Typofonderie: fonts & typography
@typofonderie.com
https://typofonderie.com/links
Join any graphic designer, art director, web designer who use our fonts! Buy the best quality typefaces you need. Est. 1994.
👋 Annual graphic & typography design conference + learn type design @typeparis.com
Join any graphic designer, art director, web designer who use our fonts! Buy the best quality typefaces you need. Est. 1994.
👋 Annual graphic & typography design conference + learn type design @typeparis.com
Reposted by Typofonderie: fonts & typography
The precision and refinement of the drawing of Antique Olive is extraordinary.
👋 The drawing of the t is a perfect example.
👋 The drawing of the t is a perfect example.
February 10, 2026 at 7:51 PM
The precision and refinement of the drawing of Antique Olive is extraordinary.
👋 The drawing of the t is a perfect example.
👋 The drawing of the t is a perfect example.
The precision and refinement of the drawing of Antique Olive is extraordinary.
👋 The drawing of the t is a perfect example.
👋 The drawing of the t is a perfect example.
February 10, 2026 at 7:51 PM
The precision and refinement of the drawing of Antique Olive is extraordinary.
👋 The drawing of the t is a perfect example.
👋 The drawing of the t is a perfect example.
Thank you!
Aiglon is a perfect panic font pick! The 4 stylistic variants aren't just weights, they're different cultural moods:
- Paris = French modernism, Chanel vibes
- Milano = Art Deco flourish, high E bars
- Geneva = Swiss restraint, Univers DNA
- Berlin = Geometric Futura influence
- Paris = French modernism, Chanel vibes
- Milano = Art Deco flourish, high E bars
- Geneva = Swiss restraint, Univers DNA
- Berlin = Geometric Futura influence
February 9, 2026 at 8:11 AM
Thank you!
Books & typography. The best combo!
This is a more graphic design/typography book thread.
Going to start here, b/c this is such a succinct and perfect explanation of typography.
Going to start here, b/c this is such a succinct and perfect explanation of typography.
February 9, 2026 at 7:39 AM
Books & typography. The best combo!
Reposted by Typofonderie: fonts & typography
It is not just about the weights and serifs; what really sets a style apart is the overall feel of the forms.
Le Monde Livre
➽ typofonderie.com/fonts/le-mon...
Le Monde Livre
➽ typofonderie.com/fonts/le-mon...
February 8, 2026 at 7:54 AM
It is not just about the weights and serifs; what really sets a style apart is the overall feel of the forms.
Le Monde Livre
➽ typofonderie.com/fonts/le-mon...
Le Monde Livre
➽ typofonderie.com/fonts/le-mon...
It is not just about the weights and serifs; what really sets a style apart is the overall feel of the forms.
Le Monde Livre
➽ typofonderie.com/fonts/le-mon...
Le Monde Livre
➽ typofonderie.com/fonts/le-mon...
February 8, 2026 at 7:54 AM
It is not just about the weights and serifs; what really sets a style apart is the overall feel of the forms.
Le Monde Livre
➽ typofonderie.com/fonts/le-mon...
Le Monde Livre
➽ typofonderie.com/fonts/le-mon...
David Quay has a rare experience. His talk at Now26 will be very interesting.
Welcome to David Quay, The Foundry Types. Speaker at #typeparisnow26 30 May 2026, Paris. 🛎 Earlybird tickets at €140. Limited quantity available (link on profile). Include access to all talks, snack, beverage, tote bag full of graphic & type goodies.
February 4, 2026 at 8:11 AM
David Quay has a rare experience. His talk at Now26 will be very interesting.
Reposted by Typofonderie: fonts & typography
Thank you Zuzana Licko for the envelope received today. Warm welcome to Modulator typeface, Emigre Fonts.
February 3, 2026 at 3:58 PM
Thank you Zuzana Licko for the envelope received today. Warm welcome to Modulator typeface, Emigre Fonts.
Thank you Zuzana Licko for the envelope received today. Warm welcome to Modulator typeface, Emigre Fonts.
February 3, 2026 at 3:58 PM
Thank you Zuzana Licko for the envelope received today. Warm welcome to Modulator typeface, Emigre Fonts.
Reposted by Typofonderie: fonts & typography
Jean Widmer 1929-2026, graphic designer and designer, creator of the iconic centre Pompidou logo. His minimalist and typographic work continues to inspire.
A man of great humanity.
#rip
A man of great humanity.
#rip
February 2, 2026 at 10:53 PM
Jean Widmer 1929-2026, graphic designer and designer, creator of the iconic centre Pompidou logo. His minimalist and typographic work continues to inspire.
A man of great humanity.
