wanted to give a fuck today" on the top line, and "but it clashes with my outfit" on the bottom line.
November 19, 2025 at 8:28 PM
anxovert.bsky.social
A highly detailed black and white illustration resembling a conceptual or philosophical poster titled: "FROM BIRTH, WE ARE TOLD WHAT IS BIG AND WHAT IS SMALL. BUT WHAT IS THE REAL SIZE OF THINGS????". The artwork explores the relative scale of objects, ranging from the subatomic to the cosmic. The central question is presented in large, bold text: "PHYSICISTS WON'T GIVE A STRAIGHT ANSWER TO THE SIMPLE QUESTION: HOW BIG AM I? IS NOTHING BIG? IS EVERYTHING?". Various images are scattered across the poster, representing different scales: • vCosmic/Large Scale: On the left, a large outline of the Earth shows three small ants walking off the bottom edge, suggesting the vastness of the planet relative to the ants. On the upper right, a detailed, grainy image of a nebula or galaxy represents the largest scale. • Human/Everyday Scale: A silhouetted figure of a man in a suit holding a briefcase stands near the ants. A small silhouetted person sits cross-legged, playing a flute or pipe, in the upper center. In the lower left, a figure is seated, head in hands, symbolizing human contemplation or insignificance. A large, stippled illustration of an elephant, drawn with a blocky, pixelated appearance, represents a large animal. • Microscopic/Small Scale: In the upper center, a simplified diagram of a Bohr model atom (nucleus and orbiting electrons) is overlaid on the illustration. In the center-right, an image of a detailed, circular radiolarian or similar microorganism is shown with spines. • Conceptual Imagery: • A cartoon apple with a face and stick arms is jumping for joy in the upper left corner. • A small sign with text in a speech bubble style box in the upper center reads: "YOU MUST BE THIS TALL TO RIDE!" with a pointing hand. • In the lower right, a detailed illustration of a human hand is held palm up, and a small, shaggy dog sits on the palm, with the text "PALM DOG????" pointing to it, questioning the scale of companionship.
November 18, 2025 at 9:30 PM
anxovert.bsky.social
An image of a framed sign, titled "HOW TO SAY IRISH NAMES," hanging on a green, wood-paneled wall inside what appears to be a pub or bar. The sign has a dark green background with an orange border and uses white and orange text. The title "HOW TO SAY IRISH NAMES" is in large white text, and an illustration of a white four-leaf clover is next to the title. The sign lists eight traditional Irish names with non-standard pronunciation guides or suggestions next to most: • NIAMH - NEEV • SIOBHAN - SHIV-AWN • SAOIRSE - SHHHH, THEN WING IT • TADGH - ABSOLUTELY NO IDEA • CAOIMHE - IT'S ANYONE'S GUESS • AOIFE - HAVEN'T GOT A CLUE • EOGHAN - YOU'RE MAKING IT UP • DÁITHÍ - DAVE, JUST CALL THEM DAVE The sign is mounted in a simple silver-toned frame and is angled slightly, suggesting it was photographed from the side. The wall behind it is made of dark, distressed wooden planks.
November 18, 2025 at 6:19 AM
anxovert.bsky.social
#NowReading
A book cover for "Christmas in Mistletoe" by Clare Lydon, an LGBTQ+ holiday romance novel. The background is a snowy, dark blue winter night scene with white dots representing falling snow. Centered at the top, the text "FROM BEST-SELLING LESBIAN ROMANCE AUTHOR" appears in yellow, followed by the author's name, "CLARE LYDON," in large white capital letters. Below that, the title "Christmas in Mistletoe" is written in a large, playful white script font. In the lower half of the cover, two women stand close together in the snow. Both women are depicted wearing winter coats and hats. The woman on the left has long, dark brown hair and wears a long, bright green coat over a dark dress, dark tall boots, and a light blue knit hat. She is holding a small, wrapped gift with a red bow. The woman on the right has shoulder-length blonde hair and wears a long, deep crimson red coat with a fluffy white fur collar and cuffs, a white knit hat with a red pom-pom, jeans, and tall black boots. They are standing under a small cluster of green mistletoe with red berries hanging above them. To the left of the women is a tall, dark green Christmas tree decorated with yellow lights and topped with a prominent golden star, radiating light. The ground is covered in white snow, indicating a festive, cold, outdoor setting. The illustration style is bright and cheerful, evoking a cozy holiday atmosphere.
