differences
LightNews LightNews
banner
differences.bsky.social
differences
@differences.bsky.social
1K followers 270 following 49 posts
a journal of feminist cultural studies | https://differencesjournal.org
Posts Replies Media Videos
Reposted by differences
sarahmdowling1.bsky.social
If you’re ASAP-ing, join Claire & I & our assembled luminaries for the Lyric beyond Containment seminar on Friday! We’ll be sharing material from our forthcoming special issue of @differences.bsky.social, I’ll share a bit from Here Is a Figure, & there’ll be previews of some fab books in poetics!
Screenshot of proofs of the intro to the Lyric beyond Containment special issue of differences, by Sarah Dowling & Claire Grandy
October 20, 2025 at 2:49 PM
Reposted by differences
zahidrc.bsky.social
Publication date: Nov 4, 2025 🎉
August 13, 2025 at 6:20 PM
differences.bsky.social
"Laughter […] lingers in the racialized, sexualized, and gendered spaces of abjection that drive the subject to the edges of meaning" — from our latest issue, read Iván A. Ramos's "Breaking Down, Breaking Together" here: read.dukeupress.edu/differences/...
An excerpt from the linked article, which reads: "My argument is not for a body emptied of its social markers, as these come to the fore in and thorugh Ibarra’s performance. As she tends toward the edge of meaning, Ibarra’s racialized and gendered body becomes resignified in multiple and sometimes surprising ways. Indeed, Ibarra herself has described the origin of the piece as an attempt to grapple with the ongoing burden of white womanhood that women of color must bear. Yet, as I will show, the ways in which laughter taxes and exhausts the body move beyond this intention to produce another set of meanings that have become apparent as Ibarra has continued to perform the piece. In other words, Nude Laughing also reveals how the fraught social relations of race and gender are reproduced and perhaps inevitably made abject. So even if the ways in which a laughing body exceeds the limits of subjectivity are at the heart of this essay, the social world we inhabit reveals that attempting to think beyond the violence of sociality is itself fraught and impossible."
August 7, 2025 at 6:03 PM
Reposted by differences
joeykim.bsky.social
“What is a feminist theory of exhaustion?…We are exhausted from feminism but decidedly not taking a ‘break’ from its demands. We are doing it tired.” Incredible essay by Jennifer C. Nash & Samantha Pinto in @differences.bsky.social. Free to read: read.dukeupress.edu/differences/...
July 28, 2025 at 5:49 PM
differences.bsky.social
"Kim’s work does not allow us to inhabit the virtual spaces we see before us. Instead, her rendering of space and the various ghosts that haunt those spaces seem to take possession of our bodies" — read Kriss Ravetto-Biagioli's "Spectral Forensics" here: read.dukeupress.edu/differences/...
An excerpt from the linked article, which reads: "Rather than attempt to make a case for identifying with ghosts or being able to feel their trauma, I am interested in how the feeling of being immersed within such uncanny spaces produces its own sense of distance and proximity—a critical as well as an emotional understanding—without creating a form of individual subjectivity. In the case of Kim’s trilogy, this is an uncomfortable type of thinking-feeling, one that makes us grasp what both the South Korean and U.S. governments have tried so hard to render invisible: the patron-client relationship between South Korea and the United States, the relation of prostitution to military and global capital, and the historical silencing of women forced into sex trafficking and prostitution."
July 28, 2025 at 3:17 PM
Reposted by differences
dukepress.bsky.social
The Weekly Read is "On Exhaustion: Toward a Post-Care Feminism" by Samantha Pinto and Jennifer C. Nash. The article was published in Dossier: Limits of Legibility—Questions of Blackness and Sexuality, a special issue of @differences.bsky.social (36:1).