#rip
A man of great humanity.
#rip
Jean Widmer 1929-2026, graphic designer and designer, creator of the iconic centre Pompidou logo. His minimalist and typographic work continues to inspire.
A man of great humanity.
#rip
A man of great humanity.
#rip
February 2, 2026 at 10:53 PM
Jean Widmer 1929-2026, graphic designer and designer, creator of the iconic centre Pompidou logo. His minimalist and typographic work continues to inspire.
A man of great humanity.
#rip
A man of great humanity.
#rip
Reposted by Typofonderie: fonts & typography
Yes, it is possible to draw a cursive italic in a Grotesque style, and not just an inclined version. For proof this example.
Antiques Italiques, extract from Fonderie Mayeur Alainguillaume specimen ~1912.
Antiques Italiques, extract from Fonderie Mayeur Alainguillaume specimen ~1912.
January 31, 2026 at 8:54 AM
Yes, it is possible to draw a cursive italic in a Grotesque style, and not just an inclined version. For proof this example.
Antiques Italiques, extract from Fonderie Mayeur Alainguillaume specimen ~1912.
Antiques Italiques, extract from Fonderie Mayeur Alainguillaume specimen ~1912.
Yes, it is possible to draw a cursive italic in a Grotesque style, and not just an inclined version. For proof this example.
Antiques Italiques, extract from Fonderie Mayeur Alainguillaume specimen ~1912.
Antiques Italiques, extract from Fonderie Mayeur Alainguillaume specimen ~1912.
January 31, 2026 at 8:54 AM
Yes, it is possible to draw a cursive italic in a Grotesque style, and not just an inclined version. For proof this example.
Antiques Italiques, extract from Fonderie Mayeur Alainguillaume specimen ~1912.
Antiques Italiques, extract from Fonderie Mayeur Alainguillaume specimen ~1912.
Reposted by Typofonderie: fonts & typography
Welcome to Flavia Zimbardi. Speaker at #typeparisnow26 30 May 2026, Paris. 🛎 Earlybird tickets at €140. Limited quantity available (link on profile). Include access to all talks, snack, beverage, tote bag full of graphic & type goodies.
January 31, 2026 at 7:02 AM
Welcome to Flavia Zimbardi. Speaker at #typeparisnow26 30 May 2026, Paris. 🛎 Earlybird tickets at €140. Limited quantity available (link on profile). Include access to all talks, snack, beverage, tote bag full of graphic & type goodies.
👋
🛎 13 days left! Earlybird tickets €140 in limited quantity. #typeparisnow26 30 May 2026, Paris. Include access to talks, snack-beverage, a tote bag full of goodies. (link on profile)
January 30, 2026 at 8:19 AM
👋
Reposted by Typofonderie: fonts & typography
It is not really design or Unicode problem but a kerning problem.
’ ” as quotes: Finish a word in quotation marks with ‘LOL’ (better if close after the L)
’ as apostrophe: Start a word L’Affiche by preventing the L clash with the A.
Mission impossible without contextual kerning!
’ ” as quotes: Finish a word in quotation marks with ‘LOL’ (better if close after the L)
’ as apostrophe: Start a word L’Affiche by preventing the L clash with the A.
Mission impossible without contextual kerning!
January 26, 2026 at 7:58 AM
It is not really design or Unicode problem but a kerning problem.
’ ” as quotes: Finish a word in quotation marks with ‘LOL’ (better if close after the L)
’ as apostrophe: Start a word L’Affiche by preventing the L clash with the A.
Mission impossible without contextual kerning!
’ ” as quotes: Finish a word in quotation marks with ‘LOL’ (better if close after the L)
’ as apostrophe: Start a word L’Affiche by preventing the L clash with the A.
Mission impossible without contextual kerning!
Reposted by Typofonderie: fonts & typography
Register now to TypeParis Workshop Nº 24 Two different fonts in a day conducted by Ulrike Rausch @liebefonts (link on profile) on 31 May 2026
🎯 Save €30 on the group purchase with #typeparisnow26 graphic & type conference ticket.
🎯 Save €30 on the group purchase with #typeparisnow26 graphic & type conference ticket.
January 24, 2026 at 7:00 AM
Register now to TypeParis Workshop Nº 24 Two different fonts in a day conducted by Ulrike Rausch @liebefonts (link on profile) on 31 May 2026
🎯 Save €30 on the group purchase with #typeparisnow26 graphic & type conference ticket.
🎯 Save €30 on the group purchase with #typeparisnow26 graphic & type conference ticket.