November 17, 2025 at 11:14 PM
anxovert.bsky.social
#kindlequotes 📚👀 #rombks 💙📚
An image featuring a large quote in white serif font on a dark blue background with wispy, lighter blue clouds in the upper third and a lighter blue, glowing horizon near the bottom. The quote, centered and spanning most of the image, reads: "I try to think of anything else. Dennis Rodman kicking that cameraman in the balls. That pig in Toy Story. 'Candle in the Wind.'" Below the quote, justified to the right, are two lines of smaller white text identifying the author and source: Julie Olivia If It Makes You Happy: A Small Town Single Dad Romance In the bottom right corner, a hashtag is visible: #kindlequotes In the bottom left, a dark silhouette of a lone, mature tree with spreading branches sits on a hill against the glowing horizon. A small figure is visible sitting under the tree, appearing to be reading a book.
November 17, 2025 at 9:01 PM
anxovert.bsky.social
A screenshot of a post on the Tumblr blog "normal-horoscopes." The post consists of white text on a solid black background. The text, presented in all capital letters, reads: "ITS SINGLES NIGHT DOWN AT THE MASSIVE CIRCULAR FIELD OF BLACK GRANITE STONES THAT BLEED WHEN YOU TOUCH THEM". A small profile picture for the user "normal-horoscopes" is visible in the top left corner; it appears to show a stylized, dark image of a person holding up something that sparkles.
November 17, 2025 at 8:57 PM
anxovert.bsky.social
What perfect album came out the year you turned 16? I also had to go with four... 🎧
The cover image for the Talking Heads album, Stop Making Sense. The left half of the image is dominated by the torso, legs, and arms of a person, presumably lead singer David Byrne, who is wearing a loose-fitting, light-colored suit. The figure is centered and slightly cut off at the top and bottom edges. The person's left hand is visible and resting inside the jacket pocket. The suit's fabric appears textured, possibly linen or a similar material. Underneath the suit jacket, a white dress shirt is visible, buttoned up to the neck. The right side of the image features a stark black, circular shape, which takes up much of the background in that area. This black circle contrasts sharply with the light color of the suit and the white background strip that runs along the very far right edge. Text overlays the image: • In the upper right corner, the words TALKING HEADS are stacked vertically and rendered in white, slightly jagged, capital sans-serif letters against the black background. • In the lower right, the album title STOP MAKING SENSE is stacked, rendered in a bold, capital sans-serif font. The word STOP is bright red, and the words MAKING SENSE are a thin, vibrant orange-red outline. These words are overlaid partially on the suit and partially on the black circle. The overall composition is dramatic, utilizing strong contrast between the light figure and the deep, dark background elements. The suit and the typography are iconic elements of the album and the concert film. An album cover by The Smiths for their 1984 compilation, Hatful of Hollow. The image is designed with a broad blue background and a thick horizontal black rule across the top, directly beneath the band's name. The band name, "The Smiths," is centered at the top in large, bold, sans-serif, white capital letters. A centered, vertical-format photograph dominates the middle of the cover. This photograph is a high-contrast, black-and-white image of a young man, partially bare-chested and wearing what appears to be a tank top or vest, seen in profile, facing left. He has light-colored hair and is looking intensely to the left. A faint strap or chain hangs from his left shoulder. He is leaning against a textured, vertical surface, possibly a wooden post or wall, which creates a strong dark shadow line down his back. The photograph has a thin white border. Below the central image, against the blue background, is a thin, horizontal white strip extending across the cover. Centered within this white strip, in smaller, black, sans-serif capital letters and enclosed in quotation marks, is the album title: "HATFUL OF HOLLOW." The overall aesthetic is stark, minimalist, and