Read the article for free: buff.ly/XDrQAhF
Cover of differences: A Journal of Feminist Cultural Studies, Volume 36, Number 1 (May 2025). The background is solid yellow with a horizontal beige band across the middle containing the journal title "differences" in lowercase serif letters. Below the band, the issue’s featured dossier is titled "Limits of Legibility—Questions of Blackness and Sexuality," with contributing authors listed: Kriss Ravetto-Biagioli, Matthew Helm, Iván A. Ramos, Jennifer C. Nash, Samantha Pinto, Lee Edelman, David Marriott, and Selamawit D. Terrefe.
July 26, 2025 at 1:00 PM
Reposted by differences
pembrokecenter.bsky.social
We are delighted to welcome two new Center staff. Scott Jackshaw joins differences as Managing Editor; Erin Perfect joins the archives team as Processing Archivist. Read about Scott : pembroke.brown.edu/news/2025-07... Read about Erin: pembroke.brown.edu/news/2025-05...
@differences.bsky.social
Text reads Welcome to our newest staff members and has an arrow indicating that there are more images to come. Headshot of Scott Jackshaw, Managing Editor of differences Headshot of Erin Perfect, Processing Archivist
July 17, 2025 at 11:02 AM
Reposted by differences
pembrokecenter.bsky.social
To read: this interview of Elizabeth Weed and Elizabeth A. Wilson, differences editors, by Eugenia Zuroski, president of the Council of Editors of Learned Journals. www.celj.org/featured-jou.... differences is CELJ's newest featured journal. @differences.bsky.social‬
‪@elizwilsonemory.bsky.social‬
Differences — Council of Editors of Learned Journals
Editors of differences were interviewed by CELJ Board members, Debra Rae Cohen and Eugenia Zuroski as CELJ’s newest featured journal!
www.celj.org
July 3, 2025 at 11:01 AM
Reposted by differences
dukepress.bsky.social
"Dossier: Limits of Legibility—Questions of Blackness and Sexuality," a special issue of @differences.bsky.social (36:1), is now available! View the TOC and read "Ce n’est pas ça: Blackness, Sex, and the Set of Illegibles" by Lee Edelman, freely available through 9/5: buff.ly/FhdR7Ft
Cover of differences: A Journal of Feminist Cultural Studies, Volume 36, Number 1 (May 2025). The background is solid yellow with a horizontal beige band across the middle containing the journal title "differences" in lowercase serif letters. Below the band, the issue’s featured dossier is titled "Limits of Legibility—Questions of Blackness and Sexuality," with contributing authors listed: Kriss Ravetto-Biagioli, Matthew Helm, Iván A. Ramos, Jennifer C. Nash, Samantha Pinto, Lee Edelman, David Marriott, and Selamawit D. Terrefe.
June 5, 2025 at 4:01 PM
Reposted by differences
jennifercnash.bsky.social
New piece written with my most precious and treasured thinking partner, @samanthapinto.bsky.social. Thinking together about exhaustion, fatigue, and being feminist and bone tired.
June 1, 2025 at 3:01 PM
differences.bsky.social
differences 36.1 is out now — featuring a dossier of essays from Selamawit D. Terrefe, David Marriott, and Lee Edelman, alongside writing from Jennifer C. Nash, Samantha Pinto, Kriss Ravetto-Biagioli, Matthew Helm, and Iván A. Ramos: read.dukeupress.edu/differences/...
Cover of differences: A Journal of Feminist Cultural Studies, volume 35, number 3. A pale yellow bar with the journal's title in black crosses over the top quarter. Below the title, black text on a yellow background offers the issue's subtitle: "Dossier: Limits of Legibility—Questions of Blackness and Sexuality."
June 2, 2025 at 6:57 PM
Reposted by differences
samanthapinto.bsky.social
We thought we knew tired when we wrote this. Exhausted with @jennifercnash.bsky.social @differences.bsky.social doi.org/10.1215/1040...
