Transitioning content from Twitter and Insta.
Our review: lnkd.in/eFpzKJAk
Our review: lnkd.in/eFpzKJAk
Our thoughts:
almahilma.wordpress.com/2025/10/08/f...
Olga Albizu, “Radiante” (1967), on view at the Smithsonian American Art Museum.
#womenartists #arthistory #Smithsonian #GovtShutdown #nationalgallerydc
Our thoughts:
almahilma.wordpress.com/2025/10/08/f...
Olga Albizu, “Radiante” (1967), on view at the Smithsonian American Art Museum.
#womenartists #arthistory #Smithsonian #GovtShutdown #nationalgallerydc
How the artist creates these delicate, multiple textures from something as rigid, yet unwieldy and polluting as discarded tires and treads is amazing. Our review:
almahilma.wordpress.com/2025/06/11/c...
Chakaia Booker, Acid Rain (2001)
How the artist creates these delicate, multiple textures from something as rigid, yet unwieldy and polluting as discarded tires and treads is amazing. Our review:
almahilma.wordpress.com/2025/06/11/c...
Chakaia Booker, Acid Rain (2001)
Raised in DC, she taught art in the public schools, earned art degrees from Howard Univ. & American Univ., owned a gallery, & frequented integrated arts spaces like #PhillipsCollection & #LittleParisGroup.
almahilma.wordpress.com/2025/06/03/a...
Raised in DC, she taught art in the public schools, earned art degrees from Howard Univ. & American Univ., owned a gallery, & frequented integrated arts spaces like #PhillipsCollection & #LittleParisGroup.
almahilma.wordpress.com/2025/06/03/a...
The chair of the foundation safeguarding her legacy says it's only for fellow believers, in spite of Hilma's efforts to exhibit internationally
almahilma.wordpress.com/2025/04/16/w...
Hilma af Klint, Altarpieces Series, No. 10 (1915). Oil and metal leaf on canvas.
The chair of the foundation safeguarding her legacy says it's only for fellow believers, in spite of Hilma's efforts to exhibit internationally
almahilma.wordpress.com/2025/04/16/w...
Hilma af Klint, Altarpieces Series, No. 10 (1915). Oil and metal leaf on canvas.
Prepare to be blown away by the Renwick Gallery’s exhibition, "We Gather at the Edge: Contemporary Quilts by Black Women Artists." #SmithsonianAmericanArt #Blackwomenartists
Sylvia Hernandez, Flint Water (2017)
Prepare to be blown away by the Renwick Gallery’s exhibition, "We Gather at the Edge: Contemporary Quilts by Black Women Artists." #SmithsonianAmericanArt #Blackwomenartists
Sylvia Hernandez, Flint Water (2017)
Jellett, Composition (c. 1932) & Delaunay, The Bal Bullier (1913) respectively
Jellett, Composition (c. 1932) & Delaunay, The Bal Bullier (1913) respectively
almahilma.wordpress.com/2024/11/24/c...
Miki Hayakawa, From my window (1935); HIsako Hibi, Autumn (1967).
almahilma.wordpress.com/2024/11/24/c...
Miki Hayakawa, From my window (1935); HIsako Hibi, Autumn (1967).