typical of the band's visual style of the era. The album cover for "Rattlesnakes" by Lloyd Cole and the Commotions is a slightly grainy, low-light photograph of an aging, rustic wooden interior. The image is dominated by muted, earthy tones - dark browns, grays, and ochres - lending a moody, nostalgic atmosphere. On the left, a tall, narrow window with a simple frame diffuses soft natural light into the room, creating strong contrasts and highlighting the textures of the space. The wall surrounding the window on the far left is dark and shows signs of wear and staining. A closed, aged wooden door occupies the center of the frame, running vertically from the bottom to the top edge, featuring a dark, round doorknob on its right side. To the right of the door, the wall consists of weathered, horizontal wooden planks above a darker wood wainscoting that runs along the lower third of the wall. High up on this planked section, there is a dark, rectangular patch or void where some planks may be missing. The artist name and album title are superimposed over the right, planked side of the image in a bold, bright red, all-caps, serif typeface. The text "lloyd cole and the commotions" is stacked in the upper right quadrant, with the title "rattlesnakes" positioned directly below it. The stark red lettering contrasts sharply with the dark, textured wooden background, enhancing the cover's dramatic and slightly melancholic aesthetic. A dramatic and complex album cover for Spandau Ballet's 1984 album, Parade. The scene is dominated by a monolithic, gray, stepped, and slightly futuristic-looking building that resembles a tower or fortress. Atop the building, two flagpoles fly small, pale flags against an intensely orange and yellow sunset sky that fades to a pale blue at the very top. Dominating the central face of the tower is a massive, square projection screen or canvas displaying a dark, impressionistic painting or photograph of a figure. This figure is seen from behind and to the side, wearing what appears to be a loose blue top and trousers. The figure's right arm is extended in a powerful, pointing gesture to the left. The figure's left arm is bent, possibly holding something. The artwork on the screen is rendered in thick, dark blue and black brushstrokes, giving it a stylized, energetic quality. Below the main facade of the building, at street level, a small crowd of elaborately dressed people is gathered, suggesting a carnival, procession, or a literal parade. The figures are costumed in vibrant, complex outfits, including what looks like a jester, a figure carrying a flag with stars and stripes, people in tall hats and robes, and figures resembling theatrical characters or animals (such as a large, shaggy orange creature on the far right). To the left of this parade group, standing alone, is a man in a dark suit holding a white megaphone and pointing towards the parade, seemingly directing them. The title of the band, "SPANDAU BALLET," is written in white, capital letters in the upper left corner, and the album title, "PARADE," is in the upper right corner. The bottom edge of the image shows a dark cityscape silhouette against the twilight sky.
November 17, 2025 at 11:27 AM
anxovert.bsky.social
Please quote post a picture where you were completely happy, and nothing else mattered but that moment.

Yours truly + new friend, 1995
An adult holding a sleeping infant. The adult, a man, is positioned in the upper left, looking down with a gentle and focused expression at the baby cradled in his arms. He has short, dark hair and is wearing a dark, possibly navy or royal blue, short-sleeved collared shirt. He appears to be seated on a dark,leather couch. The infant is swaddled in a light-colored, ruffled garment—perhaps cream or white—and is nestled securely against the man's chest. The baby's head is resting on the man's left arm, and the baby's eyes are closed in peaceful sleep. The baby has dark hair and a small hand is visible, resting near the man's neck. The man is holding the baby with both arms, his right arm supporting the baby's body while his left arm is beneath the baby's head. The lighting is soft and warm, suggesting an intimate, indoor setting.