On Exhaustion: Toward a Post-Care Feminism
This essay is a critical response to the emergence of “care” as the antidote to the multiple crises that plague the present. The call for care— intramural care, radical care, mutual aid, etc.—has prol...
doi.org
June 1, 2025 at 2:37 PM
Reposted by differences
pembrokecenter.bsky.social
Thanks to the panelists and moderator for the second differences colloquium: The Climate of Critique. Video coming soon! @jttremblay.bsky.social @elizwilsonemory.bsky.social
From left: Axelle Karera (Emory), Dixa Ramírez D’Oleo (Brown), Jean-Thomas Tremblay (York), Lynne Huffer (Emory), and Elizabeth A. Wilson (Emory; moderator).
March 12, 2025 at 12:00 PM
Reposted by differences
differences.bsky.social
join us in Providence on March 7th for Limits of Legibility: The Climate of Critique — a colloquium featuring Lynne Huffer, Axelle Karera, Dixa Ramírez D’Oleo, and Jean-Thomas Tremblay, moderated by Elizabeth A. Wilson: events.brown.edu/pembroke/eve...
Poster for a colloquium titled "Limits of Legibility: The Climate of Critique." White and yellow text on black background. Logos in the bottom corners indicate that the event is sponsored by differences: A Journal of Feminist Cultural Studies and the Pembroke Center at Brown University. Poster for a colloquium titled "Limits of Legibility: The Climate of Critique." White and yellow text on black background. The description reads: "Ecocriticism has been seduced by metaphors of entanglement. Four critics challenge the increasingly dominant logic of relationality to think the climate crisis without displacing the social and racial antagonisms that found it." Below this description is a list of participants: Lynne Huffer (Emory), Axelle Karera (Emory), Dixa Ramírez D’Oleo (Brown), and Jean-Thomas Tremblay (York), with Elizabeth A. Wilson (Emory) moderating. The event will take place on March 7th from 2pm to 6pm at Brown University in Pembroke Hall 305.
February 3, 2025 at 6:22 PM
Reposted by differences
pembrokecenter.bsky.social
Join us for The Climate of Critique in two weeks feat. Lynne Huffer, Axelle Karera, Dixa Ramírez D’Oleo, and Jean-Thomas Tremblay, moderated by Elizabeth A. Wilson.
differences.bsky.social differences @differences.bsky.social · Feb 3
join us in Providence on March 7th for Limits of Legibility: The Climate of Critique — a colloquium featuring Lynne Huffer, Axelle Karera, Dixa Ramírez D’Oleo, and Jean-Thomas Tremblay, moderated by Elizabeth A. Wilson: events.brown.edu/pembroke/eve...
Poster for a colloquium titled "Limits of Legibility: The Climate of Critique." White and yellow text on black background. Logos in the bottom corners indicate that the event is sponsored by differences: A Journal of Feminist Cultural Studies and the Pembroke Center at Brown University. Poster for a colloquium titled "Limits of Legibility: The Climate of Critique." White and yellow text on black background. The description reads: "Ecocriticism has been seduced by metaphors of entanglement. Four critics challenge the increasingly dominant logic of relationality to think the climate crisis without displacing the social and racial antagonisms that found it." Below this description is a list of participants: Lynne Huffer (Emory), Axelle Karera (Emory), Dixa Ramírez D’Oleo (Brown), and Jean-Thomas Tremblay (York), with Elizabeth A. Wilson (Emory) moderating. The event will take place on March 7th from 2pm to 6pm at Brown University in Pembroke Hall 305.
February 21, 2025 at 5:21 PM
differences.bsky.social
"It was difficult to write Giving an Account of Oneself, since I included very little autobiographical detail" — from our latest issue, read Judith Butler's "Giving an Account: When, Where, for Whom, and Why?" here: read.dukeupress.edu/differences/...
An excerpt from the linked article, which reads: "The 'I' is not something rhetorically convenient. It is a first-person register one cannot do without. There are disturbances in that register. It is at once utterly personal, if not existential, and linguistic, and the gap between those two registers is precisely the difficulty that the book meant to address: the abyss into which we sometimes fall, but also an opening that allows others to try out the same 'I' or substitute another one for mine. I do not know myself perfectly, but I sense that I am neither hiding behind abstraction for purposes of privacy nor am I fleeing into abstraction to escape a problematic embodiment. I am actually trying to connect with those who also tend to fail when they seek to give an account of themselves in a language that, strictly speaking, belongs to none of us."
