formerly at Penguin Random House and The Book Group
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Tell me: what's your story's external and internal conflict?
Tell me: what's your story's external and internal conflict?
The second that you resolve the conflict, all your story's tension dies. We start to wonder: why am I still here? What am I reading for?
So make sure there’s something unresolved and uncomfortable pulling us through the rest of the story.
The second that you resolve the conflict, all your story's tension dies. We start to wonder: why am I still here? What am I reading for?
So make sure there’s something unresolved and uncomfortable pulling us through the rest of the story.
The external conflict: navigating humans' first contact with aliens
The internal conflict: Louise grieving the daughter she will have and lose
The external conflict: navigating humans' first contact with aliens
The internal conflict: Louise grieving the daughter she will have and lose
If your plot only contains external conflict, your story is only halfway there. The best stories also incorporate strong internal conflict.
If your plot only contains external conflict, your story is only halfway there. The best stories also incorporate strong internal conflict.
External conflict is what we think about first when we're creating a plot. This involves any outside forces that are out of your protagonist's control, like losing a job, battling a war, or confronting a bully.
External conflict is what we think about first when we're creating a plot. This involves any outside forces that are out of your protagonist's control, like losing a job, battling a war, or confronting a bully.
Good example: Your protagonist's mother vehemently disapproving of her fiancé, making her question whether they're right for each other.
Good example: Your protagonist's mother vehemently disapproving of her fiancé, making her question whether they're right for each other.
If your conflict comes out of nowhere, readers are going to check out and lose trust in your storytelling. The conflict should feel organic, something the plot has been building to.
If your conflict comes out of nowhere, readers are going to check out and lose trust in your storytelling. The conflict should feel organic, something the plot has been building to.
✅ Connect with other writers
✅ Take a break from their story to come back with fresh eyes
✅ Change up their routine to kickstart creativity again
✅ Read something new
And the biggest thing...they KEEP WRITING.
You've got this.
✅ Connect with other writers
✅ Take a break from their story to come back with fresh eyes
✅ Change up their routine to kickstart creativity again
✅ Read something new
And the biggest thing...they KEEP WRITING.
You've got this.
It's part of being a writer. But the ones who make it don't let these obstacles stop them.
It's part of being a writer. But the ones who make it don't let these obstacles stop them.
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From author Amy Rossi: "I continued to receive rejection after rejection—at least 70—and by the time I signed with [my agent], it was January 2020—almost 3 and a half years into the journey."
From author Amy Rossi: "I continued to receive rejection after rejection—at least 70—and by the time I signed with [my agent], it was January 2020—almost 3 and a half years into the journey."
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You'll also get tons of exclusive writing and publishing resources from me!