November 17, 2025 at 1:52 AM
anxovert.bsky.social
Your last saved meme is your moral philosophy
A black and white, slightly grainy photograph captures actor Patrick Swayze standing in a grassy outdoor setting, showcasing a moment of gender non-conforming fashion. Swayze is wearing a simple, dark, spaghetti-strap slip dress that reaches just above his knees. He has short, slicked-back hair and a lean, muscular build, with one arm crossed over his torso, clasping his other elbow. He is barefoot and looking directly at the camera. A fluffy, curly-haired, light-colored dog is resting on the ground, leaning its body against Swayze's legs, gazing off camera. The background is filled with tall, dense foliage. Large, white, capital text is overlaid on the image, centered over Swayze's body and the dog: "WEAR WHATEVER THE FUCK YOU WANT". A small watermark, "@THE_GIRL_ABIDES", is visible near the bottom right of the central figure.
November 17, 2025 at 1:04 AM
anxovert.bsky.social
📚👀 #rombks 💙📚
A photograph of a young child, possibly a toddler, on a light-colored, shaggy rug next to a beige upholstered sofa or chair. The child is positioned in the upper right quadrant, looking off to the right side of the frame. They are wearing a blue and white striped long-sleeved shirt. In the child's right hand, they are holding an apple that has a large bite taken out of it, showing the white flesh beneath the red skin. On the sofa or chair near the bottom of the image, there is a pile of five other apples, each with significant portions bitten out, leaving large, yellowish-white exposed patches. Two lines of white text are superimposed over the image to create a meme. The first line of text is placed near the child's shoulder and reads: "My indecisive ass". The second line of text is positioned over the pile of bitten apples and reads: "Trying to pick my next read". The overall lighting is soft and interior. A watermark, "@romantically_inclined", is visible on the middle left side. The photo is composed from an overhead angle looking down.
November 16, 2025 at 10:35 PM
anxovert.bsky.social
♫ Top 5 artists of the Last.week: Squeeze (31) Paul Kelly (29) Bob Dylan (24) Gordon Lightfoot (24) Teen Jesus and the Jean Teasers (24). #myweekcounted 724 Scrobbles with Lastfm #music via @lastfm.blue
Squeeze Paul Kelly Bob Dylan Gordon Lightfoot Teen Jesus and the Jean Teasers
November 16, 2025 at 2:05 PM
anxovert.bsky.social
A photograph of a computer screen displaying a multiple-choice question from an online survey, labeled "Q12." The question text reads, "What gender do you identify with?" The answer choices provided are highly inappropriate and nonsensical for a gender identity question, as they are options from a five-point Likert agreement scale: Strongly disagree, Somewhat disagree, Neither agree nor disagree, Somewhat agree, and Strongly agree. Each option is preceded by a radio button. The question number, Q12, has an associated checked box next to it. Vertical lines run down the left side of the screen, with a red circular minus icon visible next to the option list and a blue circular plus icon visible at the bottom. The image is clear enough to read the text but shows the typical pixelation and angle of a photo taken of a screen.
