Andrew Wille
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andrewwille.bsky.social
Andrew Wille
@andrewwille.bsky.social
Reads, writes, edits, gardens, cooks. Natural history, nice people. Whippet person 🌈🇪🇺🌹🥮🐺 Also Andrew Wille Writing Studio
www.wille.org
https://linktr.ee/andrewwille
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One of my favourite writing experiments and forms of writing: I Remember. A great one for trusting (rather then finding) your voice.

open.substack.com/pub/andrewwi...
Variations on the Form of I Remember: Voice 3
Writing experiment
open.substack.com
Reposted by Andrew Wille
I don't know the author or the book he speaks of, but I was struck, & deeply so, by @andrewwille.bsky.social's thoughtful & poetic review of Ocean Vuong's THE EMPEROR OF GLADNESS. (Comforting, too, how he sees reading a book oh-so-slowly as its own reward.)

📚💙

www.instagram.com/p/DPLRTn6iP-...
andrewwillewritingstudio on Instagram: "The Emperor of Gladness by Ocean Vuong was not, initially, what I expected. It has a different shape and a different pace from dear…"
The Emperor of Gladness by Ocean Vuong was not, initially, what I expected. It has a different shape and a different pace from dearly beloved and much adored On Earth We’re Briefly Gorgeous. I registered that this required a different approach in my reading. I let myself read it slowly, over a few months. It’s lyrical but also more episodic - more like a soap opera, I realised, or a Dickensian drama in how it presents characters and what happens in their everyday lives in the setting of a post-industrial town in Connecticut.We meet our protagonist Hai at a moment of crisis. He’s negotiating tough realities of economics and addiction and the immigrant experience and war and more. He finds purpose in working two jobs - in food service and as a carer. The book eschews the usual conventions of plotting towards a tidy ending. Instead we engage, carrier bag style, with Hai’s finding of found family. His colleagues and the elderly widow Grazina bring love and lessons and also laughter into the story. Themes of care and service are paramount: compassion and the idea of leading a good life. While I was reading I read a vile review (clickbait) and also snark on Substack. I felt this mostly spoke to reviewers and also Substack’s platforming of show-offs. A young and immensely talented and thoughtful writer clearly presses buttons for the less talented and thoughtless (or maybe just: the boring). I also felt the use of quotations in certain reviews was selective and wrong-headed. The very metaphors that distressed pantywaist critics are the very figures of speech that I love to arrest me in Ocean’s writing.These are matters of taste, rather than scorn. I also watched a review by more enthusiastic young reviewer @jackbenedwards who called this a ‘sentimental novel’. I liked that. I liked that that young reviewers as well as Ocean have no shame about sentiment and sentimentality - about feeling in writing. I saw Ocean at the Southbank recently, and he has so much intelligence to give.Anyway, I myself enjoyed this novel very much indeed. Many tender and funny and heartfelt moments along the way, and a beautiful last chapter.#bookstagram #theemperorofgladness
www.instagram.com
September 29, 2025 at 10:33 AM
Reposted by Andrew Wille
If you're interested in what #education can look like when it's blended with #creativity, meditation, #yoga, and dreaming of a more compassionate future, this video about Naropa University is for you! #WritingCommunity #TeamRhetoric #highereducation #AcademicSky

www.youtube.com/watch?v=WxUE...
Return to Naropa University 20 Years After Graduating
YouTube video by Alexandra Hidalgo
www.youtube.com
February 25, 2025 at 10:39 PM
And I’m talking more about trusting your voice in my Voice masterclass on Zoom on Monday.

wille.org/voice
Voice
A Zoom Masterclass Monday 10 February 2025, 7pm–8.30pm London time, £50 Trusting your natural speaking voice Finding your voice is one of the great myths of writing: you already have a voice. This …
wille.org
February 7, 2025 at 9:45 AM
One of my favourite writing experiments and forms of writing: I Remember. A great one for trusting (rather then finding) your voice.

open.substack.com/pub/andrewwi...
Variations on the Form of I Remember: Voice 3
Writing experiment
open.substack.com
February 7, 2025 at 9:44 AM
Reposted by Andrew Wille
Unsolicited writing advice, no. #766: Writing is a community. Participate in it if you can. Engage with other writers. Lift them up, and they’ll do the same. Try to go it alone, or treat other writers as rivals, and you’re more likely to sink than swim.
January 28, 2025 at 10:47 AM
Reposted by Andrew Wille
Retired librarian here. There’s another thing you can do: put a hold on the book once it appears in the online catalog (yes, even when it’s still on order). Many libraries have a policy of purchasing additional copies when the reserves-to-copies ratio exceeds a specified point (say 5-1).
January 22, 2025 at 4:43 PM
Reposted by Andrew Wille
If you want to read a new book coming out but don't want to buy it, a great thing you can do is ask your local library to order it. The more requests they get, the more likely they are to acquire it and then lots of people will get to read it who othewise wouldn't.
January 22, 2025 at 4:27 PM
Find your voice? How about finding other people’s?
Overheard dialogue is such a great exercise in writing.
Overheard Dialogue: Voice 1
Writing experiment
open.substack.com
January 19, 2025 at 5:50 PM
Ernest Hemingway: the first draft of anything is shit. Natalie Goldberg tells writers to write the worst crap in America. Vomit drafts. Anne Lamott: be free to write Shitty First Drafts.
I don’t like all this ordure! Call them exploratory drafts or discovery drafts.
January 15, 2025 at 9:50 AM
Frank Skinner’s Poetry Podcast on Emily Dickinson
Emily Dickinson
Podcast Episode · Frank Skinner's Poetry Podcast · 29/06/2022 · 44m
podcasts.apple.com
January 12, 2025 at 10:43 AM
So many of the best and most valuable stories in publishing are ones like this that take place at the fringes or in alternative spaces

