Anand Sudha
@anandsudha.bsky.social
PhD in Applied Physics and the occasional film critic. Words in InReview, Animus Mag, Ultra Dogme etc. https://thecritischism.wordpress.com/
Happy to work with @tothehappynone.bsky.social
on one of my favourite American films, one that interrogates our cherished beliefs about recorded realities through genre frameworks and tropes.
thehobbyhorse.substack.com/p/fuzzy-truths
on one of my favourite American films, one that interrogates our cherished beliefs about recorded realities through genre frameworks and tropes.
thehobbyhorse.substack.com/p/fuzzy-truths
Fuzzy Truths
On New Rose Hotel
thehobbyhorse.substack.com
November 17, 2025 at 7:58 PM
Happy to work with @tothehappynone.bsky.social
on one of my favourite American films, one that interrogates our cherished beliefs about recorded realities through genre frameworks and tropes.
thehobbyhorse.substack.com/p/fuzzy-truths
on one of my favourite American films, one that interrogates our cherished beliefs about recorded realities through genre frameworks and tropes.
thehobbyhorse.substack.com/p/fuzzy-truths
On Ordet, miracles in cinema, and Dreyer's interrogation of faith through its collision with "rationality".
thecritischism.wordpress.com/2025/10/14/o...
thecritischism.wordpress.com/2025/10/14/o...
October 15, 2025 at 10:57 PM
On Ordet, miracles in cinema, and Dreyer's interrogation of faith through its collision with "rationality".
thecritischism.wordpress.com/2025/10/14/o...
thecritischism.wordpress.com/2025/10/14/o...
Reposted by Anand Sudha
I loved working with @anandsudha.bsky.social on this piece, whose publication fittingly, but unintentionally coincides with Peter Sellers' centenary this month.
Anand Sudha (@anandsudha.bsky.social) considers his own experience – as film fan and Indian viewer – with Blake Edwards’ controversial, revered comedy THE PARTY (1968), engaging with his own hopes and expectations for the film's acerbic critique of Hollywood: animus-magazine.ghost.io/whos-invited...
Who's invited to The Party?
On The Party and the politics of who’s looking at problematic art
animus-magazine.ghost.io
September 15, 2025 at 7:52 PM
I loved working with @anandsudha.bsky.social on this piece, whose publication fittingly, but unintentionally coincides with Peter Sellers' centenary this month.
A long gestating article on engaging with problematic art, specifically, The Party, through my Indian lens that couldn't stop squirming at Peter Sellers in brownface. Happy to have this published at @animusmagazine.bsky.social and thanks to @elazic.bsky.social for her helpful suggestions!
Anand Sudha (@anandsudha.bsky.social) considers his own experience – as film fan and Indian viewer – with Blake Edwards’ controversial, revered comedy THE PARTY (1968), engaging with his own hopes and expectations for the film's acerbic critique of Hollywood: animus-magazine.ghost.io/whos-invited...
Who's invited to The Party?
On The Party and the politics of who’s looking at problematic art
animus-magazine.ghost.io
September 16, 2025 at 9:20 AM
A long gestating article on engaging with problematic art, specifically, The Party, through my Indian lens that couldn't stop squirming at Peter Sellers in brownface. Happy to have this published at @animusmagazine.bsky.social and thanks to @elazic.bsky.social for her helpful suggestions!
Reposted by Anand Sudha
TIFF uploaded a trailer today for a documentary about a former IDF general rescuing his family on October 7, even though it wasn't in their TIFF Docs press release and there isn't a film page on their site. They made the video private but the trailer can still be viewed here:
vimeo.com/1105546177
vimeo.com/1105546177
The Road Between Us: The Ultimate Rescue _ TRAILER
* Premiering at the 2025 Toronto International Film Festival * Dir.: Barry Avrich Melbar Entertainment Group www.melbarentertainment.com Please contact: Laila…
vimeo.com
August 6, 2025 at 9:25 PM
TIFF uploaded a trailer today for a documentary about a former IDF general rescuing his family on October 7, even though it wasn't in their TIFF Docs press release and there isn't a film page on their site. They made the video private but the trailer can still be viewed here:
vimeo.com/1105546177
vimeo.com/1105546177