Watercolor and ink on 5"x7" hot press paper
Watercolor and ink on 5"x7" hot press paper
Watercolor and ink on 5"x7" hot press paper
Watercolor and ink on 5"x7" hot press paper
Watercolor and ink on 5"x7" hot press paper
Watercolor and ink on 5"x7" hot press paper
Watercolor and ink on 5"x7" hot press paper
Watercolor and ink on 5"x7" hot press paper
I finished my "at least one painting a day in October" project. I did a bunch of abstracts this year. I still consider myself a landscape painter first, then a general representational painter second, but abstracts really are genuine fun.
Watercolor on 5"x7" hot press paper
I finished my "at least one painting a day in October" project. I did a bunch of abstracts this year. I still consider myself a landscape painter first, then a general representational painter second, but abstracts really are genuine fun.
Watercolor on 5"x7" hot press paper
I'm still doodling on these guys. They're getting more desperate.
Watercolor and ink pen on 5"x7" hot press paper
I'm still doodling on these guys. They're getting more desperate.
Watercolor and ink pen on 5"x7" hot press paper
I was doodling with a carpenter's pencil in my sketchbook and discovered this kind of dude. This was a pen and watercolor rendetion of a bunch of these guys hanging out in the junk piles.
Watercolor and ink pen on 5"x7" hot press paper
I was doodling with a carpenter's pencil in my sketchbook and discovered this kind of dude. This was a pen and watercolor rendetion of a bunch of these guys hanging out in the junk piles.
Watercolor and ink pen on 5"x7" hot press paper
I'm still playing with the transparent red oxide, which today I realized smells like blood from all the iron.
I borrowed some of this motif from @fiendfables.bsky.social whose work I found today and greatly admired.
Watercolor and ink on 5"x7" hot press paper
I'm still playing with the transparent red oxide, which today I realized smells like blood from all the iron.
I borrowed some of this motif from @fiendfables.bsky.social whose work I found today and greatly admired.
Watercolor and ink on 5"x7" hot press paper
I wanted to experiment with the transparent red oxide.
Watercolor on 5"x7" hot press paper
I wanted to experiment with the transparent red oxide.
Watercolor on 5"x7" hot press paper
I'm still messing with this motif.
Watercolor and Ink on 5"x7" hot press paper
I'm still messing with this motif.
Watercolor and Ink on 5"x7" hot press paper
I was doodling in my sketchbook and decided to extend a couple motifs as a little watercolor painting. I penciled in the drawing, and I think that was a mistake. The ink-only figures in the sketchbook were more spontaneous and animated.
Watercolor and Ink on 5"x7" hot press paper
I was doodling in my sketchbook and decided to extend a couple motifs as a little watercolor painting. I penciled in the drawing, and I think that was a mistake. The ink-only figures in the sketchbook were more spontaneous and animated.
Watercolor and Ink on 5"x7" hot press paper
I really dig the better-quality hot press paper. It just doesn't tear, and I can go a lot further messing with different kinds of masking.
Watercolor on 5"x7" hot press paper
I really dig the better-quality hot press paper. It just doesn't tear, and I can go a lot further messing with different kinds of masking.
Watercolor on 5"x7" hot press paper
Watercolor and ink on 5"x7" hot press paper.
Watercolor and ink on 5"x7" hot press paper.
I've been working more with abstract watercolors. I liked this one so much, I did a much larger version, but it's too big for my scanner, so this will have to do.
Watercolor on 6"x9" hot press paper
I've been working more with abstract watercolors. I liked this one so much, I did a much larger version, but it's too big for my scanner, so this will have to do.
Watercolor on 6"x9" hot press paper
What a treat!
What a treat!
I consider myself a landscape painter at heart - even through most of my work isn't.
Oil on panel, 11"x14".
I consider myself a landscape painter at heart - even through most of my work isn't.
Oil on panel, 11"x14".
Phylogenetically, all apes, including humans, are old world monkeys.
Oil on panel, 8"x10".
Phylogenetically, all apes, including humans, are old world monkeys.
Oil on panel, 8"x10".
Oil on panel, 8"x10".
Oil on panel, 8"x10".
Oil on panel, 9"x12".
Oil on panel, 9"x12".
Oil on panel, 8x10".
Oil on panel, 8x10".
Oil on panel, 8x10".
Oil on panel, 8x10".
Oil on panel, 8x10".
Oil on panel, 8x10".
This pig is the first painting on my new batch of panels. The panel held up great.
Oil on panel, 8x10".
This pig is the first painting on my new batch of panels. The panel held up great.
Oil on panel, 8x10".
I cut and primed panels today, so I'm flush with materials. The old panels (including this painting) are 1/8" thick. The new panels are 3/16", which doesn't seem like a lot, but it's 50% thicker - much sturdier.
Oil on panel, 9x12".
I cut and primed panels today, so I'm flush with materials. The old panels (including this painting) are 1/8" thick. The new panels are 3/16", which doesn't seem like a lot, but it's 50% thicker - much sturdier.
Oil on panel, 9x12".
I initially had the lit window on the other side but moved it to its present location for compositional reasons.
Oil on panel, 8"x10".
I initially had the lit window on the other side but moved it to its present location for compositional reasons.
Oil on panel, 8"x10".