February 17, 2025 at 4:57 PM
differences.bsky.social
"If queer theory has struggled to think of narrative in these terms, it is perhaps because we have defined narrative as one line driven toward closure" — read @teaganbradway.bsky.social's "Renarratable Bonds: Queer Relationality in the Scene of Redress" here: read.dukeupress.edu/differences/...
An excerpt from the linked article, which reads: "Generally, antinarrative theorists define queerness as a force of negativity that ruptures the illusory structures of identity (see Edelman, No and Bad). Narrative perpetuates these structures by promising a satisfying closure that will never arrive. Butler similarly challenges the desire for 'narrative closure for our lives' (Giving 64). They are especially critical of those who idealize a coherent, definitive life story as key to a healthy psyche. In fact, they go so far as to suggest that 'something we might tentatively call the truth of the person [ . . . ] might well become more clear in moments of interruption, stoppage, open-endedness—in enigmatic articulations that cannot easily be translated into narrative form.' While they embrace the enigmas that exceed narration, Butler nonetheless refuses 'to celebrate a certain notion of incoherence' as a queer ideal. Rather than opposing incoherence to identity, Butler defines incoherence as the existential price of our relational being. In their words, '[O]ur ‘incoherence’ establishes the way in which we are constituted in relationality: implicated, beholden, derived, sustained by a social world that is beyond us and before us.' We simply cannot do without incoherence. But too much incoherence can lead to painful or even unlivable states of fracture, and as Butler cautions, '[T]he suffering that belongs to conditions of dissociation should not be underestimated' (52). We need some measure of coherence to survive.
February 10, 2025 at 1:26 PM
Reposted by differences
elizwilsonemory.bsky.social
Really looking forward to this event. See you there!
differences.bsky.social differences @differences.bsky.social · Feb 3
join us in Providence on March 7th for Limits of Legibility: The Climate of Critique — a colloquium featuring Lynne Huffer, Axelle Karera, Dixa Ramírez D’Oleo, and Jean-Thomas Tremblay, moderated by Elizabeth A. Wilson: events.brown.edu/pembroke/eve...
Poster for a colloquium titled "Limits of Legibility: The Climate of Critique." White and yellow text on black background. Logos in the bottom corners indicate that the event is sponsored by differences: A Journal of Feminist Cultural Studies and the Pembroke Center at Brown University. Poster for a colloquium titled "Limits of Legibility: The Climate of Critique." White and yellow text on black background. The description reads: "Ecocriticism has been seduced by metaphors of entanglement. Four critics challenge the increasingly dominant logic of relationality to think the climate crisis without displacing the social and racial antagonisms that found it." Below this description is a list of participants: Lynne Huffer (Emory), Axelle Karera (Emory), Dixa Ramírez D’Oleo (Brown), and Jean-Thomas Tremblay (York), with Elizabeth A. Wilson (Emory) moderating. The event will take place on March 7th from 2pm to 6pm at Brown University in Pembroke Hall 305.
February 3, 2025 at 8:23 PM
differences.bsky.social
join us in Providence on March 7th for Limits of Legibility: The Climate of Critique — a colloquium featuring Lynne Huffer, Axelle Karera, Dixa Ramírez D’Oleo, and Jean-Thomas Tremblay, moderated by Elizabeth A. Wilson: events.brown.edu/pembroke/eve...
