www.patreon.com/posts/143609...
www.patreon.com/posts/143609...
Our second full-length, two-movement entry orchestrating Beethoven, with an intermission concluding yesterday's orchestration tip. Klaus orchestrates with a lot of bravado and richness of colour and invention.
youtu.be/-YUUKIuVjuU
Our second full-length, two-movement entry orchestrating Beethoven, with an intermission concluding yesterday's orchestration tip. Klaus orchestrates with a lot of bravado and richness of colour and invention.
youtu.be/-YUUKIuVjuU
Our first full-sonata evaluation including both movements, featuring a short added orchestration tip as an intermission! Gabi's entry rings with eloquence, daring, & a kind of spirited adventurousness in the best Beethoven tradition.
youtu.be/JSPuPRk0I1c
Our first full-sonata evaluation including both movements, featuring a short added orchestration tip as an intermission! Gabi's entry rings with eloquence, daring, & a kind of spirited adventurousness in the best Beethoven tradition.
youtu.be/JSPuPRk0I1c
Here's my other orchestration analysis video that was blocked due to a spurious copyright claim, and is now available for viewing everywhere (except for Russia and Belarus, as the situation there is complex with fair use).
youtu.be/QncF2WGrqls
Here's my other orchestration analysis video that was blocked due to a spurious copyright claim, and is now available for viewing everywhere (except for Russia and Belarus, as the situation there is complex with fair use).
youtu.be/QncF2WGrqls
Yesterday, I had a little bit of extra time (finally!) and I sat down with my video editing suite and a couple of video files that had been blocked on YouTube due to spurious copyright claims. The results are as you see here...
youtu.be/ZuNumJfG5NQ
Yesterday, I had a little bit of extra time (finally!) and I sat down with my video editing suite and a couple of video files that had been blocked on YouTube due to spurious copyright claims. The results are as you see here...
youtu.be/ZuNumJfG5NQ
Here it is - finally - the last five scores in the concluding compilation of Orchestration Online website subscriber entries; and they're great from first to last.
youtu.be/wOsurMXjwFY
Here it is - finally - the last five scores in the concluding compilation of Orchestration Online website subscriber entries; and they're great from first to last.
youtu.be/wOsurMXjwFY
Throughout the timeline of these releases, Enrique has really gone above and beyond in commenting on each video with positive, insightful feedback - and has been a strong voice in the community in support of other orchestrators...
youtu.be/i6xvpp-O08s
Throughout the timeline of these releases, Enrique has really gone above and beyond in commenting on each video with positive, insightful feedback - and has been a strong voice in the community in support of other orchestrators...
youtu.be/i6xvpp-O08s
Near-perfection. That's how I'd characterise Justin's entry. There is so little to fix, in fact, that this is the one Longa Level score that requires no enhanced evaluation. Contrasts are simple yet devastatingly effective...
youtu.be/yGVqngqei5A
Near-perfection. That's how I'd characterise Justin's entry. There is so little to fix, in fact, that this is the one Longa Level score that requires no enhanced evaluation. Contrasts are simple yet devastatingly effective...
youtu.be/yGVqngqei5A
Wayne's conception hangs together beautifully. There are so many moments that just feel right in their colour, proportions, and drama, that the revelation this is all intended for modern instruments comes as a bit of a surprise.
youtu.be/8qBLOTwolKE
Wayne's conception hangs together beautifully. There are so many moments that just feel right in their colour, proportions, and drama, that the revelation this is all intended for modern instruments comes as a bit of a surprise.
youtu.be/8qBLOTwolKE
Panos paints his orchestration with imaginative brushstrokes and counterintuitive additions and subtractions. I find it all very inspiring and it rouses a kind of protectiveness in me that, at least in this video, expresses itself...
youtu.be/vXLpRny4lAc
Panos paints his orchestration with imaginative brushstrokes and counterintuitive additions and subtractions. I find it all very inspiring and it rouses a kind of protectiveness in me that, at least in this video, expresses itself...
youtu.be/vXLpRny4lAc
Endless fascination: that's how I would describe Bruno's entry. His powerful imagination and aspirational approach to certain scoring problems does him enormous credit...
youtu.be/x_xT2wevl8k
Endless fascination: that's how I would describe Bruno's entry. His powerful imagination and aspirational approach to certain scoring problems does him enormous credit...
youtu.be/x_xT2wevl8k
Andrew's interpretation is as near period perfection at which this series of entries has arrived, among the closest in affinity to Beethoven's voice and orchestration style.
youtu.be/MLOKYopEueA
Andrew's interpretation is as near period perfection at which this series of entries has arrived, among the closest in affinity to Beethoven's voice and orchestration style.
youtu.be/MLOKYopEueA
Jesse kicks off our Longa level releases in style with a wonderfully subtle, multilayered orchestration, which develops and build on itself throughout, even adding and subtracting material during repeats...
youtu.be/gxSQ8I--k_o
Jesse kicks off our Longa level releases in style with a wonderfully subtle, multilayered orchestration, which develops and build on itself throughout, even adding and subtracting material during repeats...
youtu.be/gxSQ8I--k_o
The clarinet’s lack of 2nd-partial overtones on the octave above can make woodwind harmony feel lighter and brighter; and yet has implications for underlining the 3rd partial at an octave+5th higher.
orchestrationonline.com/orchestratio...