November 15, 2025 at 10:33 PM
anxovert.bsky.social
📚👀 #rombks 💙📚
A meme titled "Things Women In Literature Have Died From." The title text is large and bold, placed above a central image. The image is a Pre-Raphaaelite-style painting depicting a pale, languid woman lying on a bed, appearing unwell or deceased. She is wearing a light, possibly white, nightgown or burial dress, and a cap or veil covers her hair. She is lying back with her eyes closed and her expression is somber. The lighting is soft, emphasizing her delicate features and the drapery around her. Below the image, two columns of bullet points list the fictitious, often absurd, causes of death for women in literature, satirizing common tropes. The list of causes includes: • Cold hands • Beautiful face • Missing slippers • Wrist fevers • Night brain • Going outside at night in Italy • Shawl insufficiency • Too many pillows • Garden troubles • Someone said "No" very loudly while they were in the room • Letter-reading fits • Drawing-room anguish • Not enough pillows • Haven't seen the sea in a long time • Too many novels • Pony exhaustion • Strolling congestion • Sherry served too cold • Ship infidelity • Spent more than a month in London after growing up in Yorkshire • Clergyman's dropsy • Flirting headaches • River unhappiness • General bummers • Knitting needles too heavy • MMMF • Beautiful chestnut hair • Spinal degeneration as a result of pride • Parents too happy • The Unpleasantness
November 15, 2025 at 12:48 AM
anxovert.bsky.social
How it began
2 yrs ago 2 day
A Blue sky profile screenshot for a user named Andrew. The profile picture is a circular, stylized illustration depicting a close-up of a person's eye, brow, and a section of their face and hair. The person has brown eyes and is looking toward the left side of the frame. The illustration is outlined in white with a thick purple border. The profile is set against a solid black background, topped by a textured, grayish-brown background suggestive of rough concrete. The profile details are: • Name: Andrew • Handle: @n0ty0urcuppatea.bsky.social • Follower Count: 1 follower • Following Count: 11 following • Post Count: 0 posts • Bio: "I put the SEXY in SEntient XYlophone"
November 13, 2025 at 9:22 PM
anxovert.bsky.social
A text-based meme image with bold, orange-colored text against a black background. The text reads: "AUSTRALIANS ARE GETTING STRONGER! 10 YEARS AGO, IT TOOK 2 ADULTS TO CARRY $100 OF GROCERIES... NOW A CHILD CAN DO IT".
November 12, 2025 at 10:33 PM
anxovert.bsky.social
📚👀 #rombks 💙📚
A four-panel meme visually comparing social media platforms to different styles of home libraries and book displays, arranged in a 2x2 grid. Top Left Panel: LINKEDIN. A formal library scene is depicted. The wall is covered in wallpaper that realistically simulates floor-to-ceiling rows of antique, dark-spined, leather-bound books. In the foreground is a single, comfortable, light-colored armchair with a gray cushion, suggesting a serious, professional setting. The panel is labeled "LINKEDIN" in white text. Top Right Panel: FACEBOOK. This panel shows a bold blue, multi-shelf bookcase designed to resemble the TARDIS, the iconic police call box from Doctor Who. The top section of the shelf unit mimics the roof and signage of the call box. The shelves are filled with a colorful mix of books and knick-knacks, implying shared interests and pop culture. The panel is labeled "FACEBOOK" in white text. Bottom Left Panel: INSTAGRAM. A modern, stylish home interior featuring extensive black shelving built into a wall above a set of white stairs. The shelves hold books interspersed carefully with decorative items, colorful artifacts, and accessories. The overall aesthetic is highly curated and emphasizes contemporary interior design and lifestyle presentation. The panel is labeled "INSTAGRAM" in white text. Bottom Right Panel: TINDER. This panel features a humorous and creative display where various books are stacked and mounted directly onto a beige wall to form a large, abstracted, humanoid figure in a dynamic pose, such as a squat or lunge. The figure, constructed entirely of books, is wearing a piece of light blue material around its waist like underwear. The construction emphasizes visual appeal and attention-grabbing presentation. The panel is labeled "TINDER" in white text.
November 12, 2025 at 8:57 PM
anxovert.bsky.social
A detailed pop-art style illustration depicts a man and a woman sitting across from each other at a table, likely in a restaurant or on a date. The artwork uses a heavy black outline and features dot shading, characteristic of vintage comic book art. The background is a solid, deep purple. The man, on the left, looks toward the woman with a slight expression of anticipation or hope. He has dark hair, dark eyes, and is wearing a collared, button-up shirt rendered in a light teal or greenish-blue. A speech bubble originating from his position contains the text: WE SHOULD HAVE DINNER AGAIN. The woman, on the right, is looking back at the man, smiling subtly, while holding a stemmed wine glass in her right hand, bringing it close to her lips. She has prominent pink hair, possibly dyed, and is wearing a long-sleeved dress or jacket in a light pink hue. Her fingernails are also painted pink. Both individuals are holding wine glasses filled with red wine, and the glasses are touching in a toast. The speech bubble originating from the woman contains the text: THANKS. BUT I’M FULL. On the table between them, slightly in front of the woman, is a small, light blue or teal vase containing a single stem rose that has a large pink bloom and green leaves. The artist's watermark, @PHAEDRAPEER, is visible near the rose.
