Currently in development on a legal drama for ABC.
TV writing instructor at Script Anatomy.
Follow for occasional writing tips and bad jokes.
It pre-softens that fine crust of urban detritus and saves our precious fluids.
It pre-softens that fine crust of urban detritus and saves our precious fluids.
Feel free to chime in with your faves, as well!
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Feel free to chime in with your faves, as well!
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How few days did they manage to schedule Catherine O’Hara for this episode?
How few days did they manage to schedule Catherine O’Hara for this episode?
“Twice Upon A Time In Hollywood”
“Twice Upon A Time In Hollywood”
Can anyone else check if this happens on your machine (I’m on a Mac)? It’s the only app that does this to me.
Can anyone else check if this happens on your machine (I’m on a Mac)? It’s the only app that does this to me.
If your character doesn’t care, the reader never will.
Here are 2 types of weak protagonists to avoid, because they don’t WANT something badly enough:
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If your character doesn’t care, the reader never will.
Here are 2 types of weak protagonists to avoid, because they don’t WANT something badly enough:
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1) No Cybertrucks ANYWHERE!
2) MINED gemstones instead of FRACKING for natural gas!
3) DELIBERATELY cast Snow White with someone who ISN’T EVEN Kid Rock!
1) No Cybertrucks ANYWHERE!
2) MINED gemstones instead of FRACKING for natural gas!
3) DELIBERATELY cast Snow White with someone who ISN’T EVEN Kid Rock!
So you’ve come up with a brilliant problem, but when the going gets tough, why don't they just walk away?
If your audience asks that question… you’ve lost them.
Here are 3 ways to make sure your character is truly STUCK:
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So you’ve come up with a brilliant problem, but when the going gets tough, why don't they just walk away?
If your audience asks that question… you’ve lost them.
Here are 3 ways to make sure your character is truly STUCK:
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You already know that every story needs an active protagonist, but we can sometimes trick ourselves into thinking we’ve made our characters active when they are not.
Here are two traps to avoid when making your characters ACTIVE:
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You already know that every story needs an active protagonist, but we can sometimes trick ourselves into thinking we’ve made our characters active when they are not.
Here are two traps to avoid when making your characters ACTIVE:
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As writers, we must ask ourselves (and answer!) just as many questions. This is an excellent thread on questions from The Office writers room:
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#Scriptsky #Screenwriting
As writers, we must ask ourselves (and answer!) just as many questions. This is an excellent thread on questions from The Office writers room:
Just read a scene in Istanbul where characters are taking in the beautiful sights of "Hagia Jacqueline."
Just read a scene in Istanbul where characters are taking in the beautiful sights of "Hagia Jacqueline."
It’s good advice, but it can feel limiting. I’ve never been a doctor, lawyer, or cop — does that mean I shouldn’t write those stories? No!
Here’s how I authentically "write what I know" without limiting myself:
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It’s good advice, but it can feel limiting. I’ve never been a doctor, lawyer, or cop — does that mean I shouldn’t write those stories? No!
Here’s how I authentically "write what I know" without limiting myself:
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I find it an incredibly helpful tool when I’m stuck on a rewrite and hesitant to make changes for fear that I’ll lose something I love about what’s already there. Here’s how I do it…
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I find it an incredibly helpful tool when I’m stuck on a rewrite and hesitant to make changes for fear that I’ll lose something I love about what’s already there. Here’s how I do it…
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⚪️🪷
⚪️🪷
Me too... and I find that advice worse than useless! ANYTHING can have a “beginning,” “middle,” and “end" depending how you slice it.
So here’s how I think of B, M, E when it comes to storytelling:
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Me too... and I find that advice worse than useless! ANYTHING can have a “beginning,” “middle,” and “end" depending how you slice it.
So here’s how I think of B, M, E when it comes to storytelling:
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I’m starting a new thing where each week I’ll share a screenwriting tip I picked up in my decade-plus career as a TV writer with the hope that someone out there finds it useful.
So give a follow if you’re into that kind of thing. (You can always block me later if my advice sucks!)
I’m starting a new thing where each week I’ll share a screenwriting tip I picked up in my decade-plus career as a TV writer with the hope that someone out there finds it useful.
So give a follow if you’re into that kind of thing. (You can always block me later if my advice sucks!)