TJ’s life reads like a novel: from Naval Flight Officer &history-making amputee to lawyer & world traveler. His novels, THE MOTH & DISHONORED, have earned him 2 #ClaymoreAward finalist nods & a spot on the Murder and Mayhem Award Long List.
TJ’s life reads like a novel: from Naval Flight Officer &history-making amputee to lawyer & world traveler. His novels, THE MOTH & DISHONORED, have earned him 2 #ClaymoreAward finalist nods & a spot on the Murder and Mayhem Award Long List.
I’ve officially signed with literary agent Jessica Berg of @roseclifflit.bsky.social . Years of writing, rewriting, and perseverance have led to this milestone—and I couldn’t be more excited for what’s ahead.
#WritingCommunity #AmWriting #AuthorNews #LiteraryAgent #WritersOfBluesky
I’ve officially signed with literary agent Jessica Berg of @roseclifflit.bsky.social . Years of writing, rewriting, and perseverance have led to this milestone—and I couldn’t be more excited for what’s ahead.
#WritingCommunity #AmWriting #AuthorNews #LiteraryAgent #WritersOfBluesky
Right. But if you don’t put them in the synopsis, then your story won’t make sense. And that’s a bigger problem.
Right. But if you don’t put them in the synopsis, then your story won’t make sense. And that’s a bigger problem.
Read your draft out loud. Every time you naturally want to say and then..., stop. That’s where you’re stuffing too much in. Cut where needed.
Read your draft out loud. Every time you naturally want to say and then..., stop. That’s where you’re stuffing too much in. Cut where needed.
I promise your book’s side quests, emotional beats, and cool worldbuilding still exist. Just... not here.
I promise your book’s side quests, emotional beats, and cool worldbuilding still exist. Just... not here.
I promise your book’s side quests, emotional beats, and cool worldbuilding still exist. Just... not here.
I promise your book’s side quests, emotional beats, and cool worldbuilding still exist. Just... not here.
Read your draft out loud. Every time you naturally want to say and then..., stop. That’s where you’re stuffing too much in. Cut where needed.
Read your draft out loud. Every time you naturally want to say and then..., stop. That’s where you’re stuffing too much in. Cut where needed.
Ahem. People like that!
Right. But if you don’t put them in the synopsis, then your story won’t make sense. And that’s a bigger problem.
Ahem. People like that!
Your query letter is where you can be a little mysterious. Your synopsis has to spill it all.
Right. But if you don’t put them in the synopsis, then your story won’t make sense. And that’s a bigger problem.
Your query letter is where you can be a little mysterious. Your synopsis has to spill it all.
Right. But if you don’t put them in the synopsis, then your story won’t make sense. And that’s a bigger problem.
Right. But if you don’t put them in the synopsis, then your story won’t make sense. And that’s a bigger problem.
You’re not cutting to black every two seconds for DRAMATIC EFFECT. But you are giving us the highlights in a way that makes us want to watch the full thing.
You’re not cutting to black every two seconds for DRAMATIC EFFECT. But you are giving us the highlights in a way that makes us want to watch the full thing.