Typofonderie: fonts & typography
@typofonderie.com
https://typofonderie.com/links
Join any graphic designer, art director, web designer who use our fonts! Buy the best quality typefaces you need. Est. 1994.
👋 Annual graphic & typography design conference + learn type design @typeparis.com
Join any graphic designer, art director, web designer who use our fonts! Buy the best quality typefaces you need. Est. 1994.
👋 Annual graphic & typography design conference + learn type design @typeparis.com
Reposted by Typofonderie: fonts & typography
Collection of very typographic travel labels seen at the 1925-2025 Art Deco exhibition at the MAD, Paris.
madparis.fr/1925-2025-Ce...
madparis.fr/1925-2025-Ce...
November 9, 2025 at 4:50 PM
Collection of very typographic travel labels seen at the 1925-2025 Art Deco exhibition at the MAD, Paris.
madparis.fr/1925-2025-Ce...
madparis.fr/1925-2025-Ce...
Collection of very typographic travel labels seen at the 1925-2025 Art Deco exhibition at the MAD, Paris.
madparis.fr/1925-2025-Ce...
madparis.fr/1925-2025-Ce...
November 9, 2025 at 4:50 PM
Collection of very typographic travel labels seen at the 1925-2025 Art Deco exhibition at the MAD, Paris.
madparis.fr/1925-2025-Ce...
madparis.fr/1925-2025-Ce...
Reposted by Typofonderie: fonts & typography
Why more narrow and lighter?
— Because it helps differentiation with roman.
Why the Bézier points aren't on extremes on italic?
— It's less crucial than it was in the 90s low screen resolution. And much more adapted to Italic design!
— Because it helps differentiation with roman.
Why the Bézier points aren't on extremes on italic?
— It's less crucial than it was in the 90s low screen resolution. And much more adapted to Italic design!
September 19, 2025 at 8:31 AM
Why more narrow and lighter?
— Because it helps differentiation with roman.
Why the Bézier points aren't on extremes on italic?
— It's less crucial than it was in the 90s low screen resolution. And much more adapted to Italic design!
— Because it helps differentiation with roman.
Why the Bézier points aren't on extremes on italic?
— It's less crucial than it was in the 90s low screen resolution. And much more adapted to Italic design!
Reposted by Typofonderie: fonts & typography
Designing italic cap O in three steps:
1. Narrow them between 88-95% (but see horizontal weight proportionally)
2. Slant here 50% half of the H slant, because it's more easy to refine round letters from that than the font slant.
3. Redraw until it match your required in term of style. Here it's WIP.
1. Narrow them between 88-95% (but see horizontal weight proportionally)
2. Slant here 50% half of the H slant, because it's more easy to refine round letters from that than the font slant.
3. Redraw until it match your required in term of style. Here it's WIP.
September 19, 2025 at 8:28 AM
Designing italic cap O in three steps:
1. Narrow them between 88-95% (but see horizontal weight proportionally)
2. Slant here 50% half of the H slant, because it's more easy to refine round letters from that than the font slant.
3. Redraw until it match your required in term of style. Here it's WIP.
1. Narrow them between 88-95% (but see horizontal weight proportionally)
2. Slant here 50% half of the H slant, because it's more easy to refine round letters from that than the font slant.
3. Redraw until it match your required in term of style. Here it's WIP.
You are a student (FR or EN) in a graphic design school, or type design specialized school, apply for a paid internship at Typofonderie.
➽ typofonderie.com/help/interns
From January 2026 for 2 months or more.
➽ typofonderie.com/help/interns
From January 2026 for 2 months or more.
November 7, 2025 at 2:27 PM
You are a student (FR or EN) in a graphic design school, or type design specialized school, apply for a paid internship at Typofonderie.
➽ typofonderie.com/help/interns
From January 2026 for 2 months or more.
➽ typofonderie.com/help/interns
From January 2026 for 2 months or more.
Reposted by Typofonderie: fonts & typography
🐪Let’s show you how Akhen g was designed!