Poster for a colloquium titled "Limits of Legibility: The Climate of Critique." White and yellow text on black background. Logos in the bottom corners indicate that the event is sponsored by differences: A Journal of Feminist Cultural Studies and the Pembroke Center at Brown University. Poster for a colloquium titled "Limits of Legibility: The Climate of Critique." White and yellow text on black background. The description reads: "Ecocriticism has been seduced by metaphors of entanglement. Four critics challenge the increasingly dominant logic of relationality to think the climate crisis without displacing the social and racial antagonisms that found it." Below this description is a list of participants: Lynne Huffer (Emory), Axelle Karera (Emory), Dixa Ramírez D’Oleo (Brown), and Jean-Thomas Tremblay (York), with Elizabeth A. Wilson (Emory) moderating. The event will take place on March 7th from 2pm to 6pm at Brown University in Pembroke Hall 305.
February 3, 2025 at 6:22 PM
Reposted by differences
dukepress.bsky.social
The #WeeklyRead is “On Receiving Accounts from Others” by Sara Ahmed. The article appears in "Unaccountably Queer", a special issue of @differences.bsky.social (35:3) edited by Teagan Bradway

Read this article for free through March 31, 2025:
buff.ly
January 25, 2025 at 2:00 PM
differences.bsky.social
"Another way of cohabitating and coming to justice out of historical conflicts will remain elusive so long as we turn to gender to change the world" — from our latest issue, read Jules Gill-Peterson's "Who Is the Subject of Gender Self-determination?" here: read.dukeupress.edu/differences/...
An excerpt from the linked article, which reads: "Yet, as a historian, I doubt that self-determination through a radical politics of gender genuinely bonds people ontologically across time, geography, race, class, language, kinship, and religion, precisely because gender’s sovereignty is the historical product of colonial, anti-Black, and settler projects of domination. A multitude of colonial and capitalist histories remind us that the wish to kill ontological transness and its built-in failure do not produce a symmetrical, common condition worth affirming. In fact, histories of state power suggest the opposite."
January 8, 2025 at 4:04 PM
Reposted by differences
jttremblay.bsky.social
Some things I enjoyed writing—in some cases, a while ago—that were published in 2024 (or just before).

(1) In December: "Basically the Same: Todd Haynes's May December," about repetition-compulsion and the “romance of intractability," on @differences.bsky.social's online forum.
Basically the Same: Todd Haynes’s May December — differences: a journal of feminist cultural studies
Haynes delights in imitation, as is his custom. His filmography comprises deconstructive approaches to the musical personae of David Bowie, Bryan Ferry, Marc Bolan, and Bob Dylan (Velvet Goldmine, I’m...
differencesjournal.org
December 19, 2024 at 3:59 PM
Reposted by differences
lgilmore.bsky.social
This special issue is filled with extraordinary essays and, in response to them, Butler explores more autobiographical territory than is their norm. Brilliantly edited by @teaganbradway.bsky.social. You can read my essay here and I wholeheartedly recommend the entire issue.
Giving an Epistolary Account of Oneself: Hannah Arendt and Mary McCarthy
This article reads the decades-long correspondence between Hannah Arendt and Mary McCarthy as an account, following Judith Butler. Specifically, it argues that an epistolary subject emerges through th...
read.dukeupress.edu
December 12, 2024 at 2:24 PM
Reposted by differences
teaganbradway.bsky.social
It's here!!! I'm extremely excited to share “Unaccountably Queer,” the special issue of Differences: A Journal of Feminist Cultural Studies that I edited in honor of Judith Butler’s groundbreaking “Giving an Account of Oneself." read.dukeupress.edu/differences/...
Volume 35 Issue 3 | differences | Duke University Press
read.dukeupress.edu
December 12, 2024 at 2:13 PM
differences.bsky.social
differences 35.3 is out now! — edited by @teaganbradway.bsky.social, "Unaccountably Queer" features essays from Gila Ashtor, Cassius Adair, Sara Ahmed, Judith Butler, Jules Gill-Peterson, and more: read.dukeupress.edu/differences/...
Cover of "Unaccountably Queer" a special issue of differences: a journal of feminist cultural studies, volume 35, number 3. Yellow background with black text. A pale yellow bar with the journal's title in black crosses over the top quarter.
December 12, 2024 at 1:25 PM