Favorite scene & example of this is the turning point of the episode, her moment of honesty. Overwhelming pop delivery for a heroic run, but our gal can't run for shit (defining trait). Animator Natsuho Iwaida, big fan of the series, brought up how hard it is to draw someone running this slow, lol

Imagine you're a producer who has to deal with the potential backlash against a bishoujo title that decides to present itself as avant-garde film, and then you get the call that you gotta license Que Sera Sera because the director thinks it fits the ruthless end to a death game. Love you, Ueno