Transitioning content from Twitter and Insta.
Raised in DC, she taught art in the public schools, earned art degrees from Howard Univ. & American Univ., owned a gallery, & frequented integrated arts spaces like #PhillipsCollection & #LittleParisGroup.
almahilma.wordpress.com/2025/06/03/a...
Our review: lnkd.in/eFpzKJAk
Our review: lnkd.in/eFpzKJAk
He was calling for free expression in the Arab world. You can read it here :
www.washingtonpost.com/opinions/glo...
Chakaia Booker, It’s so hard to be green, rubber tires and wood (2000).
#womenartists #BIPOCartists #occupiedDC #NGADC
Chakaia Booker, It’s so hard to be green, rubber tires and wood (2000).
#womenartists #BIPOCartists #occupiedDC #NGADC
#arthistory #womenartists #occupiedDC #GovernmentShutdown #blackartists
"Autumn Leaves Fluttering in the Breeze"
Alma Woodsey Thomas, 1973
#womenartists
#arthistory #womenartists #occupiedDC #GovernmentShutdown #blackartists
Trump’s invasion (with @GovBillLee’s help) is scaring locals away and hurting businesses.
Our thoughts:
almahilma.wordpress.com/2025/10/08/f...
Olga Albizu, “Radiante” (1967), on view at the Smithsonian American Art Museum.
#womenartists #arthistory #Smithsonian #GovtShutdown #nationalgallerydc
Our thoughts:
almahilma.wordpress.com/2025/10/08/f...
Olga Albizu, “Radiante” (1967), on view at the Smithsonian American Art Museum.
#womenartists #arthistory #Smithsonian #GovtShutdown #nationalgallerydc
#spiritualism #arthistory @women_artists @hilmaafklintsatelje @arthistorywomen
Our thoughts here:
#spiritualism #arthistory @women_artists @hilmaafklintsatelje @arthistorywomen
Our thoughts here:
As the artist explained, “Trans Forming Liberty challenges who we allow to embody our national symbols—and who we erase. It demands a fuller vision of freedom, one that includes the dignity of all bodies, all identities. Liberty isn’t fixed. She…
As the artist explained, “Trans Forming Liberty challenges who we allow to embody our national symbols—and who we erase. It demands a fuller vision of freedom, one that includes the dignity of all bodies, all identities. Liberty isn’t fixed. She…
#arthistory #BIPOCartists #womenartists
#arthistory #BIPOCartists #womenartists
#arthistory #BIPOCartists #womenartists
How the artist creates these delicate, multiple textures from something as rigid, yet unwieldy and polluting as discarded tires and treads is amazing. Our review:
almahilma.wordpress.com/2025/06/11/c...
Chakaia Booker, Acid Rain (2001)
How the artist creates these delicate, multiple textures from something as rigid, yet unwieldy and polluting as discarded tires and treads is amazing. Our review:
almahilma.wordpress.com/2025/06/11/c...
Chakaia Booker, Acid Rain (2001)
Raised in DC, she taught art in the public schools, earned art degrees from Howard Univ. & American Univ., owned a gallery, & frequented integrated arts spaces like #PhillipsCollection & #LittleParisGroup.
almahilma.wordpress.com/2025/06/03/a...
Raised in DC, she taught art in the public schools, earned art degrees from Howard Univ. & American Univ., owned a gallery, & frequented integrated arts spaces like #PhillipsCollection & #LittleParisGroup.
almahilma.wordpress.com/2025/06/03/a...
The chair of the foundation safeguarding her legacy says it's only for fellow believers, in spite of Hilma's efforts to exhibit internationally
almahilma.wordpress.com/2025/04/16/w...
Hilma af Klint, Altarpieces Series, No. 10 (1915). Oil and metal leaf on canvas.
The chair of the foundation safeguarding her legacy says it's only for fellow believers, in spite of Hilma's efforts to exhibit internationally
almahilma.wordpress.com/2025/04/16/w...
Hilma af Klint, Altarpieces Series, No. 10 (1915). Oil and metal leaf on canvas.