Akhen, is our NEW Egypto-Slab remixed
➽ typofonderie.com/fonts/akhen-...
Akhen designed by Jean François Porchez, is new typeface family inspired by French 19th-century metal and wood types, featuring three narrow widths and a large range of weights.
Akhen, is our NEW Egypto-Slab remixed
➽ typofonderie.com/fonts/akhen-...
Akhen designed by Jean François Porchez, is new typeface family inspired by French 19th-century metal and wood types, featuring three narrow widths and a large range of weights.
November 4, 2025 at 4:11 PM
🐪Let’s show you how Akhen g was designed!
Akhen, is our NEW Egypto-Slab remixed
➽ typofonderie.com/fonts/akhen-...
Akhen designed by Jean François Porchez, is new typeface family inspired by French 19th-century metal and wood types, featuring three narrow widths and a large range of weights.
Akhen, is our NEW Egypto-Slab remixed
➽ typofonderie.com/fonts/akhen-...
Akhen designed by Jean François Porchez, is new typeface family inspired by French 19th-century metal and wood types, featuring three narrow widths and a large range of weights.
Reposted by Typofonderie: fonts & typography
James Mosley (1935–2025)
In memory of our departed librarian, scholar and teacher. By Riccardo Olocco.
On @fontstand.com fontstand.com/news/essays/...
In memory of our departed librarian, scholar and teacher. By Riccardo Olocco.
On @fontstand.com fontstand.com/news/essays/...
November 5, 2025 at 1:12 PM
James Mosley (1935–2025)
In memory of our departed librarian, scholar and teacher. By Riccardo Olocco.
On @fontstand.com fontstand.com/news/essays/...
In memory of our departed librarian, scholar and teacher. By Riccardo Olocco.
On @fontstand.com fontstand.com/news/essays/...
Original ATypI membership card of José Mendoza. Note he was member #23. ATypI logotype set in Meridien.
November 6, 2025 at 2:45 PM
Original ATypI membership card of José Mendoza. Note he was member #23. ATypI logotype set in Meridien.
James Mosley (1935–2025)
In memory of our departed librarian, scholar and teacher. By Riccardo Olocco.
On @fontstand.com fontstand.com/news/essays/...
In memory of our departed librarian, scholar and teacher. By Riccardo Olocco.
On @fontstand.com fontstand.com/news/essays/...
November 5, 2025 at 1:12 PM
James Mosley (1935–2025)
In memory of our departed librarian, scholar and teacher. By Riccardo Olocco.
On @fontstand.com fontstand.com/news/essays/...
In memory of our departed librarian, scholar and teacher. By Riccardo Olocco.
On @fontstand.com fontstand.com/news/essays/...
🐪Let’s show you how Akhen g was designed!
Akhen, is our NEW Egypto-Slab remixed
➽ typofonderie.com/fonts/akhen-...
Akhen designed by Jean François Porchez, is new typeface family inspired by French 19th-century metal and wood types, featuring three narrow widths and a large range of weights.
Akhen, is our NEW Egypto-Slab remixed
➽ typofonderie.com/fonts/akhen-...
Akhen designed by Jean François Porchez, is new typeface family inspired by French 19th-century metal and wood types, featuring three narrow widths and a large range of weights.
November 4, 2025 at 4:11 PM
🐪Let’s show you how Akhen g was designed!
Akhen, is our NEW Egypto-Slab remixed
➽ typofonderie.com/fonts/akhen-...
Akhen designed by Jean François Porchez, is new typeface family inspired by French 19th-century metal and wood types, featuring three narrow widths and a large range of weights.
Akhen, is our NEW Egypto-Slab remixed
➽ typofonderie.com/fonts/akhen-...
Akhen designed by Jean François Porchez, is new typeface family inspired by French 19th-century metal and wood types, featuring three narrow widths and a large range of weights.
Reposted by Typofonderie: fonts & typography
FontJit is a small utility to efficiently lazy-load fonts! 🚀
FontJit gives you full control over how and when your fonts are loaded, and what should happen before, during and after.