✌️
Welcome to Tobias Frere-Jones, Frere-Jones Type. Speaker at #typeparisnow26 30 May 2026, Paris. 🛎 Earlybird tickets at €140. Limited quantity available (link on profile). Include access to all talks, snack, beverage, tote bag full of graphic & type goodies.
January 23, 2026 at 7:24 AM
✌️
Reposted by Typofonderie: fonts & typography
Read how our team has been 'relighting' the surface of the Baskerville punches from different angles, revealing details like scratches, rust, and engraving marks that are invisible under normal lighting baskervillepunches.org/how-rti-reve...
How RTI Reveals the Secrets of Baskerville’s Punches | Baskerville How RTI Reveals the Secrets of Baskerville’s Punches – Baskerville
Have you ever wondered how we preserve and study the tiny, intricate tools used to print books centuries ago? At the heart of the Baskerville Project lies a fascinating technique called Reflectance Tr...
baskervillepunches.org
January 22, 2026 at 9:32 AM
Read how our team has been 'relighting' the surface of the Baskerville punches from different angles, revealing details like scratches, rust, and engraving marks that are invisible under normal lighting baskervillepunches.org/how-rti-reve...
Reposted by Typofonderie: fonts & typography
Love this, which I first learned about from @typofonderie.com 's amazing piece:
typofonderie.com/gazette/le-r...
typofonderie.com/gazette/le-r...
Le Romain du Roi, the exclusive ... - Gazette - Typofonderie
Built “with a square and compass”, result of decades of work, the Romain du Roi, an exclusive typeface of the Imprimerie royale (then Imprimerie nationale)
typofonderie.com
January 22, 2026 at 3:41 AM
Love this, which I first learned about from @typofonderie.com 's amazing piece:
typofonderie.com/gazette/le-r...
typofonderie.com/gazette/le-r...
Reposted by Typofonderie: fonts & typography
André Jammes 1928-2026. Collector-Historian of photographs and typography. His book on Romain du Roi in the 1960s is great. Imagine that André was at the first meeting of the ATypI and that he frequented Morison and Warde when they were in Paris.
He wrote about psfournier.typofonderie.com for us.
He wrote about psfournier.typofonderie.com for us.
January 18, 2026 at 6:38 PM
André Jammes 1928-2026. Collector-Historian of photographs and typography. His book on Romain du Roi in the 1960s is great. Imagine that André was at the first meeting of the ATypI and that he frequented Morison and Warde when they were in Paris.
He wrote about psfournier.typofonderie.com for us.
He wrote about psfournier.typofonderie.com for us.
Reposted by Typofonderie: fonts & typography
Note from Hans Baron stapled onto 1954 Jammes catalogue
January 18, 2026 at 7:07 PM
Note from Hans Baron stapled onto 1954 Jammes catalogue
André Jammes 1928-2026. Collector-Historian of photographs and typography. His book on Romain du Roi in the 1960s is great. Imagine that André was at the first meeting of the ATypI and that he frequented Morison and Warde when they were in Paris.
He wrote about psfournier.typofonderie.com for us.
He wrote about psfournier.typofonderie.com for us.
January 18, 2026 at 6:38 PM
André Jammes 1928-2026. Collector-Historian of photographs and typography. His book on Romain du Roi in the 1960s is great. Imagine that André was at the first meeting of the ATypI and that he frequented Morison and Warde when they were in Paris.
He wrote about psfournier.typofonderie.com for us.
He wrote about psfournier.typofonderie.com for us.
Reposted by Typofonderie: fonts & typography
The magic of conceptual diagrams always operates when it comes to a simple o. But when it comes to the s, or other letterforms, there is only experience and a good eye that make the difference, with theory.
Aiglon, Arbale, Former: Regular and Italic.
1-2
Aiglon, Arbale, Former: Regular and Italic.
1-2
January 17, 2026 at 4:15 PM
The magic of conceptual diagrams always operates when it comes to a simple o. But when it comes to the s, or other letterforms, there is only experience and a good eye that make the difference, with theory.
Aiglon, Arbale, Former: Regular and Italic.
1-2
Aiglon, Arbale, Former: Regular and Italic.
1-2
Reposted by Typofonderie: fonts & typography
Because it seems so obvious once you see it: the counters more open and the letterforms feel more comfortable and natural. They breathe. The algorithmic ones look like they’ve been flattened. The latter makes sense since shifting the nodes like this is likely a type of projective geometry.
January 17, 2026 at 6:35 PM
Because it seems so obvious once you see it: the counters more open and the letterforms feel more comfortable and natural. They breathe. The algorithmic ones look like they’ve been flattened. The latter makes sense since shifting the nodes like this is likely a type of projective geometry.