publishingperspectives.com/2025/01/rich...
Richard Charkin: Exchanging Books With His Barber
Richard Charkin discovers that his barber from Türkiye is a writer whose translator is a retired electrical engineer…
publishingperspectives.com
January 11, 2025 at 10:16 PM
Reposted by Andrew Wille
I fear there is deep truth here.
January 11, 2025 at 8:47 PM
I’m starting a new series of creative writing workshops on Tarot For Writers, starting on 2 February with Magicians and Fools.

wille.org/classes/taro...
Magicians and Fools
A Zoom workshop, Sunday 2 February, 5pm-6pm London, £30 First Steps Into the Major Arcana Let the Fool and the Magician be our guides to the big themes and archetypes that the cards of the Major Ar…
wille.org
January 11, 2025 at 9:15 AM
Insightful piece on publishing by influence and algorithm, and the slop that results.
Art in the Age of Slop
On Romantasy plagiarism, hashtag books, and why originality is still worth striving for
open.substack.com
January 10, 2025 at 8:32 AM
Reposted by Andrew Wille
Meta literally created a LGBTQ exception for calling someone mentally ill as an insult. You can't do it for any other group except LGBTQ people.
January 8, 2025 at 1:51 AM
Ow! A harsh but necessary dissection - of publishing, of modern life

‘Zibby is a representative figure in a cultural crisis: The Zibbyverse is a place where there are no books, really, only book-commodities to be sold. And nobody knows, or can tell, the difference.’
The vapid world of America's top book influencer
unherd.com
January 8, 2025 at 10:16 AM
Zoom Masterclasses for 2025 start on 13 January with Beginnings, which explores how we begin and sustain a successful writing practice: through work, through play, through cultivating beginner’s mind. We'll also look at ways to craft strong openings for our stories.

wille.org/beginnings
Beginnings - A Zoom Masterclass
A Zoom Masterclass Monday 13 January 2025, 7pm-8.30pm London time, £50 Beginner’s mind – getting started Fresh starts for new ideas, rebooting old projects, setting out in writing, trying a differe…
wille.org
January 4, 2025 at 11:56 AM
No higher endorsement - and thanks for saying so 😘
December 31, 2024 at 10:33 AM
Reposted by Andrew Wille
New Writing Prize here with some fabulous judges - includes writers from UK & Ireland and is for novel, play or screenwriting.

Please share :)
Launch of Oxford/42 New Writing Prize: now open for submissions
www.english.ox.ac.uk
December 28, 2024 at 5:40 PM
The more you read on in this article, the more muddled and ignorant it becomes, but the comments put things right. America IS and always has been the great fantasy.

www.nytimes.com/2024/12/20/o...
Opinion | We Need a Great American Fantasy (Gift Article)
In search of a New World answer to Narnia and Hogwarts.
www.nytimes.com
December 22, 2024 at 8:20 AM
Over on Instagram: my first annual holiday gift guide for the writers and booklovers in our lives

www.instagram.com/p/DDmWuIxg-4U/
December 15, 2024 at 12:49 PM
“Between the Shadow and the Soul” by Lauren Groff 👏👏👏

www.newyorker.com/magazine/202...
“Between the Shadow and the Soul,” by Lauren Groff
On one side of Eliza, Willie put his hand on hers, and on the other, under the table, Bet’s knee pressed against her knee. She had to close her eyes and breathe.
www.newyorker.com
December 15, 2024 at 9:16 AM
Reposted by Andrew Wille
Every year, I buy myself a really nice present, some frippery I’ve wanted but couldn’t justify otherwise. It’s my reward for being me, given with love and gratitude, accepted with humility and thanks. Try it ❤️
November 28, 2024 at 8:48 AM
Reposted by Andrew Wille
Inspired by a visit to the incredible cave paintings at Lascaux last week I made a site where you can make your own hand paintings 🖐️

www.joelsimon.net/forgotten-dr...
December 10, 2024 at 1:54 PM