Useful if you're working on font specimen sites, minisites, or huge font collections!
➡️ github.com/RoelN/FontJit
FontJit gives you full control over how and when your fonts are loaded, and what should happen before, during and after.
Useful if you're working on font specimen sites, minisites, or huge font collections!
➡️ github.com/RoelN/FontJit
GitHub - RoelN/FontJit: Lazy loading fonts via JavaScript
Lazy loading fonts via JavaScript. Contribute to RoelN/FontJit development by creating an account on GitHub.
github.com
October 30, 2025 at 9:59 AM
FontJit is a small utility to efficiently lazy-load fonts! 🚀
FontJit gives you full control over how and when your fonts are loaded, and what should happen before, during and after.
Useful if you're working on font specimen sites, minisites, or huge font collections!
➡️ github.com/RoelN/FontJit
FontJit gives you full control over how and when your fonts are loaded, and what should happen before, during and after.
Useful if you're working on font specimen sites, minisites, or huge font collections!
➡️ github.com/RoelN/FontJit
Reposted by Typofonderie: fonts & typography
Have a look to Airlie by Terrence Gillespie from Australia who received his #typeparis25 diploma with distinction. 🤩 typeparis.com/attendees
➽ TypeParis Summer26: Discover typeparis.com/summer25 + typeparis.com/faq
➽ TypeParis Summer26: Discover typeparis.com/summer25 + typeparis.com/faq
October 30, 2025 at 12:48 PM
Have a look to Airlie by Terrence Gillespie from Australia who received his #typeparis25 diploma with distinction. 🤩 typeparis.com/attendees
➽ TypeParis Summer26: Discover typeparis.com/summer25 + typeparis.com/faq
➽ TypeParis Summer26: Discover typeparis.com/summer25 + typeparis.com/faq
Reposted by Typofonderie: fonts & typography
Still time to book to hear Dr David Osbaldestin's talk 'Birmingham as seen through its display typography'. David Osbaldestin will present a range of interconnecting stories told through the display typefaces and jobbing printers of the city. www.cphc.org.uk/events/2025/...
Birmingham as seen through its display typography — CPHC
Part of the Baskerville 250 lecture series
www.cphc.org.uk
October 28, 2025 at 7:58 AM
Still time to book to hear Dr David Osbaldestin's talk 'Birmingham as seen through its display typography'. David Osbaldestin will present a range of interconnecting stories told through the display typefaces and jobbing printers of the city. www.cphc.org.uk/events/2025/...
Reposted by Typofonderie: fonts & typography
The original Wikipedia article about Sabon and the copy by Musk on Grokipedia.
The later copy should be renamed Copypedia?!
The later copy should be renamed Copypedia?!
October 28, 2025 at 8:25 AM
The original Wikipedia article about Sabon and the copy by Musk on Grokipedia.
The later copy should be renamed Copypedia?!
The later copy should be renamed Copypedia?!
The original Wikipedia article about Sabon and the copy by Musk on Grokipedia.
The later copy should be renamed Copypedia?!
The later copy should be renamed Copypedia?!
October 28, 2025 at 8:25 AM
The original Wikipedia article about Sabon and the copy by Musk on Grokipedia.
The later copy should be renamed Copypedia?!
The later copy should be renamed Copypedia?!
Reposted by Typofonderie: fonts & typography
Brasilia, started in 1958 by Albert Hollenstein & Albert Boton. One of the major influence of Astronef typeface.
Read about it: typofonderie.com/gazette/the-...
Read about it: typofonderie.com/gazette/the-...
October 26, 2025 at 4:17 PM
Brasilia, started in 1958 by Albert Hollenstein & Albert Boton. One of the major influence of Astronef typeface.
Read about it: typofonderie.com/gazette/the-...
Read about it: typofonderie.com/gazette/the-...
Brasilia, started in 1958 by Albert Hollenstein & Albert Boton. One of the major influence of Astronef typeface.
Read about it: typofonderie.com/gazette/the-...
Read about it: typofonderie.com/gazette/the-...