The clarinet’s lack of 2nd-partial overtones on the octave above can make woodwind harmony feel lighter and brighter; and yet has implications for underlining the 3rd partial at an octave+5th higher.
orchestrationonline.com/orchestratio...
The longest video yet in this current series of Orchestration Challenge evaluations! Come spend nearly 3 hours with me looking at the scores of Mario Milazzo, Jay Elliott, Lau Chun Hei, Sasha Kindel, V, and Iuri T. Bahren...
youtu.be/xc4MGNnAx48
The longest video yet in this current series of Orchestration Challenge evaluations! Come spend nearly 3 hours with me looking at the scores of Mario Milazzo, Jay Elliott, Lau Chun Hei, Sasha Kindel, V, and Iuri T. Bahren...
youtu.be/xc4MGNnAx48
Julianne brings our massive stack of full-movement Dotted Breve entries to a close with an interpretation that is near perfection - with superbly crafted colours and contrasts, a wonderful instinct for proportion...
youtu.be/k_X4-49yyp4
Julianne brings our massive stack of full-movement Dotted Breve entries to a close with an interpretation that is near perfection - with superbly crafted colours and contrasts, a wonderful instinct for proportion...
youtu.be/k_X4-49yyp4
Gemnox's hearty, spirited interpretation brings us back to our orchestral roots in style, with enormous energy and commitment.
youtu.be/4M9hhGFLLs0
Gemnox's hearty, spirited interpretation brings us back to our orchestral roots in style, with enormous energy and commitment.
youtu.be/4M9hhGFLLs0
Charles takes us in an entirely unexpected yet delightful direction - right into the realm of British-style brass band scoring! Luckily, I have just enough band-arranging chops under my belt to impart a few words of advice...
youtu.be/jgfPyL1tioY
Charles takes us in an entirely unexpected yet delightful direction - right into the realm of British-style brass band scoring! Luckily, I have just enough band-arranging chops under my belt to impart a few words of advice...
youtu.be/jgfPyL1tioY
Agnes returns, full of confidence, with an excellent sense of proportion and drama. While there are a lot of little fixes here and there, her foundations are so strong that it would be easy to bring most of this score...
youtu.be/676QzQHg0ao
Agnes returns, full of confidence, with an excellent sense of proportion and drama. While there are a lot of little fixes here and there, her foundations are so strong that it would be easy to bring most of this score...
youtu.be/676QzQHg0ao
Adrian's orchestration starts with a healthy late Classical sized orchestra - then gets bigger, and bigger, until finally by the last pages the orchestra has expanded to a mighty late Romantic ensemble...
youtu.be/nQDLZ9ROq14
Adrian's orchestration starts with a healthy late Classical sized orchestra - then gets bigger, and bigger, until finally by the last pages the orchestra has expanded to a mighty late Romantic ensemble...
youtu.be/nQDLZ9ROq14
Frank attacks our first full-length Movement 2 entry with energy and even derring-do; with massive textures blasting out between clever little passages, cascades of patterns and sneaky flutterings...
youtu.be/BTRauZt2Z7s
Frank attacks our first full-length Movement 2 entry with energy and even derring-do; with massive textures blasting out between clever little passages, cascades of patterns and sneaky flutterings...
youtu.be/BTRauZt2Z7s
John brings the Dotted Breve level Movement 1 entries to a magnificent close with his often masterful sense of aesthetics and proportions. There are so many bars here that feel like Beethoven orchestrated them...
youtu.be/tnEybswiWdg
John brings the Dotted Breve level Movement 1 entries to a magnificent close with his often masterful sense of aesthetics and proportions. There are so many bars here that feel like Beethoven orchestrated them...
youtu.be/tnEybswiWdg
John delivers a smooth, compelling interpretation, with a winning character and certain touches of authenticity I've not yet seen explored to their fullest, especially in the use of triplets in driving rhythm...
youtu.be/TcBA9w7fgRw
John delivers a smooth, compelling interpretation, with a winning character and certain touches of authenticity I've not yet seen explored to their fullest, especially in the use of triplets in driving rhythm...
youtu.be/TcBA9w7fgRw
Owen's sensitivity and empathy for Beethoven's placid, pastorale side is at a premium here, which shines through despite any errors of transcription, minor notation adjustments, and weakness of mockup audio.
youtu.be/ZaZEiYngE-g
Owen's sensitivity and empathy for Beethoven's placid, pastorale side is at a premium here, which shines through despite any errors of transcription, minor notation adjustments, and weakness of mockup audio.
youtu.be/ZaZEiYngE-g