November 12, 2025 at 1:40 AM
anxovert.bsky.social
A social media exchange, presented in a standard tweet format. The post consists of a lead tweet and a reply. The lead tweet is by Kristin (@livingforjc). Her profile picture shows a light-skinned woman with blonde hair looking directly at the camera. The body of her tweet reads: "Masturbation and pornography destroy the marriage bed." The timestamp is "10/21/18, 5:06 PM." The engagement metrics show "457 Retweets 1,739 Likes." The reply to this tweet is by Tim Branin (@TBranin). His profile picture is a stylized, black-and-white illustration of a person wearing a wide-brimmed cowboy hat, holding what appears to be a rifle or stick over their shoulder, possibly riding a horse or walking. The reply text, which is indented and starts with "Replying to @livingforjc," reads: "Just lay some towels down first, you'll be fine." The exchange creates a humorous juxtaposition, where Kristin makes a moral or social commentary about the destruction of marital intimacy, and Tim provides a literal interpretation of 'destroy the marriage bed,' suggesting cleanup can be minimised with towels.
November 10, 2025 at 11:18 PM
anxovert.bsky.social
A square graphic featuring a humorous, self-aware quote about emotional well-being and sleep, set against a solid-colored background with high contrast. The main text is rendered in a very thick, rounded, retro-style font, strongly reminiscent of late 1960s or early 1970s design aesthetics. The lettering is a light color with a darker shadow or outline, which makes the text stand out prominently from the contrasting background. The text is stacked and centered, delivering the message in a casual, meme-like tone. It reads across four lines: Life Hack: you cant be sad if you are asleep.
November 10, 2025 at 10:12 PM
anxovert.bsky.social
I’m a white people so I can’t help dispute MR’s claim, but I do love Gordon Lightfoot - particularly this album:
The front cover of Gordon Lightfoot's 1970 album, "Sit Down Young Stranger." The cover features a slightly grainy, dark, and reflective image of Gordon Lightfoot, a light-skinned man with dark hair, seated and looking directly toward the camera. He is seated indoors, viewed through a large window, which adds a reflective quality and a muted, darkened tone over the entire photo. Lightfoot is dressed in a dark jacket or blazer over a dark button-up shirt, with his hands clasped and resting on a surface in front of him. The light appears to be coming from behind the viewer, illuminating the window's reflective surface and making the interior dark. In the top half of the image, the album's title and artist name are printed in a light, sans-serif font across the glass reflection. The text reads: "GORDON LIGHTFOOT" centered at the top, and below it, the album title "SIT DOWN YOUNG STRANGER" stacked across three lines. The text is aligned slightly above and to the left of the artist's head. On the far upper right corner, a stereo logo and the catalog number "6392" are vertically aligned. On the left edge of the image, a vertical section of a frame or sill shows a fragmented, out-of-focus reflection of small square shapes, possibly from an interior wall or sign.
November 10, 2025 at 12:37 PM
anxovert.bsky.social
📚👀 #rombks 💙📚
A screenshot of a Tumblr thread on a dark background, comparing the approaches of classic female authors to male characters and romance. The text is white and is divided into three separate posts from three different users. The first post, from user moonachilles, reads: "Jane Austen really said 'I respect the 'I can fix him' movement but that's just not me. He'll fix himself if knows what's good for him' and that's why her works are still calling the shots today." The second post, from user nitewrighter, reads: "Meanwhile Emily Brönte just said 'We can make each other worse.'" The third post, from user theonlycabbage, reads: "Mary Shelley said, 'I can make him". The posts are presented with the users' profile pictures to the left of their usernames.
November 10, 2025 at 11:28 AM