October 26, 2025 at 4:17 PM
Brasilia, started in 1958 by Albert Hollenstein & Albert Boton. One of the major influence of Astronef typeface.
Read about it: typofonderie.com/gazette/the-...
Read about it: typofonderie.com/gazette/the-...
Reposted by Typofonderie: fonts & typography
What a pride to see Parisine have become the iconic typeface of the Parisian Metro that celebrated its 125th anniversary.
🥳 Parisine 30th anniversary! Thank you RATP.
🥳 Parisine 30th anniversary! Thank you RATP.
July 21, 2025 at 9:02 AM
What a pride to see Parisine have become the iconic typeface of the Parisian Metro that celebrated its 125th anniversary.
🥳 Parisine 30th anniversary! Thank you RATP.
🥳 Parisine 30th anniversary! Thank you RATP.
Reposted by Typofonderie: fonts & typography
Caslon Old Face. Part of ressources used for the Caslonian state of minds essay.
typofonderie.com/gazette/casl...
typofonderie.com/gazette/casl...
August 4, 2025 at 5:14 PM
Caslon Old Face. Part of ressources used for the Caslonian state of minds essay.
typofonderie.com/gazette/casl...
typofonderie.com/gazette/casl...
Reposted by Typofonderie: fonts & typography
Discover a selection of projects set in PS Fournier, excellent text and titling typeface, which reflects the perfect French elegance.
➽ typofonderie.com/fonts-in-use...
— — —
#fontsinuse #typefaces #fonts #branding
➽ typofonderie.com/fonts-in-use...
— — —
#fontsinuse #typefaces #fonts #branding
October 20, 2025 at 4:45 PM
Discover a selection of projects set in PS Fournier, excellent text and titling typeface, which reflects the perfect French elegance.
➽ typofonderie.com/fonts-in-use...
— — —
#fontsinuse #typefaces #fonts #branding
➽ typofonderie.com/fonts-in-use...
— — —
#fontsinuse #typefaces #fonts #branding
Discover a selection of projects set in PS Fournier, excellent text and titling typeface, which reflects the perfect French elegance.
➽ typofonderie.com/fonts-in-use...
— — —
#fontsinuse #typefaces #fonts #branding
➽ typofonderie.com/fonts-in-use...
— — —
#fontsinuse #typefaces #fonts #branding
October 20, 2025 at 4:45 PM
Discover a selection of projects set in PS Fournier, excellent text and titling typeface, which reflects the perfect French elegance.
➽ typofonderie.com/fonts-in-use...
— — —
#fontsinuse #typefaces #fonts #branding
➽ typofonderie.com/fonts-in-use...
— — —
#fontsinuse #typefaces #fonts #branding
Reposted by Typofonderie: fonts & typography
Details x8 from bibliothèque Elzevirienne. Probably “Pierre Jannet typeface” 1856, who followed the earlier type revival by Louis Perrin (from 1846).
Few references about earliest revivals typofonderie.com/gazette/arse...
Few references about earliest revivals typofonderie.com/gazette/arse...
October 19, 2025 at 10:19 AM
Details x8 from bibliothèque Elzevirienne. Probably “Pierre Jannet typeface” 1856, who followed the earlier type revival by Louis Perrin (from 1846).
Few references about earliest revivals typofonderie.com/gazette/arse...
Few references about earliest revivals typofonderie.com/gazette/arse...
Details x8 from bibliothèque Elzevirienne. Probably “Pierre Jannet typeface” 1856, who followed the earlier type revival by Louis Perrin (from 1846).
Few references about earliest revivals typofonderie.com/gazette/arse...
Few references about earliest revivals typofonderie.com/gazette/arse...
October 19, 2025 at 10:19 AM
Details x8 from bibliothèque Elzevirienne. Probably “Pierre Jannet typeface” 1856, who followed the earlier type revival by Louis Perrin (from 1846).
Few references about earliest revivals typofonderie.com/gazette/arse...
Few references about earliest revivals typofonderie.com/gazette/arse...