November 13. It's Felix Unger Day!

Escape from Suck City is a genre-bending bender through abuse, revenge, and hope’s last breath.

Subscribe to see what survival really looks like in this Desert Noir.

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A great ending shouldn’t have to explain. It should simply resonate.

End with a punch, not a recap.

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New episode just dropped on Substack!

thenightdesk.substack.com/p/escape-fro...

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New episode is out!

www.patreon.com/posts/129598...

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For novelists, the best humor delivers more than a punchline. It reveals the truth. Use humor to expose fear, ego, and the quiet absurdities we’d rather ignore.

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We don’t live in postcards, and neither do the stories that we tell. Show the roughness, the contradictions, the places polite society skips over. Because when you reveal the grit, the beauty that survives feels even more extraordinary.

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Every great aside feels like contraband . . . something you weren’t supposed to know. Used right, it makes the reader lean closer and trust the voice.

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Chaos hooks attention, but reflection delivers meaning. Show what it costs, and your story will stick long after the noise fades.

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Every writer bends the rules, but the real trick is teaching readers how to follow your version of them. Consistency builds trust, and once trained, readers will follow you anywhere.

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The screenwriter's advice is to enter the scene as late as possible. Stories hit harder when they begin mid-action. Movement sparks questions that explanation can’t, pulling the reader forward before they can look away.

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Stories grip harder when they begin mid-action. Movement sparks questions that explanation can’t, pulling the reader forward before they can look away.

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Every word should earn its place. Cut until only the details that move the story or deepen the moment are left on the page.

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For Charlie Edmund, survival’s not a plan. It’s the only game left. Dive into Escape from Suck City.

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Mix high and low references just like The Bard and